Goddess

2013 "There's one in all of us."
5.9| 1h45m| en
Details

Elspeth Dickens dreams of finding her "voice" despite being stuck in an isolated farmhouse with her twin toddlers. A web-cam becomes her pathway to fame and fortune, but at a price.

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Reviews

Wordiezett So much average
Smartorhypo Highly Overrated But Still Good
Spoonatects Am i the only one who thinks........Average?
Voxitype Good films always raise compelling questions, whether the format is fiction or documentary fact.
inhouse-825-973685 Not sure why this sweet film rated so low overall. The music was tuneful and sung well, the choreography energetic, the cast performed their roles well (including the superb "villain" played by Magda). I have just watched this movie to fill in time on a long flight - having first rejected it on the outward flight - and I enjoyed it immensely. I did think cynically though that there were a lot of "tourist shots" - but still cinematically beautiful. Just one point: reference was made to the webcam in Hobart - then why was The Nut at Stanley featured? Just a little quibble for an otherwise pleasant and heart-warming movie. Those reviewers who have commented that she should have taken the fame obviously didn't get the point: she did keep on singing and also kept the love of her husband and twins. Not surprising I suppose in this age of instant celebrity - gently referenced in the scene in the supermarket.
BOUF White Australian artistic expression has often been a hybrid of various external influences. A recent cinematic example is "Moulin Rouge" - Baz Luhrman's counter-intuitive, medley mash-up of musical and melodramatic segments, borrowed from other artists. "Goddess" may have found a wider audience had it adopted some of Luhrman's magpie muddle style. Laura Michelle Kelly plays a housewife, whose husband leaves her for long spells to care for their infant twin boys on an idyllic Tasmanian farm. Laura, a Londoner, and former professional singer, is so frustrated by her isolation that she takes to streaming herself (on the www), singing cabaret songs which describe her life. When Laura's performances attract the notice of a powerful agent (Magda Szubanski), Laura is whisked off to Sydney and turned into an internet star. Hubby, (Ronan Keating) an Irishman, who records whale songs in the Antarctic, stays at home to look after the kids...He resents the boot being on the other foot; conflict and hilarity ensue.This isn't an unusual scenario for a romantic comedy. It's fine; but this kind of high-gloss soufflé needs much more experienced hands to make it entertaining for 90 minutes. "Goddess" has its moments, but the problem is that it feels like a nice little vehicle with a two-stroke motor that's been given a limmo chassis and no V8 motor. Perhaps it started life as a one-woman cabaret show, on to which writers and producers have grafted all kinds of extras, which dwarf its original charm. The songs are... okay, and probably work well, in the intimacy of a cabaret, performed by someone who can reach out into the room and pull you into her world. Laura Michelle Kelly may be very charming on a stage. On film she tries too hard, she has too few expressions, which wear thin. The director also tries too hard, as do the choreographer and the costume designer. Many of the songs and the dances almost work. The songs haven't got the oomph that the 70s/80s Hollywood/Broadway staging tries to lend them; the choreography seems borrowed from a similar school; it's of the aerobic, try-hard variety, which seldom communicates any joy. Ronan Keating is fine, in an understated way, but he looks awkward. Magda S. (the first time I've found her only slightly funny) seems hampered by her English accent. (Why are the 3 main characters Anglos?). Nothing quite works. It may have been lovely film on a much more intimate scale. The photography is very pretty.
Samlong-633-344593 What a great way to spend a couple of hours on a Friday night. My girlfriend and I thoroughly enjoyed this fun-filled, feel-good film. The cast are sensational and the music a revelation. I hope we hear more of Joanna Weinberg. If you loved The Sapphires, Muriel's Wedding, Strictly Ballroom or Priscilla, you will love Goddess. The production value is amazing. Sydney and Tasmania look sensational as does Magda! I couldn't believe it when the audience broke into spontaneous cheering and clapping over the closing credits. I thoroughly recommend Goddess to anyone who wants a to enjoy a great little pick-me- up. I am still singing a couple of those fantastic songs.
franat6 This is a great night out - enjoyable and unapologetically feel good - part Bollywood; part Hollywood; part Strictly Ballroom; part Mary Poppins; part desperate housewives. Tight performances all round. Good music, good choreography - .This movie is not what you think - unlike Muriels wedding, Priscilla etc - it does not rely on audience nostalgia for well known songs. The songs/choreography are original and work. It will be a great pity if this movie is not well publicised and I really hope word of mouth will do the trick. Backers - publicists - don't shirk - this is a gem. I have heard three separate reviewers also give it the thumbs up. do yourself a favour and have some fun.