Matialth Good concept, poorly executed.

Myron Clemons A film of deceptively outspoken contemporary relevance, this is cinema at its most alert, alarming and alive.

Erica Derrick By the time the dramatic fireworks start popping off, each one feels earned.

Mandeep Tyson The acting in this movie is really good.

Rich Wright Some films just feel like everyone's going through the motions, with the cast on autopilot and nary a surprise anywhere. Check this one out for starters... the individuals in it feels unfinished, as if the writer started exploring their personalities but gave up halfway through. They behave in very odd ways, with no satisfactory answers given why and no great thought as to their motives. They fall in love at the drop of a hat, are sneaky and devious one minute and yet kind and considerate the next, and OF COURSE there has to be two gay uncles dishing out advice on love. YAWN.And don't get me started on the event which ultimately repairs the relationship between our central duo... it's the first time I've seen a couple overcome the myriad of difficulties they have over a dodgy dance cover sung by the bloke's mother. Who needs a marriage counselor when you've got a middle aged X factor reject? When the pair made them goo-goo eyes at each other over the dance floor while his mummy warbled on, my breakfast almost made an unwelcome reappearance.Still, it's not all bad news. The actors are certainly game, and throw themselves into their parts... as limited as they are. And there is the odd funny line that they manage to squeeze under the radar. It's an inoffensive, relatively harmless way to spend 100 minutes. Just don't go expecting any major insights on love, life or karaoke, or you're likely to be disappointed. Massively. 5/10

obobjim i love this movie.even though this was a simple no point movie i live Stockard Channing and think she does an excellent job in whatever shes in. this movie, although not the conventional love story, will steel your heart and have you wanting more.Although i hardly know any of the British actors in this film except the man who plays uncle Luke i thought all were phenomenal.its was a funny down to earth film that I'm sure if we don't relate to it someone we know can.i also advice you to check out some of her other films as well as the other actors you might like them.you should watch this movie it will make you laugh =]. Also i think that it could be a great date movie just not on the first one.

paulinewainwright I loved this film, managed to see it twice even though it is on very limited release in the UK (why??) Shaun Evans as Sam is totally believable as the charming ingenue who sleeps with the 'boss' in order to get a job. Amanda Ryan as Kate is less convincing and seems a little superficial (even though she tells Sam at one point that he is the one who is 'shallow'). Bob Hoskins and Lesley Manville provide the subplot superbly well, with a lot of humour. Anthony Head camps up his fun cameo as the gay lover. For me though it was Stockard Channing who stole the show - brilliant as Sheila, the hardened PR executive who, despite herself, finds herself falling in love with her young lover. The scene where Sam was finishing their affair, and then the scene at her brother's when she discovers who Sam is now sleeping with were both superb, with Stockard showing everything in her facial expressions and eyes. However, I did feel that at the end there was a scene missing - when everyone else was linked together happily, I felt there should have been a brief shot of Sheila - alone in her luxurious but unlived-in apartment, maybe reflecting on the loneliness of her life. I wish this film would come out on DVD, or at least be shown on TV so that I could record it, as I could definitely watch it more times.

gsygsy Not as good as the writers'/directors' previous effort, LAWLESS HEART, despite an array of fine actors. I think the problem lies in the limited range of the male lead. Scenes between everyone else work well enough, but his cheeky-chap persona grates after a while. This is more of a criticism of the script than of the actor. When we finally see his vulnerable side, it's too late for the rom-com ending.The relationship between the characters also seems too conveniently close-knit to convince. Sure, by definition every work of fiction is artificial, a fabrication. There was a central idea in LAWLESS HEART - a bereavement - that bound the whole thing together. Here, unfortunately, the inter-connections seem worthier of a novel than a movie.Bob Hoskins is particularly endearing in SPARKLE, so fans of his should see the movie if they can. Otherwise, in spite of reliable performances from reliable performers, this feels like a rather half-hearted attempt at a feelgood movie.