But I Don't Want to Get Married!

1970
6.5| 1h15m| NR| en
Details

An accountant is widowed after 18 years of marriage. He is dumbfounded to have a herd of marriage-minded women descend upon him.

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Moustroll Good movie but grossly overrated
HeadlinesExotic Boring
InformationRap This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
Gary The movie's not perfect, but it sticks the landing of its message. It was engaging - thrilling at times - and I personally thought it was a great time.
MartinHafer "But I Don't Wanna Get Married" is a surprisingly frank movie about sex. While it doesn't SAY a lot of things, it's very clear that despite being a widower, Walter has some amazing sex! When the film begins, you learn that Walter (Hershell Bernardi) is a widower and father of two boys. Despite being, at best, an ordinary looking guy, he finds that an amazing number of gorgeous women find him attractive...and he isn't exactly looking for a replacement wife despite proddings from some do-gooders. Eventually he relents and begins dating. The woman his sister-in-law picked out is just god- awful (Nanette Fabray) but soon Walter finds his very sexy secretary coming on to him, his neighbor (Shirley Jones), his youngest son's teacher (Tina Louise) and even a 'professional girl' (oddly played by Joyce Van Patten). And, by the end of the film, he's found a delightful woman more his speed (June Lockhart). Despite it being very hard to imagine Bernardi being a chick magnet, this is a decent and entertaining film. But I was surprised with his relationship with Van Patten's character. She was clearly a prostitute and it was clear he had sex with her twice! This must have really shocked folks back in 1970 and I am a bit surprised that they got away with this one. Overall, certainly far from a must-see but worth seeing if you are curious.
moonspinner55 Herschel Bernardi is an accountant and recent widower with two sons who is confused by many things: the difference between hiring a maid and an afternoon escort, how to feed his family without going out to eat every night and...New Math. Brash, occasionally funny TV-movie, directed by Jerry Paris and co-produced by Paris and Aaron Spelling, spotlights some amusing ladies, mostly from TV (Shirley Jones, Nanette Fabray, June Lockhart, Tina Louise, and Penny Marshall in a bit). Colorful and harmless, a cartoony sketch of modern-day dating in place of a satirical study on the subject. The gummy photography and thick-as-a-brick background scoring are both irritating, and there's too much of mush-mouthed Brandon Cruz as Bernardi's youngest child; otherwise, a lightly charming piece of harmless fluff.
beauzee Hershel Bernardi has a real "bevy of beauties" from all age groups here, as he is a suddenly single 40s something Professional in 1970.Living in a College Community, he is the older, wiser, and very desirable target of hot, blonde college girl Sue Lyon, switching around his office in a funky mini skirt. He is more comfortable with Joyce Van Patton, the Housekeeper, more in his age group...and actually less challenging, intellectually.His precocious son gives him advice he does not need.This movie appears to be unavailable even on VHS and that's a shame. I watched my Betamax TV dupe about 50 times.Pretty strong for a Made For TV movie.Let me know when it comes out! :)
kent-edel I saw this movie only once -- probably when it first aired in 1970 -- but it made a lasting impression on me. It is indisputably sweet, and unobtrusively moral. Bernardi's character has an unassuming nobility that even transcends the excellent script. For example, when he reveals to her that he has been secretly watching Shirley Jones' character undressing -- as her bedroom window is unavoidably visible from Bernardi's apartment window -- he manages to make this act seem somehow innocent. He is astonished, and is finished as her suitor, when she finds this to be disgusting. (As I recall, her final line -- just before she slaps him -- is, "That's DISGUSTING!") Bernardi's scene with the too-young Sue Lyon is the most memorable and is the best proof of his character's nobility. She wants to pursue him (sexually, one gathers), but he recognizes that he is too old for her. When he protests as much, she retorts (I might have their ages wrong), "I'm 20, I know what I want." He responds with, "I'm 45, I know what I can't have." You can't improve on this.As a measure of how this film has stuck with me over the last 37 years: when my kids don't like something that a neighbor or relative has cooked, I always find myself recalling the line, "No Aunt Hallie!" This is the chant that Bernardi's kids make when they contemplate yet another frozen meal cooked by their aunt -- the sister of their deceased mother -- who is a horrible cook and a rather cold person, but who obviously loves her sister's family and wants to help in some way.I would love to see this movie again.