Bucktown

1975 "WHATEVER YOU WANT THEY'VE GOT... And Bucktown is where you'll find it!"
6.1| 1h34m| R| en
Details

Duke Johnson visits a small Southern town, intent on burying his brother. After the funeral, he learns that he must stay for 60 days, for the estate to be processed. A few locals convince Duke to reopen his late brother's nightclub, and soon the local redneck policemen are intimidating Duke with threats of violence. Duke refuses to pay the bribes they demand, so then he and his lady friend Aretha are threatened and attacked by the crooked cops. Rather than take them on himself, Duke calls on his old pal Roy. Roy brings a few buddies to Bucktown, and they bring justice to the small town. With the redneck cops out of the way, Duke lets his guard down. Then the situation gets out of hand again. Finally, Duke must settle the score himself.

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Reviews

Mjeteconer Just perfect...
HeadlinesExotic Boring
Kien Navarro Exactly the movie you think it is, but not the movie you want it to be.
Kaydan Christian A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
Uriah43 After the death of his brother a man named "Duke Johnson" (Fred Williamson) travels down south to a place called "Bucktown" to attend the funeral. After the funeral he is pressured by his brother's friends to reopen the bar his brother owned long enough to sell it prior to departing back east. However, when he does this he finds that the entire police force of the town is corrupt and rather than being held hostage to extortion decides to call a friend to come down and help him out. Little does he realize that when he does this all hell is about to break loose. Now, rather than reveal any more of this movie and risk spoiling it for those who haven't seen it I will just say that this movie had the potential to be an excellent "blaxploitation" movie especially given the fine performances of Pam Grier (as "Aretha") and the aforementioned Fred Williamson. Unfortunately, the story became more and more implausible as it progressed to the point that it totally lacked any semblance of realism toward the end. Even so I still thought it was somewhat enjoyable and I rate it as slightly above average.
Lucien Lessard Dean Johnson (Fred Williamson) came to Bucktown to bury his murdered brother. Dean is forced to stay in Bucktown for two months, because of his brother's will. Now Dean works on his late brother's bar, he becomes friends with a foxy lady named Aretha (Pam Grier) but he has to deal with a sleazy police force led by Chief Patterson (Art Lund) and his men. When Dean calls his best friend Roy (Thalmus Rasulala) to clean up the mess in Bucktown with the help of Roy's men. The clean up is successful and getting rid of these sleazy cops but it ain't easy. Dean slowly realized that Roy and his men are the same of the previous corrupt cops. They want money from any business in town. Now Dean becomes a one-man army to get rid of Roy and his men.Directed by Arthur Marks (Detroit 9000, Friday Foster, J.D.'s Revenge) made an entertaining, action movie with some good laughs. Williamson is fun to watch as the lead hero. Grier is fine as Dean's girlfriend. Rasulala and Lund are strong in supporting roles. It is nice to Carl Weathers as one of Roy's tough guys in a small role.DVD has an good anamorphic Widescreen (1.85:1) transfer and an OK Dolby 2.0 Mono Sound. The DVD's only extra is the original theatrical trailer. "Bucktown" does have some good moments, some of the dialogue are extremely funny but the movie becomes laughable at times and forced at times. Despite some flaws, It's a fun "Soul Cinema" feature. (*** ½/*****).
bensonmum2 Duke Johnson (Fred Williamson) comes to Bucktown to bury his brother and settle his business. A few locals talk Duke into staying on and re-opening his brother's bar. The locals, however, don't tell Duke how his brother really died or about the racists that run Bucktown. Duke enlists some out-of-town friends to help him deal with his problems. With his black friends in power, things should be looking up for Duke. But he soon realizes that regardless of skin color, power corrupts. Once again, Duke must fight for what he believes in.I suppose the biggest reason to see Bucktown is the chance to catch Fred Williamson and Pam Grier in the same movie. They're dynamite together and exhibit some real chemistry. I was impressed with Williamson in particular. I've seen too many movies from later in his career where he sleepwalks his way to a paycheck. Not here. He really seems to be into it. As for Grier, she's terrific. The supporting cast is exceptionally strong for this kind of movie. Thalmus Rasulala is an actor who has always impressed me and he does nothing to change my opinion in Bucktown. Carl Weathers and Tony King also give nice performances. But nobody goes into a movie like this for the acting. The action and fight scenes in Bucktown are wonderful. Fists, knives, guns – this movie has it all and does it all very well. The fight choreography and staging is about the best I've seen in a Blaxploitation movie. Very nicely done! But as much as I enjoyed the actors and the action, I still can't rate Bucktown higher than a 5/10. Why? The movie makes no sense. Maybe I should just suspend logic and go with it, but I can't. In my way of thinking, you just can't kill a bunch of people without some sort of reprisal. A whole load of lawmen are killed and no one seems to take notice? I don't care if they were good-for-nothing racists, someone (State officials, family members, concerned citizens,, etc.) would surely take notice and come to town to do something about it. And if the State or whoever isn't going to do anything about all the killing, don't you think the Army would take notice of someone stealing one of their vehicles? I'm sorry, but there's no logic to any of it.
mrsastor This is easily the most disappointing, least gratifying movie of the entire so-called blacksploitation genre, which, by the way, are films we generally enjoy a great deal in our home. Rather than being "exploitation" or demeaning, these films actually provide a priceless insight into an era. Well, not Bucktown.In this story, Duke returns to Bucktown to operate the night club left to him by his recently deceased brother. He quickly learns that the city is entirely controlled by a corrupt police force, bleeding protection money out of all the local businesses. Duke resists, and determines that he will rescue the city from the corrupt police. Unfortunately, he does so by calling in a posse of his friends (these people are vaguely explained as some former black-militants who have worked with Duke on "jobs" in the past) and they simply murder the entire police department in cold blood. And literally in the presence of hundreds of witnesses who do nothing to stop it. Ignorance is not a justification for murder, and it would have been much more entertaining to see the Cracker Police suffer for their actions as opposed to merely getting whacked in the street. While revenge is a ubiquitous and generally satisfying theme in films of this genre, it is a far cry from seeing Pam Grier track down the thugs who off'ed her family, cuss them out, give them a jujitsu ass-kickin' and set their 'fro on fire. That has art (and a reason for existing) and merits a level of respect that is quite undeserved by simply shooting someone in the back. Of course, in this bizarre tale, she is playing a woman completely under The Man's thumb, afraid of the Crackers who run her town and oppress her people. Indeed, her advice to Duke is, "Run, man, they gonna kill you!"Following the sickening and gratuitous violence, we are expected to believe that the town's mayor wholeheartedly condones the actions of Duke and his friends, congratulating them and offering to throw a parade in their honor, as opposed to, say, calling the district attorney to press capital murder charges against them and have them taken into custody. Duke's posse declines the parade and instead opts to fill the numerous vacancies on the police force created by their recent killing spree. They immediately prove to be even more corrupt than their Cracker Police predecessors (to quote the mayor, "They are ten times worse than what we had before!"). Now Duke finds he must again rescue the citizens of Bucktown from corrupt, protection-racket law enforcement officials and again make it safe for decent folk to operate a prostitution business in the streets. Unfortunately, Duke has already lost all moral high ground and sympathy due a hero, as he was a willing participant in the murder of the original police force. I wouldn't have cared one way or the other if he had rescued Bucktown or gotten plugged himself at this point. I suppose we are to be entertained by the clever way Duke has to outsmart the new Police Goons, but in reality the film has now just become an opera of gratuitous violence, Duke murders all of his former friends and allies in cold blood with the same absence of compassion he had when gunning down the Cracker Police. Duke is a pig.Finally, when everyone in town but Duke, Aretha, and the employees of the local brothel are dead and bleedin' in the street, our hero and heroine walk off into the night as though they had some admirable qualities or redeeming values; they don't. Duke is merely a murderous thug and Aretha his enabling misogynist accomplice. If you are interested in this genre of film, by all means, I highly recommend them, see Coffy, Foxy Brown, Truck Turner, Blacula, Sheba Baby…but if in the process you should run across this DVD, throw it as far away as you possibly can! Drop it like it's hot! It should be treated as one would treat a glowing puddle of nuclear waste! There is no single film in the entire Blacksploitation era that is not dramatically more entertaining, satisfying and populated with more sympathetic and admirable characters than this piece of slime, obviously written by and targeted at some hormonally imbalanced high school sophomores.