Lumsdal Good , But It Is Overrated By Some

Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

Plustown A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Robert Joyner The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

Woodyanders In the grim near future Venice, Italy has been reduced to a toxic polluted wasteland. After a team of researchers in Venice die under mysterious circumstances, a team of rough'n'tumble soldiers along with two civilians are sent in to investigate only to run afoul of deadly mutant monsters. Boy, does this deliciously dreadful doozy cover all the essential Grade Z low-rent schlock cinema bases with positively jaw-dropping ineptitude: We've got clunky (mis)direction by the notorious Bruno Mattei, tin-eared profane dialogue, obnoxious macho meathead characters, clumsily staged action sequences, a meandering story which unfolds at a plodding pace, cheap sets (the main underground lab location looks like an old, leaky, rundown factory -- and probably was exactly that!), hokey monsters, laughably lousy dubbing, a ridiculous surprise ending that comes totally out of left field, and, best of all, a shamelessly derivative script that steals wholesale from "Aliens" with a dash of "The Terminator" tossed in for extra tacky measure. The hilariously horrendous hammy overacting further provides a wealth of unintentional guffaws, with Geretta Gerretta as strutting abrasive mama Koster, Dominica Coulson as scared little girl Samantha, and Clive Riche as the unhinged Drake standing out as the all-time worst offenders. A complete cruddy hoot and a half.

Bloodwank One can glean some indication of the quality of Shocking Dark from the fact that it was the final collaboration of Bruno Mattei and Claudio Fragasso, the latter having reached the end of his tether. That's right, the maker of classics like Troll 2 and Zombie 4: After Death finally found himself on a project he found an affront to his artistry. But to be honest, as far as plagiarism happy no budget Italian cack goes, Shocking Dark isn't all that bad, that is to say it might send you to sleep but it won't have you clawing your eyes out with frustration. Probably the earliest of Mattei's Aliens rip offs, its not quite as accomplished as his swansong Zombies: The Beginning, but as far as Aliens rip offs in general go its far from the worst of the pack, being certainly a whole lot more charming than the likes of the excremental Xtro 2. The plot has a bunch of Marines codenamed Megaforce delving beneath the remains of a post apocalyptic Venice to see why a colony there has lost all contact, and inevitably it turns out there are monsters afoot. The course of events is shameless in its pilfering from Aliens, scenes, characters are blatantly lifted as well as even the odd actual line. The audacity is amusing, and it also has the effect of giving the film a watchable structure and cosy familiarity, which is then pleasingly subverted in the finale when the film abruptly switches to ripping off a different science fiction favorite of the 80's. Of course the staging is nowhere near as effective and there are frequent spells of boredom, but things are frequently amusing and the second half musters some reasonable excitement. Most of the fun comes from the creatures popping up and dragging people off or throwing them around, the designs are typical rubber suit fare and suitably imposing, gnarly and slimy toothy beasts that spatter some pale ichor when shot, which in the latter half they frequently are. Lots of gunfire and running around, not enough explosions or physical interaction with the environment but enough gun blazing fun to keep amusement up. The cast, though possessed of little to no actual ability deliver their dialogue with gusto, frequent trash flier Geretta Giancarlo Field puts on a cool tough gal schtick, Haven Tyler is a reasonably appealing Ripley stand-in and Christopher Ahrens appropriately cold and crooked. Its all conducted with enough enthusiasm to keep the thing just about watchable even though currents of tedium snake through most of the runtime, and there's a depressing vibe to the smoky factory setting and lighting scheme of mostly blue, blueish green or on occasion deep red. The lack of any gore is a substantial minus as well, though after a while I got used to it. Altogether I can't possibly recommend this to anyone who isn't cursed to watch every available Bruno Mattei film, but for those that have to it's better than a poke in the eye with a wet stick. 4/10 from me, but a sympathetic 4/10

Judexdot1 Everybody was bootlegging this one for years, as "Aliens 2", "Terminator 2", and the classic "Alienators". In a near future Venice that is sinking away, various soldiers for "The Tubular Corporation" try to cover-up and destroy evidence that the art museums are being looted for their treasures. Nearby genetic scientists unveil their latest mutant creation, which promptly escapes and hides in the ruined city. Eventually, the soldiers get help from the mysterious "Samuel Fuller", quickly revealed as a cybernetic soldier, out to capture and exploit the mutant creation. Soon, it's all-out chaos with the monsters fighting soldiers,with cyborgs out to profit from it all, for the Corporation. Jenna Ryan is great as the prerequisite tough soldier, and should really get better roles. It's got a piece of everything, and pits it all against each other, until a spacey psychedelic climax of cosmic proportions. I have it as "Shocking Dark", with a brief shot of a still that says "Alienators"

Michael A. Martinez This movie is not actually a sequel to the 1984 James Cameron movie, but more or less a remake of Cameron's 1986 movie ALIENS. The major difference between this movie and Aliens is... well, almost nothing actually.The plot, lines of dialog, situations, etc. are all completely identical to those seen in ALIENS, such as the mischievous android who more or less plays the "Burke" role up until he gets damaged a bit, then he goes on a TERMINATOR-style rampage chasing after the woman and the young girl.The actual Aliens here are more like genetic mutations, and they don't really look that bad considering they're just guys in monster suits. Whatever they have to do with the plot is negligible since the movie seems to be more of a post-nuke film having to do with soldiers unlocking some government conspiracy deep in the bowels of a futuristic ruined Venice.The cast is uniformly awful, with several Americans (some with South African accents) in the cast who appear to have little or no prior acting experience, sort of the same situation with TROLL 2 or CRUEL JAWS where I think the production company just wheeled through K-mart asking people if they wanted to act in a film. Only Fausto Lombardi comes across as anything resembling good, though Chris Ahrens and Janna Ryan are pretty amusing bad movie veterans.The musical score for this picture I believe was liberated from a number of other 80's films, including Blade Runner and Miami Cops. Much of the footage (with the explosions, etc.) is taken from Mattei's earlier DOUBLE TARGET too.So bad is this film, in fact, that writer/co-director Claudio Fragasso refused to make any more movies with Mattei afterward - and that's saying a lot. I have to say that I enjoyed it to a certain extent, though it's more fun to wonder how they managed to avoid a lawsuit than it is to actually sit down and watch the movie in one sitting. A little too depressing and dull to be unintentionally funny - though it does certainly have its moments.