Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Dynamixor The performances transcend the film's tropes, grounding it in characters that feel more complete than this subgenre often produces.

ThedevilChoose When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

t-mccheyne I love this film, have watched and rewatched. I love Alyssa Milano in everything she does. Eric Winter I have not seen enough of and wish I could see him in lots more. His expressive acting is lovely and so convincing. Would recommend this film for an escape away from the worries of life, it gives you a warm feeling.

SnoopyStyle Jane Claremont (Emily Alyn Lind) has imaginary friend Michael. Her mother Vivienne (Stockard Channing) takes her to Tiffany's for her 10th birthday. It's time for Michael to leave her. Twenty years later, Jane (Alyssa Milano) is marrying TV star Hugh Morrison (Ivan Sergei) when her imaginary friend Michael (Eric Winter) reappears. He's sure that she needs him for some reason. She doesn't believe him and seeks help from her psychiatrist friend Jaqueline (Kristin Booth).This Lifetime TV movie has an intriguing premise. With Tiffany's being such a prominent landmark in the story, this needs to be shot in NYC especially the exterior shots. As for the story, Hugh needs to be more of a douche. Other than being self-obsessed, he doesn't seem to be horribly bad. There has to be a bigger reason for Michael to return. As for falling in love with Michael, there needs to be a more in-depth look into the life of imaginary friends. The intriguing premise should lead to something more compelling than this.

karenthomas61 Delightful premise. Eric Winter does a very good job playing an innocent child-like spirit in an adult body. He plays those scenes with zest and energy. The script has some cute scenes and dialogue based on that premise. Eric Winter and Alyssa Milano have excellent chemistry as best friends.There are some clichés in this film: The fiancé is a selfish and vain man, who does not appreciate the protagonist's true self. The protagonist gave up on her dreams and took a safe boring path through life. Not every scene works but still a pleasant film.Stockard Channing is a great performer, but this role does not use her superlative talent.Alyssa Milano plays down her sexiness to play a regular career girl. She is quite good in this role.

dewdrop519 I thought this was an enjoyable movie. Yes, the ending was fairly predictable, as most of these type movies are, but I enjoyed it. I didn't know this was based on a book and evidently it doesn't follow it very closely and most people who've read it didn't care for the movie. If you don't know about the book, the movie is good. I did notice several goofs (I'm not giving away anything at all about the storyline, so I don't consider these spoilers): in a scene where Jane goes to a restaurant to find Michael, she speaks with the hostess and as the camera flips between the two women, Jane's scarf is around her neck and then hanging down. It goes back and forth about 5 times during the conversation. Also, the previews for the movie show parts of scenes that don't actually happen in the movie. The preview of Michael in front of the cab has the cab driver saying "we can all see you" and he never says that in the actual movie. Also, the preview shows a brief clip of Jane and Michael dancing 'the robot' in a bar, and in the movie, she doesn't get up until he is done dancing.