Fairaher The film makes a home in your brain and the only cure is to see it again.

Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Ella-May O'Brien Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

Jakoba True to its essence, the characters remain on the same line and manage to entertain the viewer, each highlighting their own distinctive qualities or touches.

SnoopyStyle Lauryn Kirk (Mary Elizabeth Winstead) from a small Indiana town goes to audition for the Chicago School of Music and Dance. They want real emotions and reject her. Her car gets towed and she is unwilling to admit defeat to her brother. She gets a place to stay from Dana (Tessa Thompson) who helps get her a bookkeeping job at the burlesque club Ruby's. Dana is one of the dancers and Russ (Riley Smith) is the music director.This is a worn-out formula. The plot is a copy of every other one of these dance movies. This has to distinguish itself with great dancing but there is nothing exceptional here. Winstead is not a big enough star to carry this although she does have that wide-eyed innocent quality. She's tall and lanky. She fits the character but the movie is not special.

Alan Wong just bought the above DVD from my local video chain outlet (ie. Video Ezy) where i'm blessed to have it in my possession as my country (ie. Malaysia) has a fairly high amount of pirated DVD's products which causes licensed video shops to have limited movie titles...well, to start off, apparently there were some deleted scenes in the movie where the producer / director decided to remove the story of Dana (ie.Tessa Thompson) getting pregnant and subsequent miscarriage....due to this removal, i guess viewers could not fully appreciate the close relationship between Lauryn (ie.Mary Elizabeth Winstead) and Dana which the scriptwriter wanted to relay but was unfortunately chopped… in summary, some of the movie story reflected Mary's personal real life experiences such as being a ballerina when Lauryn was young, has taste for "off-the-beaten-track" music as composed by Russ (ie. Riley Smith) and I guess due to her holding steadfast to her personal principles, there were no revealing love or kissing scenes in the movie – hurray to Mary! Initially, I've watched this movie over YouTube but now with my TV, I could better appreciate Mary's expressive eyes and innocent looks which I guess you all guys are all infatuated to, like myself…ha..ha… happy viewing

Ally M. As another comment here pointed it out, this movie has lots in common with "Coyote Ugly". But it also reminded me of "Save the Last Dance", as the main character played there also auditioned for a famous dance school performing a dance routine that mixed classic ballet moves with modern hip hop ones. Also in both movies the main characters have lost their mothers (both of whom, if I remember this correctly 'cause it's been a while since I saw "Save the Last Dance", are dead). I actually looked rapidly at a couple of comments before deciding whether to watch "Make It Happen" or not after seeing the trailer, so I knew what to expect and I wasn't disappointed - that is because they updated the music, changed a little the location and the style, but all in all re-proposed two stories that had already been successful in the past (so we could consider it some sort of remake). From this point of view it wasn't that bad:P

DICK STEEL How do you approach a dance movie? I feel that the story takes a firm back seat, in providing a wafer thin excuse to string some opportunities for dancing onto the screen. Granted there are some excellent story lines that come once in a while, but most times, you'd get the rudimentary dancer character who has to prove that he/she can dance to a group of nay-sayers consisting of peers or snooty judges, fall in love, and of course to rise above all challenges to claim the prize / gain acceptance from the community.Brought to us from the writer of movies such as The Step Up and Save The Last Dance movies, here comes something that doesn't disappoint, in that it sticks to formula so that you know what to expect, nothing more or less. Mary Elizabeth Winstead (who played John McClane's grown up daughter in Die Hard 4, and scream queen in Final Destination 3) takes on the mantle of the downtrodden dancer wannabe Lauryn, who felt that she's responsible for the family garage business, until she decides to pursue her dream by leaving the small town, and head for the bright lights in the big city.Her audition with the Chicago School of Music and Dance was a complete washout, and confidence shaken, takes to the temp-ing at a lounge called Ruby's, where she helps to cook the books. But you can bet your last dollar that this is the venue with which she'll fall in love, with a fellow music engineer Russ (Riley Smith), while lapping the coincidental opportunities for her to showcase some of her moves, before becoming an established member of the pussycat dolls of dance.Story aside, which packed a wallop with superficial antsy challenges from established peers, an unforgiving brother who couldn't fathom her passion, and a boyfriend who can't wait to get into her pants, coupled with the nagging thought of failure and that she's no good for the Ivy League school for dance, we're really here for the set dance pieces, aren't we? There aren't many of them which stood out, given that they aren't as innovative or fused some genres together to come up with an amalgam of moves, though the character of Lauryn probably was supposed to show how an unpolished gem got to go through the paces at a club, before coming through and achieving success by her measure.And the lounge setting does provide for some sensual, provocative costumes to drape the lithe and tall frame of Winstead's, though I had to admit I thought her assortment of hoods, wigs and the likes provided for some convenient cover-up for a body double to take over, until of course I read that she had some background in dance. There are some routines that I genuinely liked, but the one at the finale, which should be the mother of all moves in any dance movie, was the one that seriously packed a punch, with improvisation, and a combination of ballet with hip-hop, without being too obvious or conscious about it.Yes, you've seen one you've seen them all, at least for the narrative aspect. If you're patient to sit through the dramatic portions, you'll find yourself cheering with the crowd when the dancers take to the platform. Soundtrack too was nothing short of expectations, and I give it brownie points for the inclusion of a disco retro.