Lucybespro It is a performances centric movie

Ceticultsot Beautiful, moving film.

Beystiman It's fun, it's light, [but] it has a hard time when its tries to get heavy.

Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Roland E. Zwick Commitment-phobic characters are a dime a dozen in romantic comedies. Yet, no one can deny that they serve a valid function - for without all the tension they bring to the story, how would writers ever get us to that inevitable happy ending? In "The Treatment," which director Oren Rudavsky co-adapted (with Daniel Saul Housman) from the novel by Daniel Menaker, Jake Singer is an English teacher at a Manhattan prep school who falls in love with a wealthy widow whose son is a pupil there. The problem is that Jake, like many men of his generation, seems utterly paralyzed when it comes to taking the full-on plunge into commitment and marriage. In an attempt to overcome this weakness, he regularly sees a shrink who is clearly an advocate of the no-nonsense, "tough love" school of psychotherapy, and who keeps insisting that Jake stop whining and making excuses for himself and simply get with the program.On the surface, "The Treatment" doesn't appear to be much different from dozens of other romantic comedies that have come our way over the years, but the scenario plays out with so much charm and wit that it makes the situation itself seem new and fresh. We really get caught up in the lives of these characters, mainly because the filmmakers go to great lengths to avoid the superficialities and clichés that render so many romantic comedies phony and unreal. The film is helped immeasurably in this regard by the superb performances by Chris Eigeman and Famke Janssen who have an amazing chemistry on screen and, thus, are able to convince us that these two quite different people could indeed be genuinely drawn to one another. Ian Holm steals every scene he's in as the hilariously deadpan therapist who isn't afraid to say what he thinks, even at those times when he's only appearing as a figment of Jake's guilt-ridden imagination. Harris Yulin is also wonderful as Jake's pragmatic father who still harbors resentment towards his son for not following in his footsteps and becoming a doctor.Given its low budget, the movie may be a trifle rough around the edges at times, but that lack of polish actually turns out to be a key ingredient in the movie's overall success. For once, a romantic comedy that actually works.

The Visitor Each to his own, but I'm really surprised at the review above.I also saw this in Edinburgh (it's where I live, and incidentally the Edinburgh Film Festival was the best ever this year for me).The film I saw was cute, funny and unpredictable. There are some lovely unexpected moments. Without giving too much away... it's a relief to see a script dispense with the old "lie piled upon lie" cliché and instead have characters who decide to live up to their responsibilities. If you thought you would never get to see a New York intellectuals film in which grown-ups behave like grown-ups for once - well, here's your chance.There are also some great lines. It's impossible not to smile at Ian Holm's vaguely monomaniacal therapist intoning, in his Argentinian accent, "once you start driving ass-backward through life, it can be very hard to stop. And you realise too late that the major decisions in your life are lying in the road like so many crushed squirrels." This is possibly my favourite therapist quote since Ingrid Bergman was told in Spellbound to have "sweet dreams - and tomorrow we will analyse them over breakfast." Ian Holm makes the part work perfectly because he doesn't overdo it.You end up feeling affection for both the therapist and his client, even though they are at odds. This is one of the film's best qualities. Secondary characters get a chance to develop, so for instance the father is not just an old tartar and the mother-in-law not just a disapproving snoop. What's most evident in this film is the writer's sympathy for almost every character, so that whether or not they are redeemed, you find yourself seeing their point of view, if just in momentary flashes. I loved this.Meanwhile, Famke Janssen gets a rare chance to act, and lives up to it.The sweet thing about this film is that it isn't slavishly Woody Allen, or pointedly anti-Woody Allen either. It plays as if Woody Allen never existed. This means that there are no weary inevitabilities. Anything might happen (and frequently doesn't, because something else intriguing happens instead).It doesn't all work, but I've only got minor gripes. Overall, it could have done with being just a little longer, to make some of the secondary relationships more convincing. But erring on the side of keeping it short was probably the smarter mistake to make.If you get a chance to see this, go. Decide for yourself which review gets it right.

Chris_Docker The Treatment describes itself as 'a serious romantic comedy about life and love in NYC.' The main characters are Jake Singer, an anxious young schoolteacher who has broken up with his girlfriend and seems resigned to a life of mediocrity; his shrink, Dr Ernesto Morales (Ian Holm), who describes himself as the last great Freudian - 'in a line stretching from Moses to Aristotle;' and Allegra Marshall, a beautiful young socialite that takes a fancy to him.The film aims at a serious note with the unrelenting, intrusive and almost sadistic treatment meted out by Dr Morales. Jake's baggage is all too obvious and (although there must be easier routes) the 'treatment' does show signs of working, even when Jake starts wondering if he has maybe just 'hallucinated' the encounters. A sub-plot about adoption tries to bring in some emotional ballast to fill the chasm left by Jake and Allegra's lack of on-screen chemistry.The Treatment meanders along like an episode of Sex and the City or Frasier - only where nothing much happens. At first captivating, the endless litany of inconsequential detail and forced humour soon begins to wear. "I thought he was supposed to make you feel more comfortable in your own skin," says Allegra about Jake's analyst. "No, he's more the exfoliating type." In discussing one of Jake's favourite books, Allegra quotes a comment about the author re-drawing the landscape to place equal emphasis on what's not said. Sadly, this film has too much that is said; and that which is not said has too little substance to justify the barely relevant meanderings of school sports halls or Dr Morales' questions about sexual positions. Ian Holm delivers a fine performance, but the script, while not completely without merit, has too little to for such a great actor to get his teeth into. We are told that the lover in Jake is under-nourished and the self-pitying side over-fed: much the same could be said of this bloated, drawn-out and not particularly engaging film.

Dave Baird "The Treatment" is a very well acted romantic comedy that relies on clever dialogue rather than outlandish set-pieces to deliver the laughs. The story is simple enough - Teacher Jake befriends the young widowed mother of a student and then falls for her. Things are complicated by their different social standings, the fact that Allegra is still grieving for her recently dead husband, and Jake's visits to his psychoanalyst.The lead actors are all excellent, but Ian Holm's character gets all the best lines in the movie as a nasty psychoanalyst trying to 'help' Jake Singer (Chris Eigeman) stop undermining his own relationships.Famke Janssen is very, very good in this movie and her performance was my favourite of the piece. Considering the other works I've seen her in I was blown away to discover she was such a good actress.This is a warm, funny movie that I could happily watch again.