FeistyUpper If you don't like this, we can't be friends.

Kidskycom It's funny watching the elements come together in this complicated scam. On one hand, the set-up isn't quite as complex as it seems, but there's an easy sense of fun in every exchange.

Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.

Allison Davies The film never slows down or bores, plunging from one harrowing sequence to the next.

swimmerscout I remember the evening that Laura was on, as if it were yesterday. I was a 7 year old all things Kennedy fan and prepared for HRH Lee by taking my bath early and nestling in front of the black and while set in my pajamas and robe. In retrospect, I was an uber gay Waldo Lydecker...dreaming of the day when I could type my column while soaking in the bath. At 7, I had already seen the original film and found it mesmerizing. I found this version, and Lee's acting, incredible. However, considering I was 7, I don't know that my memory is firing on all cylinders in terms of recall. Was it good? Was it as bad as others recall? We must find a copy...and you know Lee has one. Release it. Release it.

Ed-176 I was 14 years old when I saw this. Though it was not television at its finest (Lee Radziwill deservedly got the "Worst Actress" nod from "TV Guide" critic Cleveland Amory), I didn't think it was the disaster everyone else claimed it to be. The two memorable moments are described in detail by previous posters. I'm so glad someone besides me thinks Capote's ending is superior to the feature film's and I too appreciated the Arlene Francis/Farley Granger moment. Would love to see this again! It's hard for me to believe no one out there has a copy of it. If you find it's available anywhere, please let me know! Ed-176

ducdebrabant I thought Radziwill was fine, though not as charismatic as Tierney, but Stack was at least as good as Dana Andrews, and George Sanders was just as good as Webb (meaning that both were absolutely perfect). The big improvement, though, was the casting of Arlene Francis and Farley Granger in the parts played in the movie by Judith Anderson and Vincent Price. Price came off as a eunuch and Anderson as an iron maiden, whereas Francis had an itch and Granger was the stud who could scratch it. I remember one scene where we burst into Francis's apartment and found them tangled up on the sofa together. He did his sort of "who-me?" innocent boy thing, and Francis was all "Yeah, what?" with an unapologetic smirk. You could certainly understand what part of Laura Farley Granger had appealed to, whereas Price simply came off as Tierney's charity project. I'd love to see it again lo these many years later.

PeterWarnes I have a misty, none-too-clear memory of having watched this when it appeared on TV. SPOILER The main thing which stuck with me, though -- the "touch" which marked this as Capote's take on the story -- was that, when Sanders as Lydecker ended up in the apartment with the gun, what he did was shoot the face off the painting of Radziwill's Laura. As if, in other words, he were revenging himself against the image which haunted them all.Blam! Thud! Wow, man, what an *inspiration* . . . .