Raetsonwe Redundant and unnecessary.

Glimmerubro It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

Yash Wade Close shines in drama with strong language, adult themes.

Kirandeep Yoder The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

splavin00 Overall I'd say this is a great series, a solid 8 out of 10.The biggest strength for the series is by far the amazing artwork and animation. Reminiscent of Miyazaki's "Castle in the Sky", the steam punk airship technology are all interestingly designed and are beautifully translated onto the screen. Character animation is very solid, the studio clearly didn't try to cut corners, which provides expression and life to the characters. Top notch stuff all aroundThe first half of the series had me completely hooked, particularly the first two episodes. I totally bought into the steam punk tech especially. The characters that were introduced were likable and their motivations (or lack thereof in some cases) were clear. The scene was set for some epic reveals and an exciting ride. However, I felt that the pacing of the second half of the story was sorely lacking. I found myself begin to lose interest at times, even as things began to unfold. Not to say it wasn't competently done, but from the expectations I had from the first half, it didn't pay off the way I wanted it to. The art and animation is incredible and the story is well above most others, give it a watch.

trcky1 This is a frustrating series because it had so much promise. The artwork and animation are superbly detailed. I couldn't believe I was watching an anime produced 8-9 years ago. The premise and story are pretty interesting as well, though somewhat disjointed. It felt like a love letter to the art and culture of air flight, but then that line clashes a bit with the whole sci-fi aspect of the series. The ending also feels abrupt and rushed. It felt like the story took an abrupt turn, the way that James Cameron's "The Abyss" did. But the ending wasn't built up the same way, leading to the rushed feeling at the end.On the bright side, not only does the artwork shine, but there are a few bright dramatic moments where the director builds the scene to an impressive crescendo. And on the dark side, the dialogue also suffers from the same disjointedness that the plot does.

Douglas The truly interesting thing with Last Exile is how it has stolen from everything imaginable. So much so that it has to be on purpose. Plot points from Robotech, style from everything by Miyazaki san, ideas coming everywhere from Tenchi Muyo to Speed Racer, and characters from all the venerable old classics. (Could Alex be more Captain Harlock? Could Alvis be more Sasami? I defy you to argue this.) I could go on and on and on about the things this stole. Even a fighter scene right out of Return of the Jedi. Unbelievable!But it does it all so well.I couldn't have enjoyed this more. Most of the CGI animation is very seamlessly integrated with the Cell animation in a way that they seem to get better at every year. Even if stolen the story is interesting and draws you in. I truly care about each of the characters and most of them are fairly multi- dimensional (at least as far as Anime standards go.)I highly recommend this. Particularly if you have an extensive Anime background and can look for all the references. On the down side I think there were way too many female characters, which is about standard for this kind of Anime. Also, there are a few CGI scenes that I don't think look good enough for a series of this high quality. Minor complaints.Don't rent the first DVD if your video rental place doesn't have the complete set. You will be extremely frustrated when you realize that you simply MUST watch the whole series right away!

Chris Foo The first thing that strikes you when watching this anime series is that the world of "Last Exile" is much like ours – yet very, very different. That, in essence, is the magic and appeal of the story.Imagine this world structured like a chess game: two diametrically opposite races – each with its own territory separated by a gulf, both engaged in mortal combat overseen by a race of neutral arbitrators dictating the rules of the game.Next throw in two teenage orphans, Claus and Lavie, who own a bi-plane sort of rickety flying contraption called a Vanship, and who run a courier service delivering mail. Here's the catch, the Vanship has no wings but uses a chemical called "Cloudia" for levitation and propulsion. In fact, even the flying battleships manned by both of the two races: the Anatoray (who resemble Victorian age West Europeans) and the Disith (dressed much like post revolution Russians), are propelled by the same mechanism. But while powerful, these lumbering behemoths are no match for the seemingly invincible Guild ships that are light years ahead in technology and whose overt purpose is to ensure that both parties play by the rules – or else.The plot swings into full gear in the second episode when Claus and Lavie, during a Vanship race, pick up a little girl called Alvis from a Vanship crippled by a Guild "star" ship. They are entrusted by the dying Vanship pilot to deliver her safely to her destination and so begins their great adventure and rite of passage. In the process, they are swept up by the politics of this world and the players of this dangerous game of covert interests and hidden agendas.Almost immediately, the viewer is posed with the following few questions: why are these two races fighting? What is this gulf called the "Grand Stream" that separates the lands of the Anatoray and Disith? Why is the Guild acting as judge and executioner? Why is Alvis so important that the Guild would have her captured – dead or alive? These are (almost too) slowly revealed, one cliffhanger episode at a time.Produced by Japan's Gonzo animation studios (www.gonzo.co.jp), famous for such breakthrough anime series as "Hellsing" and "Blue Submarine No. 6", "Last Exile" brings together the best in anime storytelling, traditional as well as computer generated 3-D animation, unpredictable plot twists, likable characters, imaginative soundtrack (by Dolce Triade), comedy and tragedy, hope and despair … all in a symphony of flawless execution.The attention to detail in this series is characteristically Japanese – simply amazing. One such example is that writers (Kouichi Chigira, Atsuhiro Tomioka, Shuichi Kamiyama and Tomohiro Yamashita) have intricately woven in the chess theme into the story: by naming each episode after a different chess move, scenes of intense discussion over chess matches, and a plot twist featuring the promotion of a pawn to a queen.Like a piece of complex origami that starts out looking like a flower – "Last Exile" – with each plot unfolding reveals its hidden gems and slowly but surely wraps up into a form so unlike its beginning that the viewer is left to marvel at the inventiveness and dedication of its creators … while simply enjoying the ride.