Lumsdal Good , But It Is Overrated By Some

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Derry Herrera Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

Phillipa Strong acting helps the film overcome an uncertain premise and create characters that hold our attention absolutely.

Matt Profaci ** Official Selection - Screened at Cinedelphia Film Festival 2018 ** Though both a perfect companion to "The Room" and a standout film in its own right, "Best F(r)iends" overall seems to be a meditation on the past fifteen years of Greg Sestero's life. But, that sentence should mean something to you before you watch this movie. Don't see this film yet if you haven't. It won't do anything for you, and worse, you'll never appreciate what inspired it. It says so right at the beginning of the film -- "Based On True Events."This two-volume film (which has a clear "intermission" moment at the end of Vol. 1) is really the final film in a loosely bound trilogy, which came together accidentally and incredulously. Now, if you are already well-versed in the mythology behind Sestero and his unforgettable counterpart Tommy Wiseau, you should see this film. I would go into it not knowing anything -- but the plot is classic California neo-noir and involves detailed, interwoven subplots. It's also a tribute to the beautiful city of Los Angeles, and the significance of Sestero's time there versus his time in San Francisco.Despite being a cult figure for fifteen years, this is Sestero's debut screenplay. At the wonderful Q&A I attended, he admitted that the script was written in only a few days, and inspired by both a fond (yet bizarre) memory and a cannabis edible. It lives up to this story and unfolds in a dreamlike manner, in which situational tones change rapidly and unexpectedly. Although clearly made on a limited budget, the film has simple yet effective cinematography. The direction is perfectly suited for both Sestero's script and Wiseau's acting, and there is a surprisingly great score by Daniel Platzman (of Imagine Dragons). It's a good movie. It's not an amazing movie, but that hardly matters. The important part is that you will discover there is major talent behind Sestero (who hopes to next write an unrelated horror-thriller). It's clear that he has the capability to become more than "the guy who played Mark," and this is him getting his feet wet. This his him laying "The Room" to rest. It's a first effort, and an impressive one.At the Q&A, Sestero explained that he wrote the characters of Jon and Harvey to be played specifically by himself and Tommy Wiseau. It was actually initially inspired by a memory of the two of them taking a road trip up the California coast, and Wiseau becoming paranoid that Sestero was going to kill him. Let me make myself abundantly clear -- there is absolutely no possible way for the characters in "Best F(r)iends" to be portrayed by other actors. The film would never work. To this point, it is clear that the film is a deep meditation on the complex relationship between these two men; one that has not always been great. Given this context, I personally found the first volume of "Best F(r)iends" to be beautiful and poetic. It's somewhat over-the-top; Wiseau really shines when he is playing a character that was (quite literally) written for him -- it's clear he's having fun, and it's refreshing to see him take on a more serious form of acting. He also seems to be acutely conscious of his image and the way his adoring fans see him, and is embracing his naturally eccentric personality. It's not ridiculous to say he can and will appear in more films in various roles. And the guy earned it."Best F(r)iends" seems to suggest there is not much more to be said about the friendship between Sestero and Wiseau. It will always be there, and this two-part epic is its tribute. At the same time, it is being laid to rest in the cult circuit -- the memories will be there forever, but it's time to part ways and focus on the potentially incredible things that they create independent of one another.I am enthusiastically looking forward to Vol. 2.

jarretttourigny This movie, truly was, the greatest movie I have ever seen. Everything about this movie is amazing and I congratulate Greg and Tommy on a job well done. The best part about it is that you don't even have to see or read The Room or The Disaster Artist to fully appreciate this movie. If you are only able to see one movie this year, I suggest you see this one. Or, if you can only see two movies this year, I suggest you see Volumes 1 and 2. I'm so happy that I got to meet Greg at the screening as well. He is super nice and I hope you get the chance to meet him10/10 would see again.

Bane2016 I've never been so bored in a cinema.There is nothing memorable or noteworthy contained within this film. Wiseau manages to deliver a performance lacking any passion, energy believability or truthfulness. Say what you want about his performance in 'The Room', but at least he he gave it energy and passion. Greg Sestero is as bad as he was in The Room and offers nothing of interest here.Unlike Wiseau's magnum opus, which moves at lightning pace, Best F(r)iends is flat, poorly paced, sterile, unimaginitive and held back by desperate attempts to bring the audience onboard with shoved in 'The Room' references. You would think, given the opportunity they both had with this film, Sestero and Wiseau would have wanted to move away from 'The Room' and produce something that could stand on its own. The trailers certainly suggested as much. The references to the 'The Room' bored me, and made me wish I was watching that film instead. At least that film is entertaining. For some reason they went for what can only be described as a Pretentiousness Overload, ripping as much as they could get away with from Mulholland Drive. The soundtrack is quite simply one of the worst soundtracks ever committed to film and must've been ripped from a Youtube playlist of Royalty/Rights free stock music. At points it is poorly mixed in, either being overly loud or ruining the tone of scenes. They released a clip on Youtube not too long ago featuring a scene where Wiseau's character Harvey purchases a car. The clip was actually a nice scene with a reasonably decent performance from Wiseau. This scene in the film is longer, the point of the scene is muddled and supressed and the music has been changed, completely ruining the tone. It is one example of several scenes which have been poorly edited and scored in the film.I like 'The Room'. I think it has a charm about it, I think it is (unintentionally) a comedy masterpiece with fast pacing and memorable characters and moments, and the soundtrack at least conveys the emotions of the film despite not being very varied. This film has none of that. If you're looking for Wiseau craziness, you might be occasionally entertained.

allisonauld Sestero gives a nice performance as a homeless drifter - all wounded eyes and thousand-yard stares. He's less convincing as a conniving crook. Tommy is Tommy. If you love him for his eccentricities, there's plenty on display here. Same for the dialogue, which is pretty flat except when Tommy and Greg banter, which shows off their chemistry. The plot has been done a million times - love, betrayal but it does have a modern twist. I think the goal was "neo-noir" but the film doesn't quite get there. Too much style over substance - too many drone shots, unnecessary slo-mo shots, etc. Filming L.A. and Las Vegas at night doesn't automatically equal noir. The director should have concentrated on dialogue and performance more than showy shots. I will say that the climax of the film provided more tension than I ever would have thought possible from a Wiseau/Sestero film. I'm looking forward to Part 2, in spite of myself.