Age of Uprising: The Legend of Michael Kohlhaas

2014
6.1| 2h2m| NR| en
Details

In the 16th century in the Cévennes, a horse dealer by the name of Michael Kohlhaas leads a happy and prosperous family life. When a lord treats him unjustly, this pious, upstanding man raises an army and puts the country to fire and sword in order to have his rights restored.

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Reviews

Micransix Crappy film
Glimmerubro It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.
Mathilde the Guild Although I seem to have had higher expectations than I thought, the movie is super entertaining.
Quiet Muffin This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
paul2001sw-1 I read another review of this film which described it as a "clunker", and sadly it's true. Based on a novel itself inspired by a true story, it's the tale of a horse trader who comes into conflict with authority. The problem with this movie is not just that it's slow and solemn, though both of these things are true, but that it's dramatically inept: the main events all occur off-screen, and we see how they affect the protagonist without ever really understanding the power relationships that have led to the critical decisions being taken. Pondering the ethics of rebellion, justice and loyalty can make for a good movie - think of 'A Man For All Seasons', for example - but this one is leaden and dull.
Leofwine_draca AGE OF UPRISING: THE LEGEND OF MICHAEL KOHLHAAS is an interesting film about a mini revolution that took place in historical France. It's often a beautifully shot film, breathtakingly so at times, and it features a typically strong performance from Mads Mikkelsen in the lead role. Mikkelsen plays a sympathetic figure, a man who becomes oppressed to the extent that he has no choice but to fight back.The problem with AGE OF UPRISING is that it goes out of its way to be as slow and arty as is humanly possibly. There's an hour's worth of plotting and incident dragged out to two hours, and boy, does it drag. Each scene plays out for far too long, and everything seems to be deliberately subdued and painstakingly detailed. Now, I do appreciate all of the lovely scenery, and having seen this in high definition I can say it's a visually stunning film.But movies are about more than the visuals, and in that respect AGE OF UPRISING disappoints. The traditional storyline is a familiar one and nothing much happens that hasn't been seen elsewhere. In the end you can only sit back and enjoy it to a degree - and roles for the likes of Bruno Ganz help - but without getting more fully invested in a more involving movie.
Kirpianuscus I saw it with the fresh memory about Kleist's novel. and it was not a surprise. not a disappointment. only a correct work, exploring the story's possibilities, using the perfect cast, remembering the high talent of Mikkelson and the classic recipes of European historical movie.and the result is interesting at all. for the solutions for details. for the precise science for use the landscape. for the atmosphere. for the art to transform a cold story about revenge in a film who gives more than events but useful occasion for reflection. the best thing - the courage to adapted the story of Michael Kohlhaas. the inspired thing - to give the lead role to Mikkaelson. an interesting film. far by blockbuster 's recipes. but that could be its basic virtue.
fossicle I concur with many of you that this movie was way to long, slow and anticlimactic. Pictorially it was beautiful but there was so much lost potential with this film that was left omitted.It contained lots of chatter and religious doctrine about turning your cheek, etc from a church at that time was about as ruthless as royalty in feudal times. It started out with great expectation but ended with sad disappointment. I had thoroughly enjoyed Mads Mikkelsen in the Pusher, and his role as Michael Kohlhaas was great. In the end the director needed to tighten the film belt by a few notches to have made this movie a good movie.