Karry Best movie of this year hands down!

AniInterview Sorry, this movie sucks

Doomtomylo a film so unique, intoxicating and bizarre that it not only demands another viewing, but is also forgivable as a satirical comedy where the jokes eventually take the back seat.

Tymon Sutton The acting is good, and the firecracker script has some excellent ideas.

madisonquiz I was surprised this film was rated below 5. I can understand why the average viewer might not find this movie satisfying, because the ending is unexpectedly sad and very unlike most Hollywood mobster films in which the protagonist either survives or sacrifices himself to save another sympathetic character who escapes with a secure future. Neither outcome happens here, which is completely consistent with the realistic vibe it maintains throughout. The acting performances are all excellent and believable. Even the typecast Harvey Keitiel makes you forget all the other mobster characters he's played. In this film, he's Sal, not Harvey. The scenes with newcomer Slaine are especially engaging as his character increasingly asserts his street cred to the wavering Nick. In a way, this is almost an "art film" version of a mob story. They manage to convey character conflicts and brutal violence without glorifying the action (and with zero police presence or shootouts or cars blowing up!) In short, a refreshing albeit depressing deviation from the usual crime movie, but solid and worth a view.

Tom Dooley Set in Boston we meet Nick Tortano (Ben Barnes) he works for Salvatore Vitaglia (Harvey Keitel) in what is seen as the dying days of Sicilian mob rule – with the new eastern Europeans taking over. Nick just wants to be a 'made man' and in doing so has become estranged to his father, but has a best bud in George (Slaine) who sort of gives him a leg up – but he has more of a taste for wanton killing than does Nick.Throw into the mix a little illicit gambling, the ubiquitous lap dancing club and a stereotype Mafiosi or two and you have the general ingredients for a decent film. But this has all the pieces in the wrong place, the slow burn lacks any menace to keep you interested and when the violence does come it is so rushed that you could almost miss it. There is no exploration of the new wave of gangsters or the police doing a single thing – which is a bit odd but would have added something to an otherwise stagily linear narrative. No-one was dusting off the awards cabinet for this one either, but Slaine was good and Keitel can do no wrong. Barnes as a lead was just too nice to be convincing, but did a fair fist of it. This is one that is probably OK for a rental with some beers, as indeed I did, but it is no way going to be a keeper. If you love all things mob related then it is probably worth a go, but do not expect to be blown away.

zardoz-13 The apathetic R-rated mafia movie "By the Gun" generates minimal velocity, and the foul-mouthed characters don't curse half as much as they should. If you're itching for something like either "Goodfellas" or "Killing Them Softly," you're going to be sorely disappointed. The urban action meanders aimlessly for little more than a half-hour before our handsome but ineffectual hero finds himself face to face with his big contract kill. Sadly, Nick cannot summon the nerve to pull the trigger. Instead, his obnoxious buddy George (Slaine of "The Town") takes care of Nick's business for him. Niccolo Emilio Tortano (Ben Barnes of "The Chronicles of Narnia: Prince Caspian"), who dreamed about being a 'made man' in the Italian mob, gets his opportunity about 41 minutes into the slow-burn action as his boss Salvatore Vitaglia (Harvey Keitel of "Mean Streets") administers the omerta oath.Trouble is killing isn't in Nick's blood. Nick's father Vincent wants nothing to do with either him or the mob. Nick also has his eyes on a female bartender, Ali (Leighton Meester of "Country Strong"), and likes to give her flowers. As it turns out, Ali's father is scummy mafia chieftain Tony Matazano (Ritchie Coaster of "Blackhat"), and Nick's friend George takes Tony hostage and beats him within an inch of his life. George threatens to blab off to everybody about what he did for Nick. Tony tells Nicky repeatedly to kill George, and suddenly Nick blows Tony's head off. This prompts Sal to take a contract out of Nick. Indeed, Nick gets to sleep with Ali who abhorred her own father, but by then Nick's days are numbered. When Sal's shooter Jerry (Toby Jones of "Captain America: The Winter Soldier") comes gunning for Nick, he finds Ali alone in bed and ices her. Nick manages to shoot Jerry with the same silenced automatic with which Jerry rubbed out Ali. Finally, Nick musters some guts and goes after Sal.Sophomore director James Motten of "Trucker" and rookie scenarist Emilio Mauro delay the inevitable for what seems an eternity. More characters bite the dust in the last ten minutes than the previous 100 minutes. Leading man Ben Barnes drums up little charisma. He isn't sympathetic for a mafia protagonist who allows situations to manipulate him. Motton and Mauro deliver a double whammy surprise at fade-out, but it is too late to salvage this mediocre melodrama. The locations appear realistic enough, and the budget seems more than adequate. Nevertheless, "By the Gun" emerges as a forgettable fiasco.

gradyharp As written by Emilio Mauro and directed by James Mottern BY THE GUN is another Boston Mafia flick, but this one is a bit more sensitive to character development and conflicts of the gang world than most. Perhaps most of that is due to Ben Barnes very exceptional portrayal of the lead character, but kudos must be passed around to a supporting cast that is less concerned with star turns then depicting the miasma of Mafioso life, perhaps the most dysfunctional concept of 'family' ever created.Nick Tortano (Ben Barnes) is a smooth-talking, ladies man, ambitious criminal from the streets of Boston. After years spent working for and idolizing the Italian gangsters he finally proves himself to the boss Salvatore Vitaglia (Harvey Keitel) and becomes a made man. However, once inside, Nick conflicts with a moneymaker for the Mafia and begins to drive a wedge between him and Boss. In the sidebars, Nick's 'driver' is the fat but fearless George Mullins (Slaine) who makes Nick's initial difficult kill for him, Nick's real father (Paul Ben- Victor) and younger brother Vito (an impressive turn for Kenny Wormald), a love affair with Ali Matazano (Leighton Meester), and various conflicts with Salvatore's enemies. There are some fine minor character roles by Toby Jones, Ron Komora, Tully Banta-Cain, William Bloomfield, Richie Coaster and others, but basically this is Ben Barnes film –a confused young man who makes some wrong choices but does so in a manner that keeps our compassion.Not a great film, nor does it pretend to be, but for a small Indie look at the autopsy of the Boston Mafia it fares well.