Sita Sings the Blues

2008 "The Greatest Break-Up Story Ever Told."
7.6| 1h22m| NR| en
Details

Utilizing the 1920s jazz vocals of Annette Hanshaw, the epic Indian tale of exiled prince Ramayana and his bride Sita is mirrored by a spurned woman's contemporary personal life, and light-hearted but knowledgeable discussion of historical background by a trio of Indian shadow puppets.

Director

Producted By

Nina Paley

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Reviews

Lovesusti The Worst Film Ever
GamerTab That was an excellent one.
Sexyloutak Absolutely the worst movie.
Dana An old-fashioned movie made with new-fashioned finesse.
shricool51 if you really wanna know this story about Ramayan then you should watch (1992) Movie "Ramayana: The Legend of Prince Rama". http://www.imdb.com/title/tt0259534/this movie is nothing but garbage. shamefully western people people picks Hindu religious stories and Most respected people and make comedy movies to degrade them. i don't understand are they testing hindu peoples tolerance? you are doing all this because no hindu shoots you in your head for insulting his religion just like muslims, well that day will come soon when hindu people will lose their patience and attack those who insulting hinduism just like muslims. i think thats why you people doing this so later you can declare hindus terrorist too. why don't you make fun of Jesus? you know what make movie like this of Prophet Muhammad i dare you.
The_Film_Cricket Nina Paley spent four years making the film on her own computer, and is credited the film's director, writer, producer, editor and animator. The result of her labor is a strange, confounding, colorful, daffy and sometimes hilarious imagining of the legendary Indian folk tale of "The Ramayana." In it, Ramayana (referred in this film simply as "Rama") is a blue-skinned Indian prince who dumps his wife when he suspects that she committed adultery while she was in the clutches of the creature who kidnapped her. The story is narrated by three wisecracking shadow puppets who discuss the story in an effort to orient themselves – and us – on the progress of a story that is probably far more complicated than it needs to be. Meanwhile, in another parallel story, Paley tells her own autobiographical journey of how her husband dumped her and left her with a broken heart that ultimately resulted in her creating Sita Sings the Blues. The main story, though, involves Rama being forced into exile by his father, at the request of his wicked stepmother who wastes no tears on her blue-skinned stepson. She tells him – with an Indian accent – "Don't let the door hit you in the ass on the way out." Rama is married to the beautiful Sita, and asks her not to join him in his exile, but Sita is determined that a woman's place is next to her husband. She sings the rapturous joy of being with Rama through Hanshaw's evocative jazzy tune "Here We Are" as the two lovers spent time playing hide and seek. Her joy isn't even deterred when Rama kills a group of blue demons who come out of the woods to do harm to the couple. It is the songs that evoke the most magical moments of Sita Sings the Blues. Sita (pronounced "See-tah"), who looks like a Middle Eastern version of Betty Boop, sings Hanshaw's songs with a sexy, laid-back style and always punctuates the numbers with a happy "That's all" (which was Hanshaw's trademark). All of the songs speak to the situation at hand, and every time Sita opens her mouth to sing, it brings a smile to our faces. Even when she's sad, the film's visuals still evoke a jolly tone. Paley allows the film's visual palette to compliment what is happening to Sita during these musical interludes: When she sings "Am I Blue?" she literally turns blue. When she sings "Lover Come Back to Me", it is accompanied by repeated scenes of her lover dropping her. Sita maintains her loyalty to Rama, but trouble is afoot when an evil ten-headed king named Ravana is informed by his sister Surphanaka (sporting a nasty set of fangs) that Rama has killed his prized flock of blue demons, so he plots to get revenge by kidnapping Sita. Spurring Ravana on to the idea of a kidnapping, Surphanaka describes Sita this way: "She is the most beautiful woman in the world. Her skin is fair like the lotus blossom. Her eyes are like lotus pools. Her hands are like… from… lotuses. Her breasts like… BIG… ROUND… FIRM… JUICY… LOTUSES." Ravana asks his underling to transform himself into a golden deer to distract Rama while he kidnaps Sita. Blissfully unaware of the kidnapping plot, Sita is snatched right out of her house while in the midst of singing of her devotion to Rama with "What Wouldn't I Do for that Man", a song that eventually proves prophetic. Anguished over the disappearance of his beloved Sita, Rama plots to rescue her with the help of the monkey warrior Hanuman who – if I understood correctly – was apparently created by the gods just for that purpose. Sita, meanwhile receives a threat from Ravana that if she doesn't agree to marry him, that his blue demons will cut her to ribbons. Hanuman shows up to rescue Sita while she mournfully sings "Daddy Won't You Please Come Home." It is during this number (which includes Sita's own claranet solo) that Hanuman proves to be an adept warrior as one of the blue demons sets his tail on fire and he, in turn, uses it set fire to Ravana's palace. He leaves Ravana's island and returns to tell Rama the whole story. Why Hanuman didn't just take Sita back with him is a question that the narrators debate. Rama and Hanuman amass a giant army of monkey warriors to return to Ravana's island and rescue Sita. The plan goes into effect as Sita happily sings "Who's That Knocking at My Door?" The blue demons are dispatched with ease and the ten-headed Ravana is decapitated over and over and over again. Sita is delighted to have her beloved come and rescue her, however he is thoughtless, suspicious and jealous. Rama tells her "You have lived in another man's house so you are unfit to be my wife. He cannot have kept you in his house for so long without touching you". Seeing Sita as damaged goods and cuts her loose. Sita is broken-hearted and sings of her sadness with the melancholy tune "Mean to Me". Sita Sings the Blues represents all the reasons that I love the movies. It is lively and fun, it tells a great story that is equal parts comedy, drama, romance, heartbreak, adventure, comeuppance, revenge, all mixed into a musical that is bouncy and fun. It tells a story that is universal in a way that we've never seen before, using various techniques and camera tricks to tickle us and treat us and allow us regard it with wonder. I like this movie a lot.
princebansal1982 It is a pity really. This is one of the most Indian movies I have seen and it is not even known anywhere in India. Not that Indians will appreciate it. If they try to release it in India, our censor board will refuse to give a certificate as it will hurt religious sentiments. And even if it is passed by the censors, there would be riots as the movie would be deemed offensive.Sita Sings the Blues is one of the most clever movies I have seen. On a very limited budget, Nina Paley has made an engaging story with just flash and 2D graphics. Sita Sings the Blues juxtaposes the epic story of hindu goddess Sita with that of the director herself. It is quite feminist in outlook. While I have read feminist outlook of Sita before in for a short story, this was quite an amazing experience. Their is humor and quick wit and camaraderie. Instead of feeling like a scripted movie, it feels like a informal chat between friends.And as I mentioned before, this movie felt more Indian to me than any other movie I have seen. That is why I was so surprised to find out that Nina Paley is American. I am in awe of her.
Imdbidia This is an animated film based on the Ramayana, performed and produced by independent American director Nina Paley, who offers the movie for download, under a Creative Commons Licence, on her website.The movie intertwines four different types of animation, each one offering four different approaches to the same chapter of the Ramayana. There is the story on how the movie was created and how the author came to think of it, how her personal life got mixed up with the project. There is the story of the chapter told straight forward. There is a musical version of it in which Sita -the main character- sings some classic blues that convey what is happening in the story, expressing Sita's feelings and mood. There is, finally, a review of comment of the story told made by two hilarious Hindu shadow puppets, who offer a witty interpretation of it expressed in an every-day language. There is even an intermission, as it happens in Indian cinemas, with a cute and kitsch show.It can be confusing at the beginning, but once you understand what is happening, you immerse yourself in a movie that is original, clever and entertaining. Something completely different of what you are used to see.The music is great, not just because of the blues.The film has been controversial because the director did not know that the songs were still under copyright, despite the singer being dead for many years. The family sued the director for an astronomical sum, but they ended reaching an agreement in which she still has to pay $50,000, which is a tremendous amount of money for a starving artist who made a film almost entirely on her own, with Indian musicians and actors contributing to the music and voices for free, and her own money and donations.There are not many independent animation movies being made by women. Only for that the story deserves praise. However, what makes the movie so good is its quality and originality, and its sense of humor.You can donate -just if you want- and view the movie -for free- by visiting the website of the movie at triple w, sitasingtheblues dot com.