ChicRawIdol A brilliant film that helped define a genre

BeSummers Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

Janis One of the most extraordinary films you will see this year. Take that as you want.

Dana An old-fashioned movie made with new-fashioned finesse.

tlawrenceintel This is by far Jason Patric's best role. Even better than Sleepers and that's saying something. While he is not the best actor and will likely never receive any serious acclaim, he serves this role up realistically. The downward spiral that he slips into as the good cop gone rogue is believable. I came to realize that this could really happen when deep undercover gets too deep. Look for Greg Allman in an amazing performance in a role that was tailor-made just for him. The ultimate gangster/biker/outlaw long before Sons of Anarchy was conceived.

Spikeopath Rush is directed by Lili Fini Zanuck and adapted to screenplay by Peter Dexter from the Kim Wozencraft novel. It stars Jason Patric, Jennifer Jason Leigh, Sam Elliott, Max Perlich and Gregg Allman. Music is by Eric Clapton and cinematography by Kenneth MacMillan.Two undercover narcotic cops get on a downward spiral that they may not return from...Set and filmed in Texas, Rush is a hot, sweaty and claustrophobic neo- noir. It maybe doesn't have the classic visual tics of yesteryear, but it has photographic style to burn - with Clapton's score suitably melancholic, which in turn is something that sits perfectly with the perpetual sense of doom that pervades the pic. Corruption and addiction lead the way, all while love tries its hardest to break on through to the other side, but we are on a bus to noirville, and noirville is an unforgiving place...Patric and Leigh are damn fine actors if given the right material to work with, and they carry this with aplomb. Sadly, Allman is a weak villain, maybe because he looks like a Rick Wakeman clone?! While under using Sam Elliott is just a plain waste. However, this deserves its place on neo-noir lists. It is deliberate in pacing, therefore asking for you to buy into the thematics at work, to let them itch your skin, but to do so has rewards, for in true noir style it doesn't chicken out once the end credits have rolled. 7.5/10

IHATEITHERE74 As an ex-addict (who am I a fooling, I'll always be an addict for life), this movie plays to exactly how an addict works in life. You will do whatever you have to do to get that high. Whether it be coke, heroin, speed, etc. this movie portrays it perfectly. Once you have done heroin, there is no turning back. Yes, it is that addictive. I'm not a big coke fan, but Meth (Speed)is damned addictive and good luck getting off of it once you have started. This movie portrays this perfectly, as Jennifer J. Leigh is going through the carpet and snorting whatever Meth she has found (I've done the same and it is a terrible thing).The message of this movie is perfectly clear. Do NOT put yourself in the position to get strung out on any of this stuff. It will ruin your life, like it ruined mine.Is there anything better than a shot of heroin? No...There is not. Is there anything better than being high on Meth? No, there is not. STAY AWAY FROM IT ALL OR IT WILL WRECK YOUR LIFE AS IT DID MINE!!!Drugs are a great escape until you find out it is too late and in up in rehab (which I did). Even after rehab I went back to using. Yep....It is that hard a habit to break.I am in a Methadone clinic now, but getting close to getting out.Bottom line? Don't mess with any of this stuff if you want to keep a clean life.God bless.

jzappa Rush does not have my favorite atmosphere, that of big belt buckles, long hair, cowboy hats, and barrelhead bars. Not a fan. But, the film is very powerful. It's directed with a very discerning pace and clearcut, head-on reception of every emotion and tension released by every scene by Lili Fini Zanuck. Because of this, the film, which some say is not so action- packed, is actually brimming with action. The action doesn't largely involve guns or chases or fights but involves a harrowing ride through the attacks of libido and paranoia of drug addiction. The film is a masterpiece of direct film-making. Not only is Zanuck's aforementioned style barefaced and precise, the story is the reality of a deep cover narcotics operation. Hardly any connection with the outside world at all, the acclamation to hard drugs, the dangerous risk taken by the chemistry between the narcs working together, and the unexpected traumatic, malicious confrontations that turn out to be the most harrowing and affecting experiences on the whole.Jason Patric and Jennifer Jason Leigh make for a surprisingly very intense duo. Patric delivers a gem of a performance as a dark, hardened cop who reaches the peak of every alarming human extent. Leigh, as the straight man so to speak in that particular area, delivers on quite a sensitive note. Also, having been scarred by her maddening irritating side in The Hudsucker Proxy, I was happy to see her in a performance where she did not go over the top and stayed at the level that made her stand out quite a lot. And, on a side note, I had no idea she was so hot. Her body, especially around the level of the hips and thighs, is perfection rarely so magnified. Watch for the scene in the apartment where she's wearing jeans and a black shirt. You'll sweat till your clothes stick.Rush has what one wouldn't expect from a film like it, and that is a villain that is an added bonus in every way. We see him only as silent punctuation at the beginning, middle, and end. He is elusive, smarter than any of his partners, calculating, all underneath that long Texas hair of his. From the start, we are presented with a man who only appears to all that come in contact with him to be no different, wearing boots, the accent, everything I said at the top, the like, but beneath the appearance is someone who knows the trouble and chaos those who try to catch him throughout the film are about to go through and smirks inside about it.