BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Tayyab Torres Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Mandeep Tyson The acting in this movie is really good.

Guillelmina The film's masterful storytelling did its job. The message was clear. No need to overdo.

les_margo I love to watch this film often. I especially like Seth Adkins' parts. He is my very favorite young actor and I hope he goes far in his acting career. I am one of his fans and I am always posting message of his Message Board. He did a real good job in GEPPETTO. I liked the part where he sang and danced with Drew Cary and in the part where he sang and dance to that song. I can't quote the words. but he told me that his mom and dad set up a stage for him to practice on and Seth practiced all his lines on GEPPETTO and would go through the acts he had to do for the film. I like Seth smile on GEPPETTO and that laugh he does is unique and shows he loves what he is doing. Seth's most outstanding performance was in TAMING ANDREW OR WHEN ANDEW CAME HOME. I have that film too and watch it often. There is a real Andrew and Seth studied this kid's case and learned all he could about the real Andrew so he could act in the film and Seth did a great job in that film. I think everybody should watch it and see for themselves what an outstanding young actor Seth Adkins is. Watch him smile in all of his films and hear that laugh that he is so noted for. I know Seth will be go far in his acting career.Here is a quote from GEPPETTO and it goes like this:GEPPETTO says to Pinnochio "Your the best son a father could ever have" And Pinnochio says. "Even though I am made from wood" and then Geppetto says "It is not what you are made of on the outside, but it is what you made on the inside that counts."

aesgaard41 What's wrong with "Geppetto ?" I may be blindly faithful as a Drew Carey fan, but this is his best dramatic talent and first family film that I know of, but I think he does a great job. His singing may not be Madonna, but would you want your kids watching "The Drew Carey Show" with its humor on sex, drinking and abuse in the workplace. Julia Louise Dreyfuss also shines in this as a cross between Glinda the Good Witch and Tinkerbell. Rene Auberjonais plays an eccentric inventor blind to Drew's true wishes, and Brent Spiner plays the human version of the animals in the cartoon who kidnapped Pinocchio. Drew's buddy, Wayne Brady, makes a cameo, but a lot of gumption has to got to the young actor ( I forget his name ) who had to endure all that body make-up. He should have a fairly successful career ahead of him or at least a supporting role on Drew's TV show.I don't know about you, but this movie counts in my list of top children's movies along with "Mary Poppins," "Chitty Chitty Bang Bang," "Willie Wonka and the Chocolate Factory," and "The Wizard of Oz."

Draco of Avalon This movie reminds me of the classic musicals of the 50's. I LOVED IT. The cast was excelent... Drew Cary did an outstanding job (and boy did he sound better singing in this than he does on who's line is it anyways LOL). Julia Dreyfus also was terrific as the Blue Fairy. Their dance numbers together are pure magic. The rest of the cast was also truly excelent. My only problem with this movie is that it was made for TV. Due to time constrictions they rushed the ending. They could of stretched it out in to a 2 day mini series or somthing... But other than that it was great. Disney has been quite the disapointment to me latly with movies like Inspector Gadget and Tarzan... They were horible comparedf to this The musical score was also great. With Dreamworks one step behind Disney needs more movie like this to keep up and notr fall behing.I give it 99 out of 10...

Neal The Disney folks must be applauded for reviving the live-action movie musical (albeit on television); it wasn't hard to improve on John Huston's gruesome film of ANNIE, but the Disney version actually seemed an improvement on the overrated Broadway show. And it's always fun to see stars not primarily known their for singing and dancing kick up their heels (if you haven't seen Kathy Bates' spectacular turn in ANNIE, rent it now.) So it's disheartening to report that GEPPETTO isn't even in the ballpark. Ostensibly a retelling of the Pinocchio story from his father's point of view, it will probably bore kids and puzzle most adults.Admirably, Drew Carey as Geppetto displays none of his sitcom or stand-up personae, but hasn't found any persuasive replacement. It doesn't help that the character as written is pretty much a simpering wimp or that his wig appears to be the one originally worn by Patty Duke as the American twin on her old TV series; Carey could be auditioning for a biopic about The Turtles. In fact, the whole production has the look and sound of the kind of expensively cheesy sixties musicals that helped bury the genre: technically slick and impressive without being attractive or appealing. The tone, however, is pure nineties: guilty parents can only find happiness by learning to obey their children.Hearing just a few bars each of "When You Wish Upon a Star" and "I've Got No Strings" here is enough to illustrate how uninspired Stephen Schwartz's score is. Schwartz seems at fault too for pushing Carey, who has a more than adequate singing voice, beyond his range; he could and should have sounded a lot more comfortable. As a hazily-conceived Blue Fairy, Julia Louis-Dreyfus attempts an unsuccessful homage to Billie Burke in THE WIZARD OF OZ, but also reveals a very pretty soprano behind the affected diction. Poor Usher Raymond gets stuck with the worst song, and though he looks like he could dance up a storm he's barely given the chance. Brent Spiner, with vocal chops to spare, comes off best, but then again he is playing the villain (and gets the best hair, too.)It would be churlish to complain about Seth Adkins' whiny performance as Pinocchio; nearly all of the child actors have been directed to whine and sulk brattily, the better to manipulate their supplicatory parents. But the sheer awfulness of his costume and makeup is indicative of the production's creative clumsiness. With a grotesquely streaked face and awkward, artificial "puppet" joints, Pinocchio looks less like a little wooden boy than the unfortunate victim of some horrible real-life disease.