SpuffyWeb
Sadly Over-hyped
Acensbart
Excellent but underrated film
BoardChiri
Bad Acting and worse Bad Screenplay
leplatypus
De Funes movies have filled my childhood and "Hibernatus" didn't leave me a good memory. At the time, I couldn't stand the doctor (Londsale) and the "hibernatus". In addition, i felt stuck in the big old furnished mansion. Today, I find it rather enjoyable. The "hibernatus" really appears during the second half of the movie and the interview of the actor 30 years later available on the bonus helps soften his character. Moreover, De Funes steals the show as always and has the genius to turn "bad" guys into memorable characters.As I underlined in other reviews, a truly good comedy surprises you at each viewing because you can't remember all the funny moments. This is also the case here.In comparison with today movies, its short length (80 min) is appreciable because it's fast paced and has no time out.
Cristi_Ciopron
HIBERNATUS belongs to a series of popular comedies centered round Funès' crazy persona, and is one of the two or three Funès comedies I have seen in a movie theater. Funès' career has been very diverse and, of course, uneven. Some of Funès best known comedies are filmed plays—like HIBERNATUS, quite conventional and mildly amusing comedies, whose asset is not the inventiveness or originality of the script but the charm of the performers and Funès' wicked humor, his routine. Why pretend? These comedies are not Chaplin, Keaton, Fatty, Lloyd, Marx, Lemmon, Tati, Étaix, they're not marvelously funny or inspiring; they're not even Laurel and Hardy. They may serve to illustrate the comedy's descent into meaninglessness or at least vulgarity. If taken for what they are, these unpretentious bourgeois comedies offer some fun and are amusing. (An IMDb writer talks about 'present day French Cinema which seems incapable of making good comedy films such as it made in the sixties and seventies'—so others see differently the movie comedy's evolution ….) Take HIBERNATUS—it has a nice look of sex comedy—Funès' lust reinforced by the imposed abstinence, la _soubrette, etc..HIBERNATUS begins like a '60s updating of an old Sci—Fi idea—finding a person iced at the North Pole. The hibernated man is identified—and he's the grandfather of Funès' wife—though much younger, biologically, than she. The script has the tact to inspire this grandfather with filial love for his older granddaughter. Funès plays an wealthy irascible respectable bourgeois.Claude Gensac plays the bitchy Edmée, and she has been Funès partner in screen in many movies and more than any other actress—ten movies (of which three Gendarmes). The piquant Mrs. Claude Gensac and Funès have met in '52—in life, on stage and on screen.
Mort-31
I love Louis de Funès. His unique, very funny character makes me forget that he actually always played the same roles, or: whatever role he played, the role became like him. Many French films of the 1960s would have been boring and unsuccessful without him.The story of this movie was surely not tailor-made for Louis. It wouldn't need him, Louis is only an additional bonus here. „Hibernatus` is an absurd little comedy based on a completely crazy idea. A man is found alive in the ice after sixty-five years and in order to spare him the shock of waking up in a completely different world, the whole town is „dressed` like in 1905. Louis de Funès' family takes over responsibility for the man and of course, Louis is the one who suffers because of that.The film is very short and I suppose, it shouldn't be longer. It has many funny moments apart from the basically great idea. Playful, creative, sweet.
Stefan Kahrs
This is a neat little comedy about a man who has survived in a frozen state for more than half a century. When he wakes up (not having aged at all) all his surroundings have been adapted to make him believe he is still living in his own time. Of course, this charade cannot be maintained for very long.This is a pleasant little comedy, giving people a nice excuse to wear colourful old-fashioned clothes, without necessarily behaving the way the clothes and the decor would indicate. The film has its weaknesses, in particular it is difficult to see why the scientists go through all the trouble. Worse, Olivier de Funes (who plays it straight) lacks the required charisma to carry the film, and we don't get quite enough action from his famous father.
