Exoticalot People are voting emotionally.

Tedfoldol everything you have heard about this movie is true.

Juana what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Scarlet The film never slows down or bores, plunging from one harrowing sequence to the next.

Kirpianuscus the beauty of costumes and music. the touching story of a great and obscure sacrifice. Marie Feret as lovely Nannerl. and Wolfgang as secondary character. important is not the historical accuracy or the legend's proportion. but the atmosphere. it is only a film about a little known biography , well made, nice to beautiful, recreation of a myth in new therms, seductive for the details and for the new perspective about a well known subject. a film about art and about a life in shadow. a film about success and about the truth. proposing a new hero. special for be not usual drawing portrait of an admirable woman. that could be all. or just the beginning for the viewer who rediscover the Mozart family in different light.

aheilbrun I was unable to find any information about Marie Féret, the lead actress. However, she seemed to be in her mid to late twenties, not an adolescent girl. This greatly distracted from the credibility of the film. This is not to discount her abilities as an actress but rather to question the judgment of the casting director. The role of Wolfgang, however was very believable, down to the coordination of his violin fingering with the actual music - something often neglected in movies.Another substantial irritant is the music throughout the film. For the most part it seemed to me as not 1760's. While non-contemporaneous music does not greatly impair Hollywood historical potboilers, in the case of this film which tries to re-imagine the psychological subtleties of talented musicians, not only the costumes and decor should strive for authenticity, but the music even more so. However, to be fair to the producer, perhaps I was simply unfamiliar with what were actually authentic pieces.

Mr. Vultfre Half way through this film I started considering it as a student film that had some decent financial backing. The main lead who played Nannerl had little in the way of facial expressions and often stood around like she had been directed to stand around. The actor who played Leopold Mozart, however, was mostly effective in his portrayal of a man who believed in what he was doing, and believed it to be the best for his son and his family. The dialogue (as it was translated) was mostly without much flare, and the music score seemed to fill in the emotional gaps that neither the dialogue nor the acting was putting across. Direction fell flat most of the time with simple side-profile shots. The script itself seemed to give no indication as to where the film itself was going, as though the writer had determined that the basics of Nannerl's life was already known, so all they had to do was write some scenes around that - for me, this script just did not work. The idea that Nannerl was being eclipsed by her brother, though it was present throughout, never felt like a driving force that pushed the film forward and was a constant influence that determined Nannerl's emotions and feelings. As a result, every time a climax (with accompanying string motifs) arrived on screen, the film felt like it was preparing itself to end... and then would go on.This isn't the worst film I've seen, and it wasn't joyless to the point of leaving the cinema; it was just simply quite boring, and non-involving for the viewer (me). I wanted it to end during several climactic moments but it didn't. Definitely far too long at 2 hours.

hawktwo I saw this at the FilmFest DC in April 2011.The story was complex on so many levels: the wonderful family relationship of the Mozarts as they travelled around Europe. The strong feminine influences; the strictures of society that allow the older sister's intellect to waste away; the daughters of the king who were locked away in isolation.The costumes were authentic without being overly lush.The relationship between the young Wolfgang and his older sister was quite touching.The growth of the lead actress from barely a teen to a woman accepting her fate was written (all within a year or so) and acted very well.There was an interesting subplot with the king's daughter that showed the two girls/women accepting the same fate albeit at different levels of society.