SpuffyWeb Sadly Over-hyped

UnowPriceless hyped garbage

ShangLuda Admirable film.

Arianna Moses Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

Tweekums When this series first aired in 1992 it was considered rather racy due to the characters' unconventional attitude to sex and the handful of nude scenes now it seems far less shocking. The story is told in flashback as the characters head to a funeral in west Cornwall. On the way they reminisce about their time together around the time of the Second World War. We are introduced to them as they enjoy one last summer together in Cornwall before the war. Once the war starts Polly and Calypso head to London and young Sophy is sent to a boarding school. Their love lives are unconventional to say the least Calypso is determined to marry a rich man but when she does she is more than happy to take other lovers, Polly can't decide which twin she wants to be with so has both and Helena has an affair with Jewish refugee Max while her husband Richard is left with Max's wife.This might sound like the plot from a particularly melodramatic soap opera but thankfully it doesn't feel like that due to the excellent acting from Felicity Kendal, Tara Fitzgerald, Jennifer Ehle and Rebecca Hall as Helena, Polly, Calypso and Sophy and Paul Eddington as Richard. As it is set during the war there is a constant feeling that characters could die and at least one is killed, although we obviously know that certain characters will survive as we have seen them in the present. I liked how the story was presented in flashback as the surviving characters told their story to the next generation on the way to the funeral; this somehow gave it a greater degree of believability perhaps because their reaction to hearing the story mirrored the viewers.

trpdean This is one of the more propagandistic things you'll ever see - and within moments you can rat out the way the characters, situations will go - if the character/situation is self-pitying, libertine, atheist, self-absorbed, licentious - he/she is loved. If disciplined, restrained, religious, frankly patriotic or traditional, he's hated.It's a simple by the numbers job.Thus, although some here have written of this revealing how the war changed people's morality, this is false. We see before the War ever begins, that we're watching as rotten a group as one can imagine - deeply self-pitying and selfish people - women without any kind of femininity ("sure, I'll have sex with you whenever you like once I've married a rich man"), men without any kind of masculinity ("sure, I raped as many women as often as I could - committed war atrocities, sure, the lot - it was WAR and I know war and you don't" (and I can't stop talking about it because I'm as self-pitying a human as you'll ever ever meet! Why, I saw men die!")).I hated these characters - really loathed them right down to the ground.This was a grave disappointment because I have really liked so many of the actors in other things - from Nicholas LePrevost to Jennifer Ehle, from Rosemary Harris to Toby Stephens, from Paul Eddington to Felicity Kendall to Richard Johnson. Perhaps the book is better - but I doubt it. It's the characters and story that I found despicable.

hjmsia49 Those of us who lived through WWII may be taken aback by the characters in this film which are at odds with our impressions of the staid Brits during that era. The assertion that some of their bizarre conduct was a result of the war is not totally convincing. The cast is uniformly excellent especially Felicity Kendal as Helene and Rebecca Hall as a young Sophy. Oliver Cotten was convincing as the lecherous Max although I felt his German tirades were a bit overdone. Those of us who have only seen Jennifer Ehle in "Pride and Prejudice" will be very surprised at her radically different portrayal of the amoral young Calypso. I do feel that some of the nudity and graphic language was gratuitous and prevented the film from reaching the larger audience it deserved. I found a certain irony in the beginning and end of the film. In the opening scenes, young Oliver and young Sophy discuss the evils of fascism and in the final scene old Oliver and old Sophy drive away in a Volkswagon Beetle. Their long delayed reunion had a striking similarity to that of Lionel and Jean in "As Time Goes By." The editing of only a few scenes would have given greater circulation to the film.

andyb-4 Jennifer Ehle is certainly attractive and shows a lot more in this epic than in her later Jane Austen roles. But for an example of dark and sultry pouting look no further than Tara Fitzgerald. This production also features everyones 1970's favourite pin-up Felicty Kendal, but she's playing an old woman here folks!