Neive Bellamy Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Paynbob It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

Woodyanders Once again writer/director Andy Sidaris delivers his patented hugely entertaining mix of plentiful yummy gratuitous female nudity, bloody violence, extremely variable acting, big splashy explosions, and rough'n'tumble martial arts fights in this fun tale of federal agents Donna (buxom blonde fox Dona Speir) and Taryn (adorable sprite Hope Marie Carlton), who find themselves trapped on a remote tropical island with a hidden gold treasure on it that's guarded by a mysterious Japanese warrior (well played by Michael Mikasa in cruddy old age make-up). Naturally, a band of vicious no-count villains arrive on the island in search of the gold. Speir and Carlton display a winningly easy'n'breezy natural screen chemistry and, not surprisingly, look spectacular both in and out of their skimpy outfits (a skinny-dipping scene featuring these lovely ladies enjoying a merry frolic in the ocean rates as the definite highlight here). Moreover, Sidaris shows some genuine filmmaking skill with an impressive dramatic flashback sequence towards the end and keeps the plot moving along at a constant snappy pace. John Aprea contributes a solid turn as dashing no-nonsense Captain Andrews, Bruce Penhall makes for a likable male lead as the amiable major Bruce Christian, Rodrigo Obregon snarls it up effectively as the nefarious Martinez, and smoldering brunette porn starlet Teri Weigel steams up the screen with her sultry portrayal of Martinez's enticing moll Angelica. Ubiquitous 80's Fu Mancho dude Al Leong pops up playing one of his trademark nasty baddies, sports a ponytail, and even has a sizable amount of dialogue. Howard Wexler's bright cinematography gives the picture a glimmering sunny look. Gary Stockdale's funky score hits the bumping spot. An enjoyable outing.

unbrokenmetal "Savage Beach" has the most unusual story of the Lethal Ladies series. Instead of an over-equipped investigation with a plan, this is more like an accidental adventure. No Las Vegas night clubs or expensive sports-cars - "Savage Beach" plays on a lonely island where a gold treasure was lost in WW II, yet still guarded by an isolated Japanese soldier. Not a new story (I remember "Who Finds a Friend Finds a Treasure", 1981), but with Sidaris' attention grabbing techniques (from explosions to boobs) it works great. Our heroines, the two pilots Donna (Dona Speir) and Taryn (H.M. Carlton), make an emergency landing on that island after a storm (another rarity: bad weather in a Sidaris movie). More and more sinister characters arrive to make the island unsafe. Al Leong (who later played the helicopter pilot in "Hard Hunted") gets a good role as a tough bad guy. A situation that stuck to my mind is when the Leatherface samurai frees Taryn and explains later: "I can't kill those eyes again" - what a moment of poetry, folks! Oh, and would you believe a bloke who calls Donna "bimbo" survives the next few seconds? This is the 4th out of 12 Sidaris movies I reviewed (in chronological order), and one should note that after 3 successful pictures which he had financed basically from his personal money, Sidaris was offered a deal about 5 more which kept the Lethal Ladies series going. "Savage Beach" surely was an impressive start for this new... uh... pentalogy!

gridoon "Savage Beach" is probably one of Andy Sidaris' most technically accomplished films. He achieves some beautiful color contrasts and other cinematographic effects here (right from the opening scene, which has a samurai silhouetted against an orange sky). There is perhaps a bit too much exposition in the first half, but the movie really comes alive as soon as Dona Speir and Hope Marie Carlton set foot on the "deserted" island. They both look great in their tank tops and they are (expectedly) in tip-top physical shape. As another reviewer noted, watching them wander around the humid island and wave their guns is a pleasure in itself. And at the end, there is even a dramatic scene! Trivia note: 7 years before Pamela Anderson made the "Don't call me babe" line famous in "Barb Wire", Dona Speir had already said "Don't ever call me a bimbo again" to John Aprea in this film - and I, for one, agree with her! (**1/2)

John Seal A typical entry in the Sidaris filmography, Savage Beach features the usual assortment of well-endowed women, goofy villains, and exotic locations, and is simple minded if occasionally violent fun. The highlight of this one is Michael Mikasa's appearance as a World War II Japanese soldier stranded on a remote island--in order to age him, the makeup department seems to have submerged his head in a bowl of collodion. It's not a pretty sight.