Matrixston Wow! Such a good movie.

Colibel Terrible acting, screenplay and direction.

ChicRawIdol A brilliant film that helped define a genre

Matrixiole Simple and well acted, it has tension enough to knot the stomach.

J_Sucre This movie is horrible. It is over stylized with ridiculous jump cuts and flashbacks. The plot is non existent and the acting is horrible. The only entertaining thing about it is Peter Greene, because he is Peter Greene.

George Parker "Double Tap" asks the question: Can a beautiful deep cover FBI agent (Locklear) fall for a shadowy hitman (Rea) with scruples? This, the film's premise, has potential which is mostly lost in a morass of Hollyweird window dressing including jerky jump cuts, unnecessary blends, strange music, over acting, cheap atmospherics, etc. with little attention paid to story coherence and character development. Bottom line: "Double Tap" is little more than an fodder for those in the mood for some noirish crime drama on late night TV.

amazme3 This film was a pleasant surprise to watch. Heather Locklear was realistic and hot as the tough FBI agent with an introspective demeanor. She shows her range, with performances from this film to the cheesy Melrose Place. However, really, do FBI agents actually look like her and Gillian Anderson? The plot was believable and fast-paced, with Stephen Rea as the methodical/conscientious/efficient thug-killer. Some of his hits were pretty imaginative. The score could have been better, as well as the supporting cast. 7 out of 10.

scrutiny Double Tap was a film relegated to HBO's cheesy Friday night premieres and that's a shame because it deserved so much more. It stars Heather Locklear (!), no I did not stutter, as a FBI agent involved in a sting operation who gets caught in the middle of a hitman's grocery list, seemingly he's taking down all the drug dealers in town. Along for the ride is Kevin Gage and Mykelti Williamson from Heat and the great Peter Greene. What distinguishes this effort is its terse dialogue, vivid characterizations, and stylish camera moves (loved the score by Moby). Double Tap should be held as a model for what a B movie low on cash but high on content can do. And Premiere magazine liked Montana, ha! This is the real deal folks.