Cabo Blanco

1980 "Caboblanco. Where legends are born."
5.3| 1h27m| en
Details

Giff Hoyt, a cafe owner in Cabo Blanco, Peru after World War II is caught between refuge-seeking Nazis and their enemies. After the murder of a sea explorer is passed off as accidental death by the corrupt local police, Giff becomes suspicious. The police chief also intimidates a new arrival Marie, and Giff intervenes to help her. Giff suspects Beckdorff, a Nazi refugee living in the area. Beckdorff, it emerges, is seeking to uncover sunken treasure.

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Reviews

Stevecorp Don't listen to the negative reviews
Ariella Broughton It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
Rosie Searle It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.
Bumpy Chip It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.
Michael_Elliott Cabo Blanco (1980) ** (out of 4) Peru, 1948 is the setting for this adventure film about a group of criminals living in Cabo Blanco. A bar owner (Charles Bronson) finds himself caught up in a mystery dealing with missing gold, which includes a beautiful woman (Dominique Sanda) searching for her husband, a Nazi war criminal (Jason Robards) and a crooked police chief (Fernando Rey).CABO BLANCO is often laughed at because it's considered a rip-off of CASABLANCA. While this film does borrow heavily from that classic picture, the overall movie isn't nearly as bad as its reputation. At the same time, I really have to scratch my head as to why the producers would call the film CABO BLANCO because with that title you just know people were going to compare it to a much better film. It didn't really matter how this movie turned out, the odds of it being better than that Humphrey Bogart classic was very slim so why put your film in a bad position from the word go? As for the film itself, it's slight entertainment, although there's no question that there are plenty of flaws throughout. I think the biggest problem is the actual screenplay, which has way too much story and at times it gets rather bogged down in dialogue. The story itself could have been more interesting had there simply not be so many characters talking about so many different things. I know the film had some production issues so perhaps this might explain some of this but at just 87 minutes it seems like there's way too much story here than is needed.The film has some terrific visuals and especially if you view the film in its original 2.35:1 ratio. The locations are certainly beautiful and adds a lot to the story. The performances really aren't that bad either. Robards is entertaining as always and I thought Rey was extremely good in the role of the police chief. I thought Sanda made for a good femme fetale as well. As for Bronson, this isn't his typical tough guy role. This character is a lot more of a "normal" person so to speak and I thought the actor did a fine job with it.CABO BLANCO also suffers from some weird issues in regards to content. There's really no profanity and the violence is never too graphic or brutal. These elements are certain PG worthy yet there is all sorts of nudity that pushes it pass the family friendly rating. I'm not sure why they added on the nudity but nothing else but oh well. In the end CABO BLANCO is neither good nor bad but just pointless.
kuciak It is no secret that Charles Bronson became a star in Europe before he became one in the US because of Death Wish. In Cabo Blanco, somewhat a takeoff of 'Casablanca', Bronson starred in the most European looking of all his movies. Yes he did films in Europe like Love and Bullits, and there is a brief sequence in Naples of the superior 'The Mechanic.' But due to casting, it has a feel of a European movie, the most since Someone Behind the Door'. Of course, the film does take place in Peru, and was filmed in Mexicao, but certainly the participation of the film with Dominique Sanda, Fernando Rey, and Camilla Spav certainly gives the film that feel. Also it is only the other time that Bronson worked with Jason Robards, (Once Upon a Time in The West) this time as a villain.It is also perhaps the most romantic film that Bronson has done, and all though he was 58 when he did the film, he looks the younger than he had ever looked since his role as Jeff in 'Violent City'.It is also a curious puzzle in Bronson's career, as it did not get much theatrical play in the US, if at all. Why this is has never been explained. On first viewing, it is an entertaining film, at least I was when I first saw it in 86 on video. Perhaps one of the problems also was that it was short at 87 minutes, and Bronson's popularity was on decline, though, sadly, the Cannon films with Death Wish II, and 10 to Midnight, with its incredible violence would shoot Bronson back up to big box office status.It would be, I believe, the last time we would see Bronson without a shirt on. Perhaps he might have been having trouble keeping that athletic looking body that he had, less than 20 years later he would need a hip replacement.' In fact, in the film, he is seen that way from the back, as he walks away from camera, it is almost as if he is saying through this scene, you won't see me with my shirt off again.This is a fun movie to watch, also if you are a person who likes to see a lot of naked women, you won't be disappointed. Though I don't recommend it for that.The film does have its flaws though, The song 'The Very Thought Of You, gets played to many times that it becomes a cliché. Also the climax, and some of the scenes before that are so contrived and silly. I would also suggest that it is condescending to some of the supposedly native Peruvians, though this might harkin back to the days of the 40 American movies, which have some scenes which begin in black and white. However, if you think about it, the ending shot is ironic, and can make one think. The narration does add a veneer of sophistication to the film. Listen very closely at the end, as you might miss some important details.
Pycal Judging solely from the cool poster art (featuring a mean looking Bronson with a .357 magnum in hand) I expected a gritty 70s/80s style crime flick with the main twist being that it's set in a tropical Latin American location instead of the typical NYC or LA. Instead what we get is a 1940s era neo-noir with shades of 'Casablanca'. I guess I would have been fine with that as it would have been an interesting change of pace for a Bronson flick (so long as it were accompanied by plenty of hard-hitting action). However whatever potential this film had quickly deteriorates as the plot becomes nothing more than a lame, slow paced, sunken treasure movie.Highlights include a few creative(though underwhelming) action scenes, topless Latina chicks, and appearances by Fernando Rey and Jason Robards (who isn't very convincing as a German expatriate). Even a cameo by a talking parrot can't save it. Avoid.
DrSatan Caboblanco is a really, really bad film, that loses many points for its feeble attempts to evoke the classic "Casablanca". I feel sorry for Jason Robards and Bronson, both of whom give decent performances on this film's lousy script. I'm sorry, but the story of various low lifes and politicos vieing over suken treasure (with a crappy romance sub-plot thrown in for good measure) cannot compete with Casablanca's story of sacrificing love for the greater good. Also, this film lacks Casablanca's wonderful supporting cast and great dialogue. Judged by itself, this film is paced far too slowly, and too little occurs. The ending, though, is what mainly draws my ire-"I put a bomb in the jukebox" indeed! Avoid.