FeistyUpper If you don't like this, we can't be friends.

Stellead Don't listen to the Hype. It's awful

Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Zandra The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

adonis98-743-186503 A comedian uses her troubled past as material for her stand-up routine, trying to rise up through the comedy circuit by playing Northern England's working men's clubs. Funny Cow should be renamed to 'Unfunny Cow' cause this movie was literally a gigantic and colossal mess to say the least plus it just wasn't that good to say the least since i found it to be quite the horrible mess that i was expecting it to be and the nudity wasn't that much needed to be perfectly honest as well since it was kinda gross to say the least. Overall a perfect skip from me. (0/10)

maureenbuchan Somber ,but a good study of a woman who managed via her wry view to achieve success in a man comedic world ... Though the darkness we saw a flower bloom . Her jokes were off but this was an era when cruss was fash ..I must confesses the outrangesness certainly did raise a laugh ... This was a period piece . My comments would not be complete without mention if the excellent soundtrack ..

anthony WILLS Hugely entertaining while I watched it but I think it helps if you experienced the back-to-back streets and working men's clubs in the '70s, as I did when I was living in Leeds. I was however able to pick plenty of holes in it after the credits rolled. We weren't told what the abusive father and husband did for a living (perhaps they signed on at the job centre?), the larking about in the pub with her husband seemed a bit unlikely, her confessional sequences in the spotlight were a clumsy device, there was no follow-up to the old comic committing suicide in the toilets, we had to assume that she did so well in the clubs that she was able to buy a flashy car and a country house, the mother episodes were a bit superfluous and it did start to drag towards the end. But the performances were excellent: Maxine Peake deserves a BAFTA and the little girl who played her as a child was also terrific. Also every detail from hairstyles to dress to wallpaper was spot on. The talent show auditions were hilarious and worth the price of admission alone. Don't be too hard on it, it's a thoroughly British film with an Original Screenplay and I think it's an utter disgrace that only three cinemas in London are showing it.

joey_d_49 How tired I am of seeing films showing how grim tis up North... Funny Cow is a story about a woman who's had a troubled time with the men in her life, namely her Father and Partner. It's a set up that's been told a thousand times before, though the premise of this version is that it supposedly leads our protagonist to comedy. The main thing missing from this story however was just that..comedy. Funny Cow shows she can crack a cheap laugh at points in the film, mainly one liners, and doesn't actually pluck up the courage to take the stage until the end of the film. Needless to say, she goes onto perform as if she's had plenty of experience and has the whole place roaring with laughter... zzz.The film was the most depressing film I've seen in a very long time. One dimensional characters, all with similar vices in alcoholism and addiction. Performances were stereotypical and obvious on the whole. The scenes of violence were tactless, we know it happens but do you have to be so blatant with it?! Not sure why Stephen Graham decided to sign on for this one. He's in two scenes as two characters, and the scene in which he is playing her Father is just ridiculous, seems to me a bad choice for an actor so often likable regardless of his morals. Paddy Considine also out of his range here, playing an upper class yuppy, very characiturish and unbelievable, a rare mistep for Considine.Peake does an OK job, but again not particularly likeable, and sometimes her choices seemed over the top and obvious. There is a smugness to her which I find hard to overlook.I really didn't find anything in the film worth taking home with me, in fact I felt angered when leaving because it truly felt like a story that doesn't need to be shown on film. If these are the sorts of films representing British Cinema, then no wonder people are staying home watching Netflix. Avoid.