Smartorhypo
Highly Overrated But Still Good
AshUnow
This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Kaelan Mccaffrey
Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.
Billy Ollie
Through painfully honest and emotional moments, the movie becomes irresistibly relatable
TheLittleSongbird
Anybody who is a fan of Agatha Christie, Hercule Poirot or both will jump for joy at the idea of Murder by the Book. And there is very little to be disappointed by either. The opening and closing scenes are not bad but I agree not as interesting or as relevant as the rest of the film. However, the period detail is evocative and very competently shot, neither cinematic or cheap-looking. Howard Goodall's music is good as well, it is atmospherically orchestrated and has a haunting undercurrent that is perfect for Murder by the Book. What I also liked was that it actually sounds like the sort of music you'd find in an Agatha Christie adaptation. The story makes the most of the great idea it stemmed from, is paced very much an Agatha Christie adaptation- I did like that they made an effort to make a film about Christie and one of her detectives and stick to the spirit of how she wrote and the adaptations of her books- and throughout is very entertaining. The script is knowing, with some nice nods, subtle humour and genuine poignancy. Peggy Ashcroft and Ian Holm(made up to look like one of the more faithful recreations of this iconic literary detective) are respectively wonderful as Agatha and Poirot, and the rest of the cast do solidly. All in all, a very nice film and does a good job with the interesting idea it had. 8/10 Bethany Cox
gridoon2018
(The real) Christie meets (the fictional) Poirot! Talk about "high concept"! And although this fascinating idea does not result in a film as great as it could have possibly been, "Murder By The Book" is still a treat for fans of either, or both, of these legendary figures. It's filled with knowing moments and (as far as I know) accurate comments about both, and you can actually see both sides of their conflict: Christie feels burdened by the necessity to include Poirot in many more stories than she would like, while Poirot can't understand why he has to face such a humiliating literary death (for those, like me, who haven't read "Curtain", this film possibly reveals more than they would like to know, though still not too much). Peggy Ashcroft is a fine Agatha and Ian Holm makes a superb Poirot - from the screen portrayals I've seen, he's the one closer to the "definitive" David Suchet. I would say, however, that it's not that hard to guess what's really going on, and that the opening and closing scenes with Christie's husband and her agent are not as engaging as the rest of the film. *** out of 4.
filmbuff-63
Very simply, this is an obviously fictional tale about what happened the night Hercule Poirot paid a visit to Dame Agatha Christie and accused her of murder.And Hercule Poirot is the victim.Poirot visits the author and asks why she has chosen to write a book where Poirot dies. The book was "Curtain," one of Christies best novels, even after a half dozen reads. He becomes particularly indignant when he reads the novel and finds out Poirot dies of a heart attack, as a man of extremely advanced age, and not in a dynamic, exciting way. He even rants about the style of dress Christie has attired him in for over fifty years.The writing is clever, and the acting is wonderful. Ian Holm is no David Suchet, but it doesn't matter. He is always wonderful, and he seems to enjoy playing this character. He does it very well.Clearly this is a tale that takes place in the mind of Agatha Christie. Fans of this delightful author will enjoy this movie.
Wearysloth
Interesting and offbeat look at Agatha Christie and her decision to 'murder' Poirot, who is on hand to question her motives. Not as good as it sounds, but deserves viewing by the faithful. Ian Holm's interpretation of Poirot fits somewhere between Albert Finney and David Suchet's definitive performance.