Aragami

2003
6.7| 1h16m| en
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Two seriously wounded samurai find refuge from a storm at an isolated temple, the home of a swordsman and a mysterious young woman. One samurai awakes to find that not only has his comrade died, but that his wounds have miraculously healed. He discovers that he has been given the power of immortality by the swordsman, a man once known as the legendary Miyamoto Musashi, who now lives an endless existence as Aragami, a "god of battle".

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Reviews

Clevercell Very disappointing...
UnowPriceless hyped garbage
MusicChat It's complicated... I really like the directing, acting and writing but, there are issues with the way it's shot that I just can't deny. As much as I love the storytelling and the fantastic performance but, there are also certain scenes that didn't need to exist.
Curapedi I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.
K_Todorov Ryuhei Kitamura's entry for the "Duel" project is a 70 minute samurai movie taking place in an old abandoned temple.It's a slow opening build up. Two men, one a wounded samurai, the other a mysterious monk living in a forgotten temple spend their time in conversation, waiting for the storm outside to end . Their backgrounds and motives become apparent establishing "who" are these two men and setting up the scene of confrontation between them. Unlike most other movies this one lacks a clear antagonist, the two leads are described as men of honor each with his own different point of view. So when their duel begins it becomes even more effective as it is not just choreography and camera works that makes the battle good but also because both these men are likable. Kitamura's decision to keep the battle for the final part of the film proves to be a correct one, as tension builds up between the two leads with each and every revelation, setting their motivation for whats coming.Considering that the whole movie took place in just one room, the fight scene was pretty impressive with Kitamura demonstrating some very nice camera-work, following the swordplay in an almost perfect rhythm. The choreography is also top notch once again proving that Kitamura is able to create memorable and stylish fight scenes without the necessarily needed high budget. Considering that the whole battle took place in just one room. The ending while a bit too similar to that of "Versus" fits the story's direction nicely with a ironic "the hunted becomes the hunter" type finale. "Aragami" is not an over the top, high-paced, non-stop as "Versus" instead it relies more on character to set it's tone for the finale. And with just about the right length so that it doesn't begin to drag on too much, Ryuhei Kitamura's Aragami is a very enjoyable samurai film.
Creedonjj Aragami the demon god of battle, is one of the most awe inspiring samurai films ever created. Directed by Ryuhei Kitamura Aragami is an action packed adventure and will keep you on the edge of your seat the whole way through.During Japans medieval period many wars were waged many men died; however one samurai is about to engage in a duel that could be the end of his existence or the beginning of a new life. When two samurai seeking refuge from a great battle stumble upon an old temple they had no idea what they were getting themselves into, days later one of the Samurai (Takao Osawa) awakes to find that his friend has died and he learns a dark secret about his host the eccentric Miyamoto Musashi (Masaya Kato).The cinematography for Aragami is unlike anything I have ever seen, the combination of dark lighting and splashes of vibrant color make this film one of the most interesting samurai movies in existence.I enjoyed this film very much and would recommend it to anyone that enjoys samurai movies another fun fact about this film is that it was filmed in 7 days as part of a challenge to create a feature length film with 1 setting in 7 days called the Duel project.
Brooke Being a Kitamura fan already, I came into this film with somewhat high expectations. After seeing it twice, I can say they fulfilled every one. The dialogue between Takao Osawa (the Samurai) and Masaya Kato (Musashi Miyamoto) carried this film as did the brilliantly choreographed sword play. In comparison to Kitamura's previous films: Versus and Alive, the female role played by Kanae Uotani speaks volumes in her lack of dialogue. Her mystery only adds to the plot, leaving much to the imagination. For only one set, the temple is quite possibly the most unique characteristic of the entire film. Its almost Gothic flair helps touch on the western and/or European influences that play a huge role in this film. I highly recommend Aragami, it's unlike any samurai film I've ever seen! 10/10!
dennisyoon Cool dance music + Cool demonic atmosphere + Cool kung fu type Swordplay = Nice little Samurai campfire story made into a film. If you enjoy martial arts and the supernatural done in a manga/anime style, you'll have a blast. No it's not Akira Kurosawa, more like Onimusha the video game. (The director also worked on the video game Metal Gear Solid the Twin Snakes.) Enjoy the hairstyles and the wisecracks. Little smirks go a long way. Ninja stars really wouldn't do against a sword would they? Imagine an acid trip of a Samurai tall tale. You get the picture.The dialog had me in stitches at times as well as the expressions on the faces. Masaya Kato the "Aragami" steals the show. You can tell he had a good time being Samurai/Demon/Comic. Already a cult film in my view. More movies like this please!