TaryBiggBall It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Geraldine The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

classicsoncall This is my second Winnetou Western and unfortunately, it doesn't whet one's appetite for more in the series. Pierre Brice seemed more authentic as an Indian in this film compared to "Winnetou and Old Firehand", but then again, we're talking about a Frenchman portraying an Apache Chief. I saw this picture under the title "Rampage at Apache Wells" and that's a bit of a misnomer as well. There was one Indian attack that caused some damage but it was over pretty quickly. Try as they might, I didn't really get a sense of the blood brother connection between Winnetou and Old Surehand, Stewart Granger. In his early fifties, Granger didn't look like the rugged Western type to be pulling off a role like this. The plot of the story seemed reasonable enough, settlers heading to Shelly Lake are encouraged by a promise of free land from the Utahs in exchange for a share of the grain and meat they intend to produce. When a slick shyster going by the name of The Oil Prince (Harald Leipnitz) instigates the Indian tribe against the settlers, the opposing sides have a falling out until Surehand can expose the outlaw and his henchman Knife (Slobodan Dimitrijevic). It all plays out in expected fashion with little in the way of suspense, in a cautionary tale that warns me to stay away from Westerns in which the principal players go by the names of Pierre, Slobodan, Harald and Milan.

ma-cortes New entry in long series including attractive characters , crossfire and gorgeous Yugoslavian exteriors magnificently photographed ; included the beloved friends : the righteous leader of the Apaches, and his blood brother Old Surehand . It deals with a nasty businessman nicknamed The Oilprince (Harald Leipnitz) . He looks forward to a lucrative covenant with the "Western Arizona Bank¨ represented by an ambitious banker . He sells the bank some oil wells at Shelly Lake that do actually not exist . Meanwhile , a group of colonists run by Bill Campbell (Walter Barnes) head to settle there . They are joined by Old Surehand (Stewart Granger) who agrees to escort them in a search for the precious lands . There is also a card player (Terence Hill or Mario Girotti) helping the group , but he has dark intentions , he is really a traitor ; later on , he falls in love with the girl (Macha Meril) in an enjoyable love story . Then , there takes place an emotive meeting between and Winnetou (recently deceased -2015- Pierre Brice) and Old Surehand to carry out their good purports and save them . As the heinous Oilprince to be aware that the settlers would like to settle at Shelly Lake . He , then , plans to exchange the scout of the settlers by one of his underlings to give them another route . But soon the Oilprince has to recognize that he has not counted on Winnetou and his faithful half-brother Old Surehand , both of whom are on the trail to discover the truth . In spite of troubles caused by bandits led by unscrupulous Oilprince and some rebel Indians who seek revenge , they get escape . Old Surehand set out on pursuit of Oilprince and his minions bandits and prepares them a trap . After that , the train wagon reaches ¨Shelly Lake¨ , a location full of swift streams , risked falls and a dangerous river to cross in some spectacular scenes (most of them made by means of transparency) that are the highlights of the movie . At the end takes place a thrilling epilogue by means of shootouts and fire with no much sense .This is a thrilling and stirring adventure based on Karl May novel with two agreeable roles , being stunningly played by Stewart Granger and Pierre Brice respectively . This is a so-so episode about one of the series of popular German made Western , featuring the duo who agree to guide the motley group trough Indian territory , both of them repeat their same notorious roles as dignified as always . This enjoyable saga benefits from sensational adventures , shoot'em up , betrayals , larger-than-life characters and overwhelming scenarios shot in Spandau, Berlin, Cetina river, Krka Falls, Krka National Park, Croatia and Perucko reservoir, Yugoslavia . Winnetou-Pierre Brice repeats , as usual, his excellent role to be continued in a TV series . Brice was descendant of old French nobility and considered to be one of the most famous and most loved actors in Germany and in the other countries in Eastern Europe , thanks to this role and starred several pictures as charming Indian Winnetou . He even received First Class Medal as one the most popular Frenchmen in Germany . In 1962, the German producer Horst Wendlandt searched for an actor who should play the Native American chief and got to know Brice at the Berlin Film Festival . He got the role and portrayed "Winnetou" in ten more movies . Barker scored especially high marks , though he played as a serious and intelligent man who joins forces with Winnetou , while Stewart Granger as Old Surehand performs with humor and joy , he's the perfect counterpoint to Winnetou . Enjoyable relationship between Old Surehand and Winnetou is quite match . The highbrow Lex Barker played the most part of series : ¨Apache gold (1963)¨ by Harald Reinl, ¨Apaches last Battle (1964)¨ by Hugo Fregonese, ¨Last of renegades(1964)¨, ¨The desperate trail¨, ¨Old Surehand¨ (1965) directed by Alfred Vohrer, ¨Old Shatterland(1966)¨ by Harald Philipp, ¨In the valley of death(1968)¨ by Harald Reinl . Stewart Granger took the role in two occasions , he starred a diverse character but the role is pretty similar to Old Shatterland , he plays with mirth and sympathetic manner as ¨Among vultures¨ and ¨Winnetou and Surehand¨ . Besides , Rod Cameron starred only one : ¨Old Firehand¨ in which chemistry between stuffy Cameron and Brice is inexistent . Nice support cast such as the customary nasty Harald Leipnitz along with the Morocco woman : Macha Méril , Walter Barnes and ¡ Terence Hill ! prior his amusing films with Bud Spencer playing as Trinidad and Bambino . In fact , Terence married an American girl of Bavarian descent , and learning German language , he starred several Germanic films , before his successful Italian ones . The film displays a colorful cinematography and a catching , sensitive musical score ,though with excessive use of synthesizer by Martin Bottcher , series's ordinary , being eventually replaced in some episode by Peter Thomas . The motion picture ¨Rampage at Apache Wells¨ or ¨Der Olprinz¨ by Harald Philipp was well produced by Rialto Film Preben-Philipse/Horst Wendlandt /Constantin . The flick was professionally directed by Harald Philipp who made all kind of genres : action , Western , Wartime , besides he was a German thriller expert called Krimi -Edward Wallace adaptation- and realized another Western titled : ¨"Winnetou and the Crossbreed" . Rating : 5.5/10 , acceptable and passable . Worthwhile seeing for marvelous landscapes and breathtaking outdoors from Yugoslavia , including rousing falls , canyon, rivers and mountains ; all of them as spectacular as Almeria -Spain- outdoors where at the same time were shot numerous European Western . In successive episodes the faithful half-brothers are ready on the trail to undertake other adventures.

Poseidon-3 A later entry in the so-called (due to being German-made) "Kraut Western" series of Karl May novels-turned-films, this one doesn't quite measure up to some of the others, but does have a few things to recommend it. Granger takes on a role very similar to one that Lex Barker had portrayed in prior films, that of a buckskin-clad adventurer, frequently joined by his trusted Indian friend Brice. Here they must aid a wagon train of settlers who are being misled and mistreated by a greedy oil baron (Leipnitz) who wishes to lay claim to the land they are heading towards. Leipnitz sticks them with an impostor for a scout, plays a spy (Hill) in their midst and then turns the Indians, led by Popovic-Mavid, against them. Granger is solid, though he brings a more effete quality to the series than rugged, macho Barker did (something not aided by his flouncy scarf.) Brice is one step away from being unintentionally funny with stoic demeanor, sudden appearances and his pigeon English. In one scene, he says, "Surely, my friend…" and one almost waits for Granger to say, "Stop calling me Shirley!" in response. He also has an awfully haphazard moment or two performing an otherwise surprisingly thrilling rescue on a raging river. Leipnitz has a terrific look, all clad in black leather and with a neatly trimmed beard. His villainy adds to the film. Hill is handsome and decent, but doesn't get the amount of screen time or showcasing he would command a few years later. Weissgerber is a middle-aged pioneer woman while Meril is a young lady falling for Hill. Both women are okay, but can't help but pale next to previous ladies in the series such as Elke Sommer, Daliah Lavi and Karin Dor. There is some atrocious (and annoying) "comic relief" with Weissgerber's brother, a meek, cowardly composer of operas and Srdoc, a 48 year-old, is ineffectively cast as a crotchety and decrepit old man. As in most of these films, the bulk of the dubbing is laughably bad, with many of the characters sounding like grizzled, growly-voiced cowpokes, no matter what they look like. Still, there are things to enjoy here. The scenery (though not that of the western U.S. – tulips pop up in one scene!) is stunning. There are some great shots of a rushing river and waterfall. Unusual approaches to action and mayhem are present, for example there is a mute assassin called "Knife", for obvious reasons, and a general difference in tone from the standard western films, which are being emulated. It doesn't always work, but it's usually entertaining on a modest level. Sadly, the title rampage is cut short rather quickly, making for a somewhat anticlimactic denouement. The best of the Karl May filmizations is "The Treasure of Silver Lake".

django-1 RAMPAGE AT APACHE WELLS played theatrically in the US and used to get a lot of TV play as late as 1991. Its popularity is not hard to understand. Like all of the German-made westerns from the "winnetou" cycle, based on the literary works of Karl May (this one from his novel The Oil Prince, which IS available in an in-print English translation for those so inclined), this is well-mounted, beautifully photographed, beautifully scored, and well-acted. As I remember, Lex Barker made SIX films in the role of Old Shatterhand, Stewart Granger made two in the role of Old Surehand, and Rod Cameron made one in the role of Old Firehand (and I have not seen the latter...). As rugged and manly as Barker was, Granger also does well with the role, bringing his own unique humor and elegance to the character. If only he had made more of these! One surprising appearance here is Terence Hill (under his real name, Mario Girotti) as a complex, not-really-admirable character who grows throughout the film and sees the error of his ways. Hill plays the snivelling role convincingly, and he will be a surprise to those who only know his later heroic and comedy roles. Another interesting aspect of this film (more evident in the novels than in most of the films) is the details about German immigrants in America. As I live in South Texas, I live near some of the German settlements of the 1800s and have learned about the history of Germans in Texas-- it's interesting to see particularly German qualities in some of the settlers instead of just making them generic Anglo settlers. Of course, I don't go to films like this (or any film) for detailed history, but the particularity has a interesting flavor to it. The late Stewart Granger was a man with real star quality, with a charm and wit and elegance that is seen in every frame. While he camps it up in some of his European work of the 1960s (although always in an entertaining manner!), he certainly took the role of Old Surehand seriously. He is a nice mesh with Pierre Brice's warm but stoic interpretation of the Winnetou character. The film also has a full array of colorful supporting characters. Overall, while this may not have the depth or philosophical profundity of the finest Italian Westerns, it is a satisfying, impressively mounted Western that fires on all cylinders and deserves wider fame.