WasAnnon Slow pace in the most part of the movie.

Reptileenbu Did you people see the same film I saw?

Afouotos Although it has its amusing moments, in eneral the plot does not convince.

Kaelan Mccaffrey Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

callie-05424 I know this is a remake of Morning Glory with Katherine Hepburn however Henry Fonda is here as well as Susan Stasberg. Plummer has always been one of the greatest chacter Actors we've ever had. He was Captain Von Trapp in The Sound of Music and later Agatha Christie's 'Ordeal By Innonce' which includes Sarah Miles and then we see him playing John Barrymore and a Nazi who has forgotten he ever was one. Plummer is good at the Classics as well but some of his earlier works are not available. He has won one Academy Award but has been nominated several times. He gives life to animated characters in 'Up', 9 and others. Stage Struck is a great film, see if you can find it.

bkoganbing Although Susan Strassberg has been unfairly compared to Katharine Hepburn from the original Morning Glory, it's not quite a fair comparison. Forgetting that there is no one like Hepburn, Strassberg does do a decent job with the material given in Stage Struck. The problem is that the story has been changed and not for the better.Romance was added to this production and it weakens the basic story of a young girl who is so single minded in her determination to be a success in the theater. The characters played by Adolphe Menjou and Douglas Fairbanks, Jr. in Morning Glory are now played by Henry Fonda and Christopher Plummer. The producer and the playwright now engage in a rivalry for Strassberg which weakens the story.In the original Morning Glory it's made clear from the beginning that Menjou is a love 'em and leave 'em type and he's really got no interest in Hepburn in that direction as he sees she's not the type. Pipe smoking Fairbanks after Hepburn makes good would like to get something going with her, but she's into her art first and for always.But Fonda and Plummer have a civilized rivalry for Strassberg and the story is which one will she choose. That I'm not telling.Stage Struck has some nice location shots of New York in the late Fifties, Broadway and the Greenwich Village area and a bit of Park Avenue. Joan Greenwood is here as the star who falters and allows Strassberg her big break. Greenwood's quirky personality that British films utilized so well is strangely missing here. Herbert Marshall is great as the older actor that C. Aubrey Smith played in Morning Glory.Stage Struck is a nice film, but definitely a come down from Morning Glory.

Marco Trevisiol Before this film, I had seen Susan Strasberg in two late 1960s AIP low-budget films 'The Trip' and 'Psych-Out' and enjoyed her performances in both so was quite interested in seeing her in the starring role here.Alas, not only is she not up to the task, but she takes down the film with her. Her performance in the first 30 minutes or so is truly wretched; she's so strained and overwrought that it makes one cringe.To be fair, from the time she does a reading from 'Romeo & Juliet' (which is quite charming) her performance settles down somewhat but the damage is done. After all, it's in the opening scenes where we're supposed to believe that she wins over Herbert Marshall as a close friend and enchants Plummer and Fonda but her performance kills any chance of that being convincing and the film never recovers.However, the film is still fairly entertaining. While Fonda seems rather too genial to convince as a Broadway producer he's always entertaining to watch and helps hold the film together. And Joan Greenwood does a nice balancing act as she gives a melodramatic performance yet still lined with depth.And, as other reviewers have mentioned, director Sidney Lumet puts in some nice touches with the detail he displays in the preparation that goes behind the scenes for opening night.Also of interest is that it was released as an RKO picture and was probably close to the very last film released by that studio.

jgepperson Poor Susan Strasberg. She had not an easy life. She was so lovely. But her delivery in this movie - a remake of a Katharine Hepburn 30s vehicle called "Morning Glory" - is simply not good. It doesn't help that the script is a cliché of a cliché of a cliché, if there is such a thing. Henry Fonda does the best he can with the bad, hoary lines. The supporting cast of Joan Greenwood and Christopher Plummer are excellent and fascinating as usual, but they're stuck with bad lines. In Greenwood's case, bad lines complaining about bad lines!!! And even though Fonda is good, you can't believe Susan would really go for him.The best thing about the movie is the scene backstage towards the end when the show that might make Strasberg a star, is just about to start. The movie's director shows the stagehands being called their cues by the stage manager, and you get the suspense of what it's like to be backstage just before the curtain goes up.The stage manager by the way is played by Jack Weston, who played a stage manager the next year in Douglas Sirk's "Imitation of Life," which is also about "the theatuh," and in its complex phoniness and artificiality it rings truer than "Stage Struck." Beloved Herbert Marshall is also in this movie and you can see very easily that he is really walking on a wooden leg.The street scenes of New York are interesting in this movie. Also interesting is the name of a Greenwich Village nightclub where Strasberg cringingly reads poetry and verse: The Village Voice!