The Beautiful Blonde from Bashful Bend

1949 "She had the biggest Six-Shooters in the West!"
6| 1h17m| NR| en
Details

Saloon-bar singer Freddie gets very angry whenever boyfriend Blackie seems to be playing around. She always packs a six-shooter, so this is bad news for anything that happens to be in the way. As this is usually the local judge's rear-end, Freddie and friend Conchita are soon hiding out teaching school in the middle of nowhere.

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Reviews

SpuffyWeb Sadly Over-hyped
MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.
Humbersi The first must-see film of the year.
Calum Hutton It's a good bad... and worth a popcorn matinée. While it's easy to lament what could have been...
alexandre michel liberman (tmwest) Seeing this film's title might bring to mind all those unfunny western spoofs which used to show up once in a while. But here they hit the bull's eye. This film is great fun from beginning to end. It starts with a young Freddie (Betty Grable) being taught how to shoot by her grandfather. She becomes a dead shot. Next she is singing in a saloon a nice melody "Every Time I Meet You". Problem is, she is carrying a gun with the intention of getting even with her boyfriend Blackie (Cesar Romero) who is betraying her. She shoots the wrong person and has to flee the town. She becomes a school teacher and has the most terrible pair of pupils, the Basserman Boys. Those boys are just as terrible as they are funny. There is a final shootout where at a certain point there is no reason for fighting. I always thought Preston Sturges was ahead of his times, but if you want to have fun with a great comedy, the time is perfect now.
Spikeopath The Beautiful Blonde from Bashful Bend is directed by Preston Sturges who also produces and co-writes the screenplay with Earl Felton. It stars Betty Grable, Cesar Romero, Rudy Vallee, Olga San Juan, Porter Hall and Hugh Herbert. Music is by Cyril Mockridge and cinematography by Harry Jackson.When she accidentally shoots a judge in the posterior, sharpshooting dance hall gal Freddie Jones (Grable) escapes the city of Rimpau and ends up in Snake City disguised as a schoolmarm.In his own words, Preston Sturges would call The Beautiful Blonde from Bashful Bend an unfortunate hodgepodge. Who are we to disagree? From the off nothing sat right for the great writer and director as regards the film, already smarting from the financial disaster that was Unfaithfully Yours, Sturges would end up making a film that wasn't a Sturges movie! Unlike Unfaithfully Yours, which at least received favourable critical notices, The Beautiful Blonde from Bashful Bend was savaged by the critics and lost a fortune at the box office. It signalled the death knell for Sturges' career whilst also becoming the first flop of Grable's starring output at this juncture.Would the film have had a better reception were it not attached to Preston Sturges? Well it's possible since lesser expectation levels and less attention to the cost of making it would surely have had people view it purely as a Grable starring piece, but quite simply it's just not a good movie, it's uninspiring on the page to begin with, as Sturges' coarse scripting doesn't sit right in the froth, and then the humour falls decidedly flat once the central premise runs out of ideas. Add in some poorly structured characters, such as the moronic Basserman brothers, and the film irritates instead of bringing joy.Technical attributes do stop it from being an utter waste of time. The Technicolor photography is stunning, the costuming is right out of the top draw, and Grable, who is clearly too good for this sort of stuff, is great value with her effervescence energy and of course those legs! We can also give a modicum of support to the nutty shoot-out that greets the patient amongst us in the finale. Played for scatter shot farce, there is chuckles to be had as Snake City becomes divided and go at it gun for gun. But ultimately these things can't lift the film above the mediocrity that hangs over it during the course of its running time. 5/10
lora64 Have seen the movie on video only once and doubt I'd want to see it again. It's just too painfully farcical at times for my liking. As someone says, those freaky brothers are a bit much to see, that's why I wouldn't want to endure the movie again.Bette Grable is always beautiful, no faulting there.I rather felt Rudy Vallee got some rough treatment in this movie and didn't have not enough opportunity to shine with his usual suavity as in other films.Glad I saw it once but that's about it. I really prefer any other Betty G. movies than this one, sorry to say. Most are super.
duckyducky Well, as far as I can see, there are only three things wrong with this movie, compared with the rest of the director's output:1) It doesn't have Bill Demarest in it.2) It doesn't have Jimmy Conlin in it.3) It isn't funny.