Poster Boy

2004 "Can he keep his secret?"
6| 1h38m| R| en
Details

The gay son of a conservative senator who is also the poster boy for his father's re-election unknowingly befriends a gay activist bent on destroying the hypocritical campaign.

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Trailers & Clips

Also starring Matt Newton

Also starring Valerie Geffner

Reviews

Scanialara You won't be disappointed!
Noutions Good movie, but best of all time? Hardly . . .
Taraparain Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.
Hayden Kane There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes
John Nail (ascheland) "Poster Boy" tries so hard to make a statement—so very, very hard—that I really wished it was better than it is. Henry Kray (Matt Newton), the closeted gay son of a conservative North Carolina senator (Michael Lerner), grudgingly agrees to introduce the senator at a rally held at the fictional New York college he attends, if only so his father will stop smacking him at the breakfast table. But then Henry attempts to escape the duty, high-tailing it to the family's house in Palm Springs. Alas, an eager-to-please young Republican (Ian Reed Kesler) is sent to retrieve Newton and drag his ass back to NYC, though not before Newton can drag him to a gay bar then rent Kesler a shapely call girl for the night. Meanwhile, Anthony (Jack Noseworthy), a former gay activist and recently fired fashion house go-fer, is looking for love but only finding one-night stands while his roommate, Izzy (Valerie Geffner, doing her best Ally Sheedy-in-"The Breakfast Club" impersonation), pops Prozac and snarls at anyone within spitting distance as she tries to cope with being HIV-positive. As is to be expected, all these characters' paths will cross and collide (at times literally) on the way to a Big Moment.Heavy-handed though it is, the script actually has a few good points to make. If only screenwriters Ryan Shiraki and Lecia Rosenthal put as much thought into telling a story as making a statement, especially when they're preaching to the choir. As it is, the narrative is more like a series of contrivances meant to move the characters toward that Big Moment rather than plausible events arising from believable circumstances. Luckily, the movie is buoyed somewhat by fairly solid acting. Karen Allen is a welcome presence as the senator's chain-smoking, heavy drinking wife, even if her Southern accent is a tad bit overdone (conversely, Lerner's Southern accent is almost nonexistent). Director and co-editor Zak Tucker packs the movie with lots of style—from quick cuts to split screens to moody gels and filters—making his movie nearly unwatchable in the process."Poster Boy" also has continuity errors galore. Cigarettes are a particular problem, be it a reporter lighting a half-smoked cigarette in the opening scene, only to be shown seconds later with a fresh one dangling from his lips unlit; or Allen smoking a newly lit cigarette, then shown lighting it a quick cut later. There's also the extra so nice we have to see her passing Newton and Noseworthy twice in the same scene (made worse by the fact that Newton calls attention to her the first time around), and Lerner is shown getting into a limo with his hair a mousy brown when in the rest of the movie it's white. Other distractions: How do Noseworthy and Geffner—one unemployed, the other a bookstore clerk making $7 an hour—afford a chauffeured Town Car? And why the gratuitous female nudity in a movie that features gay men with hyperactive sex lives? Sadly, the two male leads are only fleetingly shown in their skivvies.For all its problems, "Poster Boy" isn't awful, but it made its statements so loudly and so often that I found myself tuning them out, wondering instead whether anyone in wardrobe was going to rustle up something else for Ms. Allen to wear besides that lavender suit.
crispin_13 Too often in gay cinema, Films loose their way in two ways. Plots and characters get lost in a desperate and schlocky attempt to prove just how gay a film can be. A serious attempt at film making is often lost in a need to be gay and throws in unnecessary and explicit love scenes and nudity for no other reason than to remind the viewer that the characters are indeed homosexual. The other way (the worse of the two in my opinion) is that there seems to be this rule that many film makers have that you can not make a serious film about gay men without one of them dying of AIDS. I applaud Poster Boy for not falling into either of these traps. The lead male characters are unquestionably homosexual without being explicit yet without losing their sexuality and none of the gay men die of aids nor are they HIV positive. There is a character who is HIV positive whom we are told dies of AIDS but it is not pivotal to the plot and it is a straight woman. The film does not belittle the disease but it is not the agenda of the film. This film is about the relationship between a father and son and the worlds they live in. It is tightly directed with good character development on both sides. The acting is very good especially by Michael Lerner in a very different role for him. Karen Allen is always a joy to watch. The main characters are played by relatively unknowns which I think works well for the characters. Well done by all involved
mike flutka Talk about misrepresentation! This movie misses on so many marks that I honestly feel sorry for those involved. The acting, editing, cinematography, "costumes", etc. YIKES! What really got my goat was the thorough incoherence of the "story". The movie's called Poster Boy and the main character bitches and moans about how he's "not the perfect son" but his big problem is giving a single phoney speech! If the movie had been about his parents grooming him to be a politico and forcing various women on him it might've made sense. But when he's a nobody at some second-tier university an they're trying to hide him how is he a Poster Boy living a lie. He mentions on several occasions how he's invisible. Boo Hoo. And what's with the political implausibility? The devil from South Carolina who's in office and running for re-election in New York? I don't think so. Oh, and how about the fact every character smokes constantly in totally inappropriate locales. I suppose this was to make them "interesting". Bleh. Of all the bad acting Izzy has to be the worst. Is she doing an impression of Ally Sheedy in Breakfast Club or what? The two gay characters which were supposedly the selling point of this fiasco have about as much sizzle as a glass of water. All in all, another sad contribution to the canon of horrible gay films. I was bamboozled by another wretched NetFlix suggestion! The end.
Havan_IronOak Henry Cray is a young gay man who's gone away to college and is enjoying the liberty of coming out, away from his family. Only problem is that the boy's father is a powerful, conservative U.S. Senator and around campus the son's homosexuality is a bit of an open secret.Enter Anthony, a 28 but younger looking gay man, who's been a member of Act Up but who is now more interested in spending his time with affluent gal pal Izzie and perhaps getting into the pants of some college boy when they crash a campus party.Despite being 28 Anthony can easily pass for a college guy and quickly meets several guys willing to show him a good time including Henry. Unaware of Henry's name Anthony hooks up with him and spends a fun evening on the floor of the school's darkened gymnasium. Only in the morning, after Henry has left him alone on the floor, does Anthony find out Henry's full identity. Looking for any chance to take a shot at the conservative government that he detests Anthony decides to take this opportunity for political action. Only problem is that he finds himself beginning to care very deeply for Henry and he must decide if he can use someone he cares for in this way.