Matrixston Wow! Such a good movie.

Josephina Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

Fleur Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Logan By the time the dramatic fireworks start popping off, each one feels earned.

petra_ste Ranking among Argento's best movies, The Cat O'Nine Tails is a compelling giallo with solid writing and two strong leading performances.A fine James Franciscus is the conventional Argento protagonist; more interesting is the blind amateur sleuth played by a magnificent Karl Malden. A vamped-up Catherine Spaak, who was memorable as Gassman's daughter in Il Sorpasso, isn't quite as good as the femme fatale.Neither as creepy as Profondo Rosso nor as stylish as Suspiria, The Cat O'Nine Tails distinguishes itself among Argento's thrillers for its writing, with more care put into dialogues and secondary characters, and an unusually complicated plot.Argento, a huge Hitchcock fan, homages the British director with a sequence involving a poisoned glass of milk (Suspicion).7/10

Spikeopath Il gatto a nove code (The Cat O' Nine Tails) is written and directed by Dario Argento. It stars Karl Malden, James Franciscus, Catherine Spaak, Horst Frank, Aldo Reggiani, Carlo Alighiero and Rada Rassimov. Music is by Ennio Morricone and cinematography by Erico Menczer.Blind puzzle solver Franco Arno (Malden) and newspaper man Carlo Giordani (Franciscus) team up to see if they can solve the mystery of the murders that are terrifying the city. With their own lives becoming increasingly in danger, and the lines of investigation splintered all over the place, the men are drawn to the mysterious Terzi Institute where geneticists are tampering with gene patterns…Argento doesn't like it and the fans are very much divided about the worth of it on the Argento curriculum vitae, yet The Cat O' Nine Tails is a delightfully entertaining oddity.The plot is labyrinthine with relish on top, spinning the viewers into the same convoluted investigative maze that Messrs Arno and Giordani find themselves in. In fact, it's near genius that it rarely makes sense under inspection, yet still there's a fascinating edge to the story, with its characterisations, sexual kinks and cruel murders, there's a power to the piece that rewards if you can just run with it, buy into Argento's Giallo singed world.With Malden turning in a great performance and Franciscus performing to a level nobody thought was in him, the lead characters really come to life. Add to that Morricone's creepy jazzy-garde fuelled score underlining the skew-whiff nature of the beast, and Menczer's photography tonally muted, tech credits are at one with the themes ticking away in the narrative, a narrative that has observation, ironically, on vision, sight and minds eye. While there's a couple of rug-pulls jostling for our attention just to keep things twisty.Then there is the director himself. The Cat O' Nine Tails finds him restrained compared to the excess of style over substance films that would dominate his oeuvre post release of The Cat. That's not to say there isn't style here, there's plenty as Argento dallies in POV, iris vision, and a nifty trick that gives the blind Arno "sight", further ensuring that the supposed handicapped character is the key player and potential saviour of all. A number of scenes are bursting at the seams with suspense, with a cemetery/mausoleum sequence top draw, for sure Argento is firmly getting in his stride here.It's not a gore movie, something which I personally think has led to some of Argento's fans giving the film the cold shoulder, but it's the tale (or tails of course) and characterisations that hold it up as being under valued. It's a Giallo whodunit flecked with sexual stings and no little amount style draped all over it. 7/10

JasparLamarCrabb Dario Argento's second feature is a solid Gaillo. Intrepid reporter James Franciscus, along with blind Karl Malden, tries to piece together who is behind a series of gruesome strangulations/ slashings...all seemingly connected to the work being done at a genetics lab. In what would become a hallmark of future Argento films, each murder is shown in graphic style. Argento creates a real sense of terror with this shocker. Franciscus is fine, if a bit bland but Malden gives truly believable performance. Catherine Spaak is also in it, sporting what has to be the tallest hairdo of anyone appearing in a horror film. The score by Ennio Morricone is a real treat.

Tim Kidner I saw this on The Horror Channel.Having seen a few Dario Argento horror flicks on this channel now, I would dare say that Cat O' Nine Tails is the most restrained, at least in the gore/violence stakes, of those I've watched. There are moments of extreme but swift, clever nasty bits, though.I guess you'll be watching this cos it is by this so-influential 'Italian Hitchcock' maestro rather than for its story, but having said that, it's decently far-fetched enough but with enough relevance to paranoia around government testing of miracle drugs and all that...It looked to me to have been made in English, rather than dubbed, or could just that the brilliant, understated performance by Karl Malden was and everyone else were dubbed after. He plays a blind, retired journalist, who has a young orphaned girl as his visual aide and along with a current newspaper reporter,(James Franciscus) they uncover all these secrets after a man, they suspect, was pushed under a train, rather than falling and then, other murders.I'm no expert on the horror genre but would dare say that this still has signs of the director's visual stylish daring, but is less operatic than some of his, being more workmanlike and 'American'. It still works well, but is more akin to a crime thriller than out-and-out horror, though we do get moments of terror and suspense and the odd twist in the tale.This might be a lesser Argento (number of reviews and score on IMDb) but is still a heap better than many Hollywood affairs but somehow, doesn't have that magic ingredient that his best movies have. Quite good, but not great.