Shanghai

2010
6.3| 1h45m| R| en
Details

An American man returns to a corrupt, Japanese-occupied Shanghai four months before Pearl Harbor and discovers his friend has been killed. While he unravels the mysteries of the death, he falls in love and discovers a much larger secret that his own government is hiding.

Director

Producted By

The Weinstein Company

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Reviews

Greenes Please don't spend money on this.
MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.
Gurlyndrobb While it doesn't offer any answers, it both thrills and makes you think.
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
petarsjever Great movie. Located in Shanghai during world war 2, before attack on Pearl Harbor, an American spy looking for the murderer of his friend, also American spy. The story takes place in a complex situation in Shanghai during the war, which was at that time divided into Japanese, Chinese, German and American Quarter. It was a nearly lawless city and life was worth very little. Excellent acting, emotion, romance, men who risk all for women they love or for friendship. So much different then modern action movies with fast changing scene and a lot of computer effects. I had an impression that it was filmed in sixties of the last century. Noir atmosphere, placed in the past and, fascinating, after the movie, I was almost sure it was filmed black and white.
Anssi Vartiainen Shanghai takes place just before Japan entered the World War Two. Paul Soames (John Cusack) comes to China to look for his friend who, like him, worked for the American intelligence effort. From that basic setting we end up getting a good mystery thriller, with all the usual good stuff. Glamorous women, elegant locations, the looming threat of war, betrayals, reveals, backstabbing and more.One of the film's strengths are its actors. I haven't seen Cusack in anything for a while, but he's still in great shape and gives a good performance as your typical silent neo-noir investigator hero. Li Gong is also very good as Anna Lan-Ting, the resident femme fatale.Truth be told, I kind of wish the script was a bit better so that these people could have really stretched their wings. As it is, it's not bad, but it's not really all that original either. You can figure out the mystery pretty early if you know anything about history, the biggest twist when it comes to characters also comes near the beginning, none of the romance subplots really surprise and as a whole, while I was entertained, I wasn't really that thrilled.Shanghai is a good film to check out if you're a fan of wartime period pieces and want to see one that, for a change, doesn't take place in Western Europe. It has great actors, a decent script, excellent production values and a tight enough pacing to make up for its unoriginality.
dromasca Maybe too many pictures were already made about that city and that period and they look too much one like the other. Or maybe after Ang Lee made one of them (Lust, Caution) there is not too much to say about this subject, even of that was not even Lee's best. In any case Shanghai made by Swede director Mikael Hafstrom does not succeed to be more than routine and confusing, and looks much less authentic than other attempts which were part of the same stream.The story is set in the few months before the entry of the US in the war against Japan, and actually the heroes (some of them American agents) seem to discover preparations about Pearl Harbor and the breaking of the war in the Pacific, but they do not seem to care very much, as they are busy with their personal intrigues and revenge, as well as romantic stories, none convincing, all confusing, and certainly lacking the burning eroticism in the film by Lee. Actually never had John Cusack looked to me so uninvolved emotionally as in this film! I personally have a lot of sympathy for this actor, but he really seemed by himself unconvinced about what his character is supposed to do, so he failed to convince us as well.Besides Cusack we have in this movie Li Gong, one of the greatest stars of the Chinese-speaking screens who makes all efforts to create something credible and worth remembering but eventually fails as well because of the lack of clarity of directing intentions. Ken Watanabe on the other hand is such huge an actor and has so much charisma that he looks convincing and deadly dangerous all over the film, with a human twist by the end. He may be actually the only reason for which the sentimental turn taken by the story towards its end does not look so bad despite the (bad) cartoonish Shanghai in flames.
coxaca This is a fascinating movie in many ways, not least for its partially successful elucidation of a particularly dark period in Shanghai's colourful history. However, "Shanghai" comes across all too often as a confused mish-mash of other movies - Casablanca and The Third Man both spring rather too readily to mind - while offering little of its own in the way of an original plot or any intriguing character arcs.Solid acting work all 'round. Franka Potente is probably the most watchable of the actors here, despite being less toothsome than Gong Li (who looks every bit her age in this movie but is still ravishingly attractive).There are a few intriguing glimpses of Shanghai as it might have been in the early 40s, including one particularly well-recreated crane shot of the Bund - although I have to say the ships look just a tad too close to the imposing British-built buildings lining that famous boulevard. There's another shot from inside the Cusack character's hotel room showing a few of Shanghai's classic buildings through the window, clearly digitally composited as those particular buildings could never have been viewed that way from the one vantage point. However, it seems (judging from the credits) that the vast majority of this movie was shot in Thailand, and thus most of the street scenes and interiors are fairly generic and not particularly evocative of Shanghai's history. For a much better rendition of this you need to have a look at Ang Lee's "Lust, Caution" which treads similar territory (Shanghai, spies, Japanese occupation etc) with much more style.Indeed I find myself wondering why this movie was made at all, given that pretty much 100% of its thematic territory had been covered by Lee's movie just a couple of years before, and with considerably more chutzpah.Nevertheless...if you're a fan of any of these actors, it's worth a look.