Moll Flanders

1996 "The remarkable story of one woman's unbreakable spirit."
6.4| 2h3m| PG-13| en
Details

The daughter of a thief, young Moll is placed in the care of a nunnery after the execution of her mother. However, the actions of an abusive priest lead Moll to rebel as a teenager, escaping to the dangerous streets of London. Further misfortunes drive her to accept a job as a prostitute from the conniving Mrs. Allworthy. It is there that Moll first meets Hibble, who is working as Allworthy's servant but takes a special interest in the young woman's well-being. With his help, she retains hope for the future, ultimately falling in love with an unconventional artist who promises the possibility of romantic happiness.

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Reviews

Hellen I like the storyline of this show,it attract me so much
Stellead Don't listen to the Hype. It's awful
Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
Marva It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
StarDragyn 99% of the time I'm a staunch purist. A classic book should be portrayed on film as close to the original as possible, leaving room for the necessary conversions of text to screen. That being said, there are exceptions to every rule, and this movie is one of them.I had not read the book prior to watching this movie, but had read IMDb reviews that it was far from accurate, so I was skeptical going into it. The movie, in fact, was outstanding! I was riveted, drawn into the story, and anxious to find out what happened next. It was fascinating and intriguing. I think the best comparison I can make with it is a Dickens story set about 150 years earlier than his books. It's dark and gritty, highlighting the lowlifes of society and the shortcomings of the society that contributes to make these lowlifes. Yet there is considerable irony and a bit of humor to counteract the darkness. Love, life, death, joy, grief, sickness, deprivation, aspiration.... It is in short a microcosm of life as it is today, but through the window of days past. One feels the emotions that the characters are experiencing, because they are feelings we've already experienced ourselves. However, although this movie is frequently tragic, it is not a tragedy. I could not recommend it so highly if it was, because I don't like to walk away from a movie feeling depressed. I liked the movie so much that I began reading the book that very night, and I finished it 8 days later. Where did the book differ from the movie? It would be easier to state where they resembled each other! I would have been hard-pressed to see any similarity between the two had they been published under different titles. For one thing, the book covers the title character's entire life up past the age of 60, whereas the movie only takes her up to maybe 30, and what goes on in that time frame is widely different from what goes on in the book.In the movie makers' defense, they do have in the opening credits the following caveat: "Based on a character in a novel by Daniel Defoe". Okay, so it's based on the CHARACTER of Moll Flanders, not on the story itself. That's a legitimate, though tiny-print, concept. However, even the CHARACTER of Moll Flanders in the movie is quite different from the book. One big digression (out of many) is that movie-Moll has strong paternal, motherly characteristics, whereas book-Moll has essentially none. Secondly, Moll's name isn't even really Moll in the book; it never tells us her real name, and "Moll Flanders" is merely one of her many aliases, and one that she doesn't pick up until her 50s.I can't possibly go into all the digressions. It would be boring and overextend the 1000 words limit. Suffice it to say, there is scarcely a shadow of similarity between the one and the other. If you have read the book, disregard the title and watch this as its own entity. If you haven't read the book, no need to worry about seeing any spoilers that might ruin a future reading. There is almost no overlap.However, in spite of this "sin" of gross inaccuracy, I LOVED the movie, and I thought the book was only mediocre. The movie had a great plot development; the book has almost no plot. It was first published in 1722 and, like much early fiction, is mostly just a chain of events. We are told the many escapades of Moll Flanders, but there is no real story arc. (I'm not saying don't read it, just know what you're getting into; it's interesting, but not terribly fulfilling as a novel, in the modern sense of the genre.) I was impressed with Robin Wright's performance (as Moll). I had thought little of her acting in "Princess Bride", and almost didn't watch the film because she had the title role; but she did a much better job in this film, and showed a much fuller range of acting ability and emotion. The other actors also filled their roles superbly. And the settings and costumes were magnificently done.One thing that may affect your opinion of this movie is the content. By all standards I've ever watched, this ought to be R-rated. It's not extremely explicit (hence it is not in fact R), but it is considerably so for a PG-13, and I would be cautious showing this to young viewers. Not just for sexuality, but also for some rather graphic scenes (including blood) and overall mature themes.However, for a mature viewer I think this was a fantastic movie with a great storyline. It's very thought-provoking, and the impression of it still lingers with me a couple weeks later. The writers used Defoe's book as a springboard to better ideas and a more cohesive and rewarding story. It would have been more accurate to have said that it was "inspired by" Defoe's book, rather than "based on", but it is one of those rare cases where the movie is in fact better than the book.
phd_travel This is an epic and unexpected period tale with some rather out of place modern touches to the story. It covers quite a sweeping journey from orphanage to whorehouse to art to class differences to the New World. Whatever the differences from the novel, it is a moderately watchable movie.There are some hits and misses with the casting. Robin Wright in the title role is a bit old for the role - when she tries to play a virgin wench it's a bit frightful. Might have been better to use a different actress for the earlier part and then switch to her. Stockard Channing is suitably grotesque as the madam. Morgan Freeman is watchable even though his accent is neither here nor there. The English cast is more convincing but I guess they needed some international names for box office draw.Overall worth a watch but not a great movie.
weirdophreak17 This film, though nothing like the Daniel Defoe novel, was remarkably good. The tale begins with Flora, an orphan removed from her home in a convent in Europe, who is told that she is being taken to the Americas to become the ward of one Mrs. Allworthy, who is credited to have been the woman her mother served. Mrs. Allworthy's manservant and confidant, Hibble, is the one who is to both bear her to his employer, and also to read to Flora the diary of her mother, Moll Flanders, to explain her life to her.Robin Wright shines as the lost and ever soul-searching innocent Moll Flanders, who despite making many wrong choices in life seems to find her way to kind places again and again. Her unconditionally loving future husband, credited "The Artist" on screen but listed as John Fielding on this site, is played by John Lynch. Stockard Channing is Mrs. Allworthy, who we come to discover is the owner of a Bordello and is a manipulative woman who can sway any man into her power. Lastly, Morgan Freeman plays the part of gentle and world-wisened Hibble, and I think this is one of his best roles, as he interacts so swimmingly with Robin on camera.The movie is rated PG-13 for sexual situations, nudity and some violence. Despite the subject matter, the film charms the soul. I recommend lovers of Gothic literature to read it, and for people who love the book to give this story a chance as a separate entity.
jseigner What a travesty! I was expecting a remake of the charming 1965 version staring Kim Knovak. This mess bore no relationship to the novel which I enjoyed so much. Definitely not for Defoe fans. It is difficult enough to abridge such works as Moll Flanders and the recently released "Vanity Fair" so I'm prepared for some liberties to be taken but I think the fundamental themes and tone of the original work should be maintained. This is certainly not the case with this version. Incidentally, Robin Wright is a sad disappointment in the portrayal of one of the most interesting and like able characters of English Literature. She is far too wooden and not nearly attractive enough. Sorry Sean.