Nonureva Really Surprised!

Listonixio Fresh and Exciting

MoPoshy Absolutely brilliant

Verity Robins Great movie. Not sure what people expected but I found it highly entertaining.

arinryu I agree with review by Karien Van Der Westhuizen. I am very disappointed that despite the progress we have nowadays, none of historical movies can honestly depict historical butch/ftm characters as whom they really were. I am sorry but Anne Lister was not a feminine lesbian as depicted here. I know that TV shows and movies hate butch lesbian/transgender/intersex characters but to distort historical figures again and again is unforgivable. Another example is the feminizing of Queen Kristina's hair and dresses in the movie "The Girl King". Both Queen Kristina and Anne Lister are among the most interesting masculine queer historical figures. Anne was a butch lesbian/ftm, while Queen Kristina was intersex/butch/ftm but both are re-characterized and suppressed to fit the typical Hollywood-styled cisgenders' feminine-lesbian fantasy. Having read about real Anne Lister's lives, I find these movies hard to watch. Otherwise, this movie is fine.

Yunyun Z Anne Lister is a landowner, an entrepreneur and a traveler in 18th and 19th century Yorkshire. Her secret is learnt by others from her four million coded word diary hundreds of years later. The film unveils the mystery, tells her lesbian life and her courage in love and secularism.Anne has an angular face with firm eyes. Dressing in black clothes and hat reflects her masculine character. The whole story narrates the ups and downs of Anne's blazing love life. Her true love is pretty Mariana and their relationship lasts several years. Their kisses, touching and sex make you blush. She wants to be a real couple with Mariana, and live with her for her whole life and take care of her as her husband. But Mariana trifles with Anne's affections. Mariana is closeted and does not want to reveal their relationship to the public. In the end, she marries to an old man. Anne is miserable and heartbroken after she realizes Mariana does not want to be a real couple and live with her. Lovelorn failure does not stop Anne. She has lots of accomplishments in her career, better than many men. She never stops her persistent pursuit for love. Finally, she finds the one who suits her, and they live together. Anne Lister's distinct personality impresses me. The strong lady never shrinks back. She deserves respect and admiration.

Karien Van Der Westhuizen Melodramatic, heteroed-down version of the life of a predatory, hairy, self-assured, male- identified 19th century woman of means. I knew nothing of Anne Lister's life, but found this movie patronising from the word go. Watching the nervous though more honest documentary included on the BBC DVD afterwards, confirmed why. The film portrays Lister as a femme, melodramatic woman whose only quirk is to wear black and no makeup. The sex scenes are unconvincing, and great liberty is taken to no doubt make the main character a bit more palatable for mainstream audiences. In the documentary it emerges that Lister was rather arrogant, very butch, shrewd in love and business, and also sported a grey stubble. The film fails to examine what it really must've been like for a lesbian in Lister's position ~ instead we are treated to a flaky tragic love story which might titillate hetero men and women. It feels like the film says 'lesbians are people too, and look they are all hairless and have heteronormative female traits such as big dresses, high-heel shoes and emotional theatrics". What a pity ~ let's hope someone will at some point make a serious film about this fascinating character!

gregorywilliams This superb film for TV deserves the widest possible audience: it tells a gripping and true human story that surprises all those like me who thought they know the era of Jane Austen. Maxine Peake acts out of her skin as Anne Lister, the lesbian diarist whose story remained hidden form the wider public until Helen Whitbread's groundbreaking 1992 book. The film is excellent on many levels: for its up-close portrayal of the emotional and sexual lives of (lesbian) women in an era when the concept of such love (and lust) was more or less unknown; for its sure-footed cinematography that creates a just-familiar-enough epoch; and for its wonderful script by Jane English. Apparently it took 18 days to make - unbelievable. Probably the best value drama for the licence money that BBC has ever achieved. Well done to whoever commissioned this. My favourite thing: the great way interior light and 30+something skin tones are worked: women shown as women rather than constructs of the advertising-consumer nexus. My least favourite thing: what happens to Anne's final partner after Anne dies.