Cubussoli Very very predictable, including the post credit scene !!!

Claysaba Excellent, Without a doubt!!

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Zlatica One of the worst ways to make a cult movie is to set out to make a cult movie.

drystyx This is a very formula Western.The formula is the same one used today. Since about 1950, the formula has been heavily in favor of "outlaws turning hero". This mentality didn't "creep" into the culture. It was slammed into the subconscious and the conscious of every American who watched more than ten Westerns in a life time. That's how brazen the formula was.So, this is the biggest of clichés, and we get the most stereotypical characters you'll ever find in an old Western.Still, the scenery and action works wonders to keep it from being dull. There are two women. The plain Jane one is nasty and hateful, and we can see her "reformation" a mile away. The other one is a hot Mexican woman, and her romance with the Army officer is the better and fresher story of the two romances. The romance of the vixen and the outlaw is so cliché filled that it was already a groaner in the sixties, so I expect it wasn't fresh in 1957 either, especially when one sees that this has been the standard since about 1950.So, this is actually "fluff", and not just "fluff", but definitive "fluff". No dimensions here at all. Nothing fresh, but nice action and scenery.

hitt_dave I may as well say at the outset that I am biased toward this movie. I liked westerns as a teenager and I liked westerns movies in color with recognizable actors. As an older fellow I now like mostly black and white movies westerns included. I stumbled on the production company filming this movie while on vacation with my folks in southern Utah desert in the summer of 1956. Iwas able to wander around the location and Stayed to watch about four takes of a two shot involving Okeefe and Cabot. After waiting eight months I saw the movie and a local theater and found the plot to be far more complex than most. This is not a run-of-the-mill 50s, one hero type, Western. I recommend it to anyone who likes some character development and appreciates the product of some of the good talents offered by Hollywood both in front of and behind the camera. I would like to find it on DVD.

Spikeopath Marshal Bill Haney, his assistant Tom and driver Jud are transporting prisoners Link Ferris and Tioga through Apache Indian territory and hopefully on to Fort Smith, Arkansas. On an adjacent trail, shifty Indian trader Jonah McAdam happens upon a cavalry troop that has been massacred by the Yellow Claw lead Apaches, the only survivor of the attack is Capt. Riordan, who orders McAdam to take him to Fort Dragoon Wells. Before they set off they are met by the prison wagon and not too long after that a stagecoach carrying Ann Bradley, Phillip Scott and Mexican entertainer Mara Fay also arrives on the scene. All of them now under serious threat of attacks by the Apaches. So Riordan orders the two prisoners to be unshackled so they can aid the defence of the group as they attempt to make it to Fort Dragoon Wells. But the Apache are not the only problem facing them, not all in the group are quite what they seem and with food and water at a premium, the odds are heavily stacked against them making it to safety. As it was directed by journeyman Harold D. Schuster and coming out of B-studio Allied Artists, the omens weren't that great for Dragoon Wells Massacre being anything other than a poor B Western picture. That it breaks free from budgetary restrains and becomes a fine genre entry is largely down to three key points. First is the screenplay by Warren Douglas, secondly is a few fine acting performances and thirdly is having William Clothier on cinematography duties. Though very similar in plotting to a number of other Westerns, this boasts a great script that gives weighty substance to the characters, and with Schuster effectively not letting the pace sag, the pic is both entertaining and intriguing. It would have been easy for this to turn out as a bunch of stereotypical caricatures meandering across the plains, but thanks to Douglas these become real people in very real peril. They not only must survive the constant attacks as the Indians try to pick them off at opportune moments, they must also survive each other. Thus with twists and surprising developments popping up during the journey, story doesn't lack for inventiveness. Casting aside Mona Freeman's awful and grating on the nerves turn as Ann Bradley, the cast deliver some quality characterisations, particularly notable are Barry Sullivan (Ferris), Dennis O'Keefe (Riordan), Jack Elam (Tioga) & Katy Jurado (Mara Fay). While Sebastian Cabot is weasel personified as Jonah McAdam. William Clothier is no strange name to Western fans, his work with John Ford, Howard Hawks & Budd Boetticher ensures he's a name to be excited about on a Western credit list. As usual, he doesn't disappoint. Superbly photographing the rugged terrain (Kanab, Utah) as it imposes on our under duress group, he also does fine work with the close up shots as well. Shot in CinemaScope with De Luxe Color, it's a shame that the print is of average quality. This is a film that is crying out to be remastered, but its lesser known status lends one to believe that that is unlikely to ever happen. However, it's a testament to Clothier's ability that the piece still manages to look fabulous. There's some bad editing in the mix, and in truth Schuster is no skilled craftsman when it comes to action set pieces. Yet the faults are easily forgiven, for this is all about character emphasis, as nobody on this journey is merely canon fodder, they all are given time and thought to involve the audience. So that coupled with Clothier's work makes this a strong Western that's recommended with confidence to the serious Western fan. 7.5/10

bux Not as routine as it may sound-a cavalry captain and a wagon load of prisoners join forces on a trek through hostile Indian country. Fine acting from a strong cast, tight direction, and a rousing musical score make this one good fun.