Steineded
How sad is this?
ShangLuda
Admirable film.
Stephan Hammond
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
notmicro
What a bunch of incompetent idiots. They hire Locklear, and photograph her so that she ends up looking like Jocelyn Wildenstein. They hire aging uber-hunk Schaech, show him ripping off his shirt in steamy scenes, and then don't show his chest. Who knows, maybe Locklear was having a bad-face day, and Schaech was having a bad-chest day.I felt sorry for the actors having to grind their way through this stuff; I guess its an indication of how difficult it is for them to find decent roles. The story is unusually dumb, and does a disservice to people with serious mental problems who have been helped by some of the procedures depicted.
mrsgeorge72
I am a Nora Roberts fan and this book I really loved. I think the movie is OK. Not great, but all right. At least they kept to the story. I see why it is described as a TV movie. It is made decently, but it has nothing extra.I understand that they needed to squeeze everything in to the movie and that they had to cut some scenes. But some things could have done with some more attention. Like the scene when Reece sees the woman get killed.Most things, like persons and scenes in the movie are the way imagined them. Most of the persons look like they are described in the book. Ther is 1 'BUT'. I usually like Heather Locklear, but giving a 46 year old woman the role of a 28 year old character is a bit of a stretch, I think.
caa821
Being slim and petite, Heather Locklear was believable in this role, but age-wise a bit long-in-tooth in terms of her age versus the part's. She's also nearly a decade older than her co-star/romantic interest - so perhaps the time's arrived for Heather to enter into more mature roles.One of the others within this comment section termed the Brody character as "brooding." A better adjective couldn't be chosen.No surprise, a made-for -TV ," Lifetime" flick, while set in the U.S., actually filmed in Canada. However, the town of Canmore, Alberta, provided outstanding setting and scenery - and is a place I believe I'd enjoy visiting sometime.The "gal-on-the-run-fleeing-a-past-traumiaic-experience" is one which has been done several times in "Lifetime" and similar genre (perhaps not as frequently as the psychotic neighbor, or spouse with a hidden past, but fairly close).This flick was kind of like an all right - but not sensational - meal, but where there weren't any condiments to ease its blandness.The actors here were all competent, but I realized what the problem was when I could here the audio, but had to be out of view for a couple of times. All films, plays and TV dramas/comedies have rehearsal readings, and sometimes stage presentations are produced with "readings" rather than actors in costume and on-set.The performances in this flick made all of the actors sound like they were doing a reading rather than truly acting in their roles. They did this ably, but there was a wooden, static quality throughout.Give it a 5* - might be one less if weren't for the scenery.
djnova50-1
I've seen some of the other Nora Roberts' novels that were made into movies. But, this is the first time that I've read the book and watched the movie. While the book did draw me in and kept me reading, the movie just didn't pull at me. I felt that the movie contained a lot of teasers, but didn't expand upon them. One example was Reese telling Joanie that there needs to be fresh herbs. The movie ends with us not knowing whether Joanie got those fresh herbs.Personally, I thought Heather Locklear was too old to play the part of Reese Gilmore. I like Ms. Locklear and think she is a good actress when she is cast in the right role: Sammy Jo Dean Carrington in Dynasty, one of her best characters.Understanding that this movie was a made for TV movie and had to work within time constraints, it could have been presented differently and still told the story in a way that would have kept my interest. I would suggest that if you haven't read the book yet, don't read the book until after you've watched the movie.