My Blue Heaven

1950
6.2| 1h35m| en
Details

Radio star Kitty Moran, long married to partner Jack, finds she's pregnant, but miscarries. For a change, the couple turn their act into a series on early TV and try to adopt a baby. Finally they acquiring a girl in a somewhat back alley manner.

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Reviews

GamerTab That was an excellent one.
Protraph Lack of good storyline.
PiraBit if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.
Suman Roberson It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.
writers_reign Even sixty-five years ago this would probably have seemed like a tail- end example of the great late thirties and forties Fox musicals turned out by Fox and a 'resident' team including Alice Fay, Don Ameche, John Payne, Carmen Miranda, Tyrone Power and Betty Grable, who succeeded Alice Faye as Queen of the Lot and was herself succeeded by Marilyn Monroe. Watching it today the overall impression is of s popular genre running out of steam. Harold Arlen's score is lacklustre by his standards though he would turn out A Star Is Born four years later. One of the most interesting segments is the Friendly Islands number, a parody of South Pacific (then in its second year on Broadway) in which Mitzi Gaynor - in her first feature film - actually sings the words South Pacific, and would, of course, go on to play the lead in the film version one decade later. David Wayne is probably the best thing in it and certainly gets the lion's share of the laughs.
edwagreen Wonderful Bette Grable and Dan Dailey fanfare dealing with a musical couple's hard luck in having their own child. They are forced to resort to adoption when a traffic accident causes the loss of her unborn child. We then see unscrupulous adoption procedures and other mayhem preventing this couple from having a child of their own.The couple do a routine on television and Dailey along with Grable show they could still sing and dance at their best. In a brief role, Mitzi Gaynor, who would play Daley's daughter 4 years later in "There's No Business Like Showbusiness," turns up as a fellow dancer who is ready to flirt and take Daley away from Gable.The wonderful is ending but we expected that. In such film predicaments, they usually do just that.
capricorn9 Saw this film numerous times on TV in various versions. What a delight to find it now on DVD with a good print and in glorious colour. This is the first time I noticed the search lights on the 20th logo were different colours!After a couple of flop films, the studio seemed to bring things up to the times with a plot that included television (not a popular idea in Hollywood around this time), miscarriages, adoption, possibly adultery plus few songs and dances. Betty's comic timing has never been better, especially in the scene where she catches her husband Dan and understudy Mitzi Gaynor together. This is a worthy addition to anyone's collection!
ticketseller8895 This is not the typical "Betty Grable Extravaganza" that she may have starred in 10 years prior. Instead it is comedy/soap opera/musical chronicling Grable and Dailey's struggle to become parents. Grable has matured here and this film highlights a more confident Grable on all fronts. This might have been a great melodrama/musical. What actually wieghs down the proceedings are the musical numbers attached to their "televsion appearances". While these numbers are by and large terrific, the songs border on "poverty row" quality. Take a listen to "It's Deductible" and you'll see what I mean. Thankfully Grable and Dailey make the best of the songs given to them to sing and they make it all seem much more fabulous than it would have been in less capable hands. The constant melodrama of "couple loses baby, gets baby, loses baby" gets tiresome and the inherent sexism does not hold up well today (i.e. Grable's response to her husband's indiscretion with Mitzi Gaynor). Aside from these detractors, "My Blue Heaven" boasts a delightful supporting cast including Mitzi Gaynor, Jane Wyatt and the wonderful Una Merkel. These actors help buoy what could have easily been a sinking ship. This is not a superb vehicle by any means, but it does serve a great piece of kitsch presenting Post-war America and the burgeoning industry of television.