Cleveronix A different way of telling a story

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

KnotStronger This is a must-see and one of the best documentaries - and films - of this year.

Nicole I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

LeonLouisRicci Iconic Film-Noir from Director Anthony Mann with Incredible Impressionistic Cinematography from John Alton. At the Beginning of the Post-War entries in the Genre it set a Stylized Template that would be Imitated for Years.Not Enough can be said about the Alton Look of the Film. Silhouetted Darkness in front of Glaring Light gives the Impression of Another World Separated from but Linked to Reality in a Disturbing Dimension of a World Out of Sync. A Place of an Underworld that Preys Upon the Innocent.Included in this Ground-Breaker of a Movie are Dennis O'Keefe Dragging on a Cigarette throughout as a Tough as Nails Treasury Agent, Charles MaGraw as a Sweaty, Immoral Thug, and Wallace Ford as the "Schemer" a Pulp Name if there ever was one. Also, Not to be Denied and making an Impression as an Italian American is Alfred Ryder, very Convincing as an Every-Man doing His Bit for His Country.This is one of those that all Film-Noir are Compared. It is Definitive and Dramatic with some Hard Bitten Violence and Hard-Boiled Dialog. The Setting of the City is Unmistakably Noir and the Atmosphere is Chilling and Disturbing.The Opening where, in the Post-War World is another of those Contemporary Boasting that the Government, along with Dedicated Agents and the Latest Technology is a Force that is Leading the World Toward Democracy and Decency is a Flawed Pretension that is the Movie's Greatest Weakness. A Dated Technique that is a Bit Much for Modern Audiences.That this Jingoism can be Ignored and listed as Inconsequential in the end is a Testament to the Raw Power of the Film, which is so Substantial as to make the Lesser Parts Rendered Remote and can be Forgiven.This is Simply One of the Best of the Genre and Images from the Great John Alton Frame are Used Frequently to Illustrate the Look of Film-Noir.

Robert J. Maxwell Anthony Mann's "T Men" begins the way every war movie had begun for the previous seven years. The war had stopped in 1945 but the genre had been established and lived on. Behind the opening martial theme of the credits, there is one of those announcements about the film being dedicated to all the unsung heroes, etc. There is a guiding narration by Reed Hadley, similar to those in "Guadalcanal Diary" and "The House on 92nd Street." Then, in case we missed the point, there is a spoken introduction by some high level Treasury official who tells us all about the many branches and the valuable work done by his department. He mentioned the US Coast Guard last, and after a moment's hesitation. I found this offensive. The Coast Guard should have come first. I spent four years of my youth puking over the side of one or another cutter in the Pacific. True, we never saved anybody but we once brushed against a two-hundred foot whale. I guess that taught HIM a lesson.Dennis O'Keefe and Alfred Ryder are the two agents assigned to a case in which somebody is doing a splendid job of counterfeiting ten dollar bills and revenue stamps. (The minute I saw Ryder, nice guy, good side kick, married, I figured he wasn't long for this world.) They travel to Detroit (which still looked quite livable) and insinuate themselves into a gang. They soon pick up references to a big wig named "The Schemer" who lives in Los Angeles.And O'Keefe pursues him there with few clues. Because The Schemer is known to be fond of steam baths, O'Keefe spends hours in ten different steam baths before finding his man. Los Angeles had two million people at the time and it's hard to believe there were at least ten steam baths in the city. The only steam bath I've seen, outside of San Francisco, was in Butte, Montana, which had a sizable Finnish population at the time. So, yes, I'm dubious about all those steam baths in L.A.Steam baths aside, there are a couple of good things about this movie. For 1947 it's unusually violent. That's not necessarily a good thing but it does make it different from a run-of-the-mill case history. Mann's direction is distinctive too. He shoots from odd angles and once in a while, including floor level, there may be a startling shot with a pair of eyes in the foreground, a figure in medium shot behind, and still a third figure behind him. The photography by John Alton is very well done, perhaps the most accomplished element in the film. All of the above are improvements on the performance of the colorless Dennis O'Keefe, though some of the support does very well. Here is Charles McGraw with his gravel voice and face sculpted out of granite, looking like the kind of guy you don't want to meet in an alley.

Dalbert Pringle Filmed in a no-nonsense, semi-documentary style, 1947's T-Men vividly tells the tale of 2 undercover agents from the American Treasury Department in Washington, DC, who risk life and limb in order to infiltrate a ruthlessly clever organization of currency counterfeiters who have operations in both Detroit and Los Angeles.Moving from one flea-bag hotel to the next, agents O'Brien and Genaro diligently track down "The Schemer", a valued member of the Van Tucci mob, who eventually leads our heroes to Mr. Big.Filled with plenty of hard-hitting action and deadly double-crosses, T-Men is a gritty, hard-edged Crime/Drama that's sure to please any fan of Film Noir.Filmed in stark b&w, T-Men had a running time of 92 minutes.

robert-temple-1 Anthony Mann here delivers another one of his superior noir films. The much-underrated leading man Dennis O'Keefe is terrific here. He is like a taller and tougher Alan Ladd, without the smile. This film is one of the 'investigation procedural' films of the period, complete with patronising narrator who explains to us what people we are watching are doing. 'T-Men' seems a corny title, but it is not about cartoon characters, 'T' stands for Treasury, and this is a tale of United States Treasury secret service agents infiltrating and busting a massive counterfeit ring in California. There are some crisp lines, and some lateral thinking in the story: 'If we are investigating Los Angeles, we will start in Detroit to avoid suspicion'. The story is based on real Treasury cases, and was made with the Treasury's full cooperation. We certainly learn a lot about paper quality (percentage of cotton, percentage of linen), engraved plates, photo processes, and we are almost ready to start our own presses tomorrow, except of course that crime does not pay, at least when Dennis O'Keefe is around. The next year, Anthony Mann would make 'Raw Deal', so he kept getting better. There was always plenty of tension with that Mann on the job.