The Secret Life of Marilyn Monroe

2015 "Fame leaves a mark."
6.8| 4h0m| en
Details

A chronicle of Marilyn Monroe's family life and how she succeeded in hiding her most intimate secrets from the press and an invasive world.

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Reviews

GurlyIamBeach Instant Favorite.
Siflutter It's easily one of the freshest, sharpest and most enjoyable films of this year.
Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.
Logan By the time the dramatic fireworks start popping off, each one feels earned.
Kirpianuscus its virtues - the good intentions to present a realistic portrait of her life. reminds of memorable scenes. the admirable work of Susan Sarandon. the atmosphere. Emma Watson. the desire of Kelli Garner to be Marlyn Monroe and the run to give the impression to be the perfect choice for act she ( voice, walk, physical appearance, gestures). its sins - the title who seems escaped from a scandal newspaper because the revelation are not news and it is bizarre to pretend present a complex biography in each of its details. the ambition to tell all in a mini series and the taste of improvised puzzle. the hard work of Kelli Garner to convince the public than she is the best Marlyn. the ambition is real admirable and the result far to be bad but , scene by scene, it becomes strange. a beautiful series. that is its basic good point. for remind. for rediscover. and for give new shadows to a myth.
ldavis-2 I'd copy-and-paste "putrid piece of garbage" like a broken record, but there are a few things which need to be said about this putrid piece of garbage:* Dougherty has Marilyn's mother hauled off by the cops after she knocks down their bedroom door, brandishing a kitchen knife? If you buy that, I've got some oceanfront property in Arizona for sale!* Marilyn basing "Marilyn Monroe" on a cigarette girl whom she sees seductively selling a boy a pack of gum? Rrriiiggghhhttt.* No proof Dougherty ever called her "crazy like your mother" or threatened to take her to a "head doctor".* Her first screen test/contract happened after she divorced Dougherty.* No proof Tom Kelley knew Joseph Schenck, much less, wrangled her an invite to Schenck's "poker party".* No proof her drug dependency began with Johnny Hyde feeding her uppers like they were candy.* She rehearses a dance routine from "Gentlemen Prefer Blondes" before she meets DiMaggio. In fact, she learned she got "Blondes" on her 26th birthday, after she met DiMaggio.* She and DiMaggio met on a blind date at Chasen's, not at some dive where a brunette is ready to pounce on him. And the real date did not wind up like this one does. A figment of the filmmakers' warped imaginations.* The DiMaggio dinner table is headed by his parents. He tells Marilyn when they run into each other after their divorce "my folks ask about you all the time". DiMaggio's parents died before he met Marilyn.* Marilyn saying Peter Lawford's much-better half, aka JFK's sister, is everything she wants to be? Too funny.* DiMaggio and Marilyn get jiggy with it after running into each other while she has drinks with Peter Lawford's much-better half, aka JFK's sister while still married to Arthur Miller, AND with the disapproval of Peter Lawford's much-better half, aka JFK's sister? In the filmmakers' warped imaginations. They did run into each other in Reno while she was filming "The Misfits", but she had her posse in tow, and, needless to say, there was no getting jiggy with it.* No mention of DiMaggio's son or Miller's two children, all of whom she was very close to.* Miller a passive-aggressive prick who blames Marilyn for killing their unborn child? Any takers for that oceanfront property in Arizona yet?* No mention of her trip to Korea?! Are you kidding?!* DiMaggio had a warm relationship with Eunice Murray, who found Marilyn dead (at least they got THAT right!) Threatening to sack her if she doesn't clean Marilyn's pig sty of a bedroom? Pure fiction.* The real Marilyn was right-handed.I should have copied-and-pasted "putrid piece of garbage" like a broken record.
edwagreen Kelli Garner does an admirable job in this biography of tragic screen legend Marilyn Monroe. Did anyone notice that early in the career of Monroe, Garner sounded just like Monroe did as Sugar in "Some Like it Hot?" Unfortunately, no mention was made of 'Hot' in the film as well as "Niagara," where Monroe did a solid dramatic role.The use of flashbacks is used nicely here as Monroe recounts her life story to a new therapist. We already see that Monroe had been around the block in therapy and knew a lot about Freudian psychology.Susan Sarandon stole the show as her schizophrenic mother, devoid at times of reality, but protective of her famous daughter.Jeffrey Dean Stanton shows us Joe DiMaggio in a different light-that of a wife beater and the Arthur Miller character is also abusive to the hilt.While the Kennedy issue is discussed, Marilyn's death is blamed on drug and alcohol mixture. Marilyn came across as delusional imitating her mother and grandmother every step of the way.
DreamyOneNumber1 I have to agree with the previous reviewer, jlthornb51. This production was shoddy and a great waste of my time. I kept hoping it would get better, but it seemed to get worse and worse. No offense to Kelli Garner, but much of the fault seems to lie with her "terrible imitation of MM's iconic voice" as jlthornb51 put it, along with her lack of acting skills. Any potential was ruined by the poor casting of Kelli Garner coupled with her much too superficial performance. Susan Sarandon's role seemed a little bit overplayed, but not terrible. Emily Watson gave a decent performance which had to be difficult to pull off, given all the other deficiencies she faced from the script to being forced to play against depthless performances of the other actors. Kudos to Emily Watson for pulling off a positive performance in the face of the otherwise boring overplayed production. Kelli Garner's superficial acting was almost like a caricature of MM, ruining the entire mini-series.