Moonfleet

1955 "Wild and wonderful as the thrill-packed novel that inspired it !"
6.6| 1h27m| NR| en
Details

Set in the eighteenth century, Moonfleet is about John Mohune, a young orphan who is sent to the Dorset village of Moonfleet to stay with an old friend of his mother's, Jeremy Fox. Fox is a morally ambiguous character, an elegant gentleman involved with smugglers and pirates.

AD
AD

Watch Free for 30 Days

Stream on any device, 30-day free trial Watch Now

Trailers & Clips

Reviews

Wordiezett So much average
Platicsco Good story, Not enough for a whole film
Dirtylogy It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.
Murphy Howard I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.
jfarms1956 This movie is geared for those who are 10 and up and who have a desire for adventure in their soul.Moonfleet will provide an evening of entertainment. Stewart Granger is the only real actor in this film. Jon Whiteley is not very good, however, he is very young so I suppose he did OK of a job. The mood and sets of Moonfleet were dark and mysterious, helping to add to the atmosphere of the movie. The movie's pace is a little slow. I expected more action in this movie. The supporting actors were OK but nothing to write home about. Enjoy your popcorn for in this movie you will be able to eat it in peace. I give this movie four thumbs up out of 10. Enjoy.
Nicholas Rhodes This film is overrated in France which at first sight appears bizarre to say the least but when you see that the same country gives first class status to a boring, intolerable and annoying comedian like Jerry Lewis, ANYTHING is possible ! That said, the film certainly makes for good entertainment and both Stewart Granger and George Sanders are very entertaining, as is the boy who plays John Mohune. I am not sure where this was filmed but had difficulty recognizing the Dorset Coast which is one of the most spectacular coasts in the British Isles. The main negative point of the film is the plot which is fairly limited and leaves the spectator thirsting for something a little more meaty. As much of the film is seen through the eyes of the child, this bestows an original quality upon it. I have not read the original novel so have no way of comparing it to the film but in general I tend to compare films and novels separately and not always try to see if the film adheres closely to the novel. Certain licence must be taken when bringing something to the screen. The DVD of Moonfleet was issued in France sometime during the first half of this year (2007).
bob the moo Young John Mohune comes to Dorset to meet a man called Jeremy Fox who he believes was a friend of his late mother and will help look after him. Expecting a friend in Fox, John is upset to find an uncaring man who has no interest in John. He persists though in trying to gain the friendship and attention of Fox even in the face of great dissuasion. All Fox's acquaintances are rather desperate men, which fly in the face of his rather "proper" appearance. John doesn't suspect anything, being a child, but the area is famous for smugglers and Fox may be connected and perhaps be more dangerous than anyone realises – not least the innocent John Mohune.I watched this film simply because I was a bit taken aback by the fact that it was a Fritz Lang film. Not being a name I would have associated with a period film I decided to take a look and see what he did with it. In fairness Falkner's source material does give him something to work with and there are interesting themes and ideas running through it. It takes a little bit to get going but after a while the smuggling story and the relationships make for a good adventure that is brisk enough for children while also having a bit of meat for the adults. I quite enjoyed the sweeping adventure feel it had but I was more interested in the character of Fox, who is never a "good man" and is all the better for it (in terms of the narrative). Lang appears to be interested in this as well, and he does make Fox the biggest part of the film.Granger rises to this by turning in a solid performance where he is a rough character but not to the point where he loses the audience. The problem with the film is not with him – unfortunately it is with Jon Whiteley. He is too cute and very much a child actor – and I don't mean that in a good way. He isn't really able to emote and, apologies for the lack of intelligent criticism, but he just got on my nerves. I'm sure this film didn't want to go too deep but I would be happy to see a remake of this with a stronger and more natural child actor in the role, that may allow the relationship to be developed a bit further. Sanders is always a welcome presence but he is given very little to do. The rest of the support cast are all solid enough but the film is pretty much Granger's and he works it well even if Whiteley isn't up to much.Overall though this is a solid little adventure tale that makes for solid family viewing. It is brisk and swashbuckling enough to entertain children while the solid yarn will engage adults. The cast mostly give a good account of themselves and, while I didn't hate him, I must admit that Whiteley was annoying to me personally and his performance here suggested a good education but a limited ability.
dbdumonteil A movie which is highly praised by French critics.The first thing to bear is mind is that it's based on Falkner's novel.It's not "Falkner's novel transferred to the screen".People who read the book might be disappointed.Jeremy Fox was created from start to finish by the script writers.We can wonder why it roughly replaces Elzevir Block (who's featured in the movie but in a minor role).Part of the reason can be found,I think,in Lang's work.In the book ,Block was a very good man ,and Lang's characters had always been very ambiguous .Is Fox the boy's friend?I have my doubts .He always betrays him and when he finally sides with him,it is beyond death.The boy's waiting (final scene) is a metaphor for the fear of losing childhood's illusions.But Jeremy epitomizes an already lost fight.The end of the novel(which ends when the child is an adult ,cause it spreads its plot over ten years )paraphrases the proverb "ill gotten ill spent" .John the man has sailed the sea and like Ulysses has returned to live peacefully. One can easily understand what was appealing in Falkner's "Moonfleet" for a director like Lang.The underground world,the characters who lead a double life,the secret places , any Lang fan already met them ("Metropolis" "M","secret beyond the door" "hangmen also die"...) and would later ("beyond a reasonable doubt","der tiger von Eschnapur" "das indische Grabmal").The atmosphere of the novel fitted him like a glove but the characters probably did not.However,Lord and Lady Ashwood characters (not featured in the novel too)get in the way:George Sanders delivers a funny line ("the boy would be my grandson" ) but their presence adds nothing to the plot.And Meade's characters (Ratsey,Maskew,Grace,Block) are too often sacrificed to the "new " ones.Okay they were a bit cardboard ,but they were colorful.Unlike some other users,I think that the color is dazzling.There's something circular in the directing: Liliane Montevecchi's dance,,the creek,the sinister-looking smugglers' faces surrounding the boy,the well..I think that Lang's intention was to show his story through the boy's eyes.That's probably why the scenes dealing with the aristocrats do not work.That was Lang's first attempt at an adventures movie.He would continue (IMHO,with better results) in the two German movies "der Tiger..." and "das Indische..." ,but even when he made apparently "entertaining" flicks,we could feel his inimitable touch.