SanEat A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

Humaira Grant It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Nat H I sat down to watch the third and final film of the 'qatsi' series last night as so far Reggio's work has really inspired me in my film making. The last two films has such a huge impact on how I saw life I could not wait to be inspired by Naqoyqatsi. The start of the film felt very much the same as the past films with the sublime music score. I did enjoy the film but I dint feel that the series evolved as much as I hoped it would. The film is breath-taking at first but the same shocking images after awhile become dull and you are numbed to the full effect of them. I was left at the end of the film with a strong feeling of emptiness and sadness. I always knew war was out there but this film really brought in into my mind. The films trys to show that war is life. At times I found the images to be to in your face but that is something I have not made my mind up completely as of yet. All the images are of some kind of war but they do not flow as well as I would have hoped as you would have images of Hitler and then Binlarden. Sure they are linked but its not as smooth as I feel it could have been. Koyaanisqatis had a much stronger beginning, middle and end. I really tried to find the meaning in this film but kept getting lost in the overpowering images. Even though I do not think this film is perfect like the last two films were,

imdke I was mesmerized by KOY in the early '80's. Wishing to preserve the purity of that experience, I eschewed the Qatsi of the Powaqqa - until quite recently, when I collided with NAQOY. I retreated back to the more comforting Sqatsi of KOY, but eventually I had to confront the other two films as well.These three films are a remarkable achievement. I feel honored to have been able to experience them. My emotions ranged far and wide, from longing for the simple, beautiful life, to grudging pride for man's achievements, and finally to the fear that we have really screwed things up. In the panel discussion in Special Features, Godfrey Reggio told us that he chose the Hopi language for his 'lingua franca' because it carried no baggage. He then endowed it with such baggage. Do the Hopi thank him for bowdlerizing their language?KOY held that technology is out of balance with nature. Alas, if only "THEY" (that's you, not me, Pilgrim) had heeded the chants, "WE" would have a serene, beautiful life. Hmmm. If man had not developed technologies, while some animals have, would that be life in balance?POWAQQAE, bad sorcerers that they are, have seduced the backwards, some say stupid, people of the southern hemisphere with false promises of prosperity and easier lives. Jared Diamond persuasively posits that the intelligence of Third World people is not greatly different from that of us, their northern neighbors. Consider this: WE offer people laboring in the southern hemisphere the option of 1) remaining one season away from starvation; or 2) technologies that result in their lives approximating those of the numberless people featured in POQAQQATSI. WE might be pleased if THEY chose the simpler, idyllic subsistence life, but this is the worst kind of sophistry. Do WE really know what's best for others? Are WE preternaturally wiser and smarter than others in the world? Time will tell. The Muezzin's mesmerizing, haunting call to prayer at the end of the film is a chilling reminder that humanity will never lack for souls who believe they do know better.NAQOYQATSI gets the range. Life IS war. Spend a little time away from your clubs and domiciles and observe what is going on in backyards, savannas and forests. WAR is a technology, a survival tool. Implicit in NAQOY is a defense of my notion that some living things, but not all, adapt and survive. That means developing successful behaviors and tools. Institutions, too. Don't blame me; I didn't write the script. Maybe I read it in the wrong language.

Richard Wheeler After watching Koyaanisqatsi, I found another movie which related to it. It was called "Naqoyqatsi" which meant "Life At War".This movie/documentary, shows 89 minutes of how we pick up violence , self-destruction, clonage and how modern technology has changed us , as humans over the years of the 20th century. Each and every pro and con is displayed! this movie will show you spectacular cinematography, magnificent sound effects and a brilliant theme for the movie which bell-like voices singing Naqoyqatsi.Once you have watched Koyaanisqatsi, get out the NAQOYQATSI!! It's as brilliant as the first!!

cehan_nadina Dear reader, Watch out! This movie is not really a movie, though its creators have the impertinence to call it so. If you have not been warned about its content, here it goes: the film is simply a sequence of imagines which flow continually and are trying to transmit a certain feeling, concept. They could be called, therefore, symbols. The images are accompanied by a soundtrack, it's purpose being to create atmosphere as well. However, the images the director has chosen can only transmit feelings to an American audience, because they are, in an overwhelming number, American icons. Though the film is intended to express the idea of "civilized warfare", it fails to do so not only because of the general chaos, but also because it is far too long and tiresome, and I strongly felt that a lot of the scenes have not to do with "war", in whichever conception. To conclude, I was greatly disappointed by a documentary which is not a documentary, a movie which is not a movie, a "something" whose only strong point is the extraordinary use of technology in image processing.