Solemplex To me, this movie is perfection.

Stevecorp Don't listen to the negative reviews

Sexyloutak Absolutely the worst movie.

Tobias Burrows It's easily one of the freshest, sharpest and most enjoyable films of this year.

bbewnylorac Cilla Black is revered in England and no wonder. Working class girl befriends The Beatles before they were The Beatles, gets up to sing at Liverpool's Cavern Club, and improbably goes on to international fame. The locations are lush, with lots of gritty brick urban streetscapes and great 1960s fashion. But it's subtle and not overdone. And The Beatles are portrayed, but in a nicely casual way. The music is great -- it comes across as live; it's not over-produced. The lead actors are great. The woman playing Cilla is quite suited to the role -- the girl next door but confident and sassy. But her voice isn't as good as the real Cilla Black -- it's a little too low and Smith sometimes belts put those songs rather than sings them. As her boyfriend Bobby Willis, Aneurin Barnard is great -- the character is initially a bit flaky, but turns out to be a solid support to her. The story hums along at a steady pace. The dialogue is a bit clunky at times, and the Liverpool accents can be hard to understand. The third and final episode is the weakest. Black may have had too much input into the script because Cilla and Bobby barely kiss, and keep chaste separate hotel rooms. If it's true Cilla vetoed Bobby recording songs because she wanted him to look after her, it's a bit disturbing. The series ends rather abruptly but I suppose the 1960s 'star is born' phase had ended, and that was the point of the show. Overall, a good effort.

WeldonHenley One reviewer wrote about Cilla's Protestant family. Wasn't she raised Roman Catholic? I believe she attended St. Anthony's School. I would appreciate clarification on this. The DVD is non USA formatted, so it cannot be played o most players in the U.S. at this time - Hopefully the series will appear on The BBC in America channel some time in the very near future. Also, I find it strange that no further installments detailing Cilla's further career are planned in view of the rave reviews for the series. Thanks for all of the reviews for this series, as I've found all of them informative and well- written. One of the reasons I am looking forward to seeing this series is that I've read about twelve reviews and all are positive ones.

l_rawjalaurence On the face of it the life of Cilla Black (née Priscilla White) might seem an unprepossessing subject for a biopic. After a brief period as a singing star in the mid-1960s, she gradually moved into more middle-of-the-road activities such as hosting her own television Show CILLA, acting in pantomime and subsequently becoming the host of BLIND DATE and SURPRISE SURPRISE. Her chief claim to fame in her early years seems to be her association with The Beatles at the beginning of their careers.Nonetheless Paul Whittington's drama proves compelling viewing. This is chiefly due to a series of stellar performances - although Sheridan Smith bears little facial resemblance to the character she lays, she communicates Black's verbal and gestural nuances perfectly, that combination of sheer drive and homespun charm that helped Black to remain at the top of her profession for thirty-plus years. Smith also has a wonderful singing voice: at the end of each of the three parts, we are told that she sang everything live. This is quite the best characterization I have seen from this talented actress.Smith is admirably complimented by Aneurin Barnard as her road manager (and later her husband) Bobby Willis. Initially he comes across as a bit of a lad, someone who willingly lies about his age and profession in order to pursue the girl of his dreams. As time passes, however, so he understands the depth of his attraction to Cilla; he even passes up the chance of a stellar career of his own in order to be with her. The love-scenes between the two are really touching, as we understand how they were simply made for one another. Especially in her early career, Cilla could not record without seeing Bobby out of the corner of her eye.As Brian Epstein, Ed Stoppard has a difficult role to play as a stellar manager with a complicated - not to say disastrous - private life at a time when homosexuality was still a crime. We understand a lot about his contradictions; his brilliant flair for publicity and/or finding the right people to further Cilla's burgeoning career, allied to his desperate need for love, something that he can never find. Epstein was the rock upon which Cilla constructed her career - although never in love with him, she found she could seldom do without him. In a poignant sequence set in a hotel restaurant, she learns of his premature death through an overdose of sleeping-pills, and collapses into Bobby's arms.Stylistically speaking CILLA's narrative comprises a series of intimate sequences that convincingly recreate the atmosphere of early Sixties Liverpool and London Director Whittington is also fond of the aerial shot that gives a panorama of the industrial landscapes in which Black grew up. While certain aspects of her life have been omitted - notably her stint as a server in a restaurant - Jeff Pope's script vividly recaptures her social background in which religion and morality played such a significant part. This three-part biopic is definitely worth watching, not only for its entertainment value but for its evocation of a long-vanished world of working-class life.

UKkev I am teary-eyed that this excellent 3-part drama series has now finished. Sheridan Smith must surely be Britain's best actress at the moment and I totally believed in her performance and characterisation. Her vocals were superb - take note X-Factor, THIS is how to perform songs. Full marks too to the supporting cast (partner Bobby, her father, etc) - there should be acting awards all round and a writers award to Jeff Pope. In fact I hope ITV commission Jeff to write "Cilla 2" because I want to see Sheridan, Aneurin, and all, continue this story from where it left off in January 1968 to take in stuff like how she turned down Eurovision 1968 (Cliff did it instead), her psychedelic film flop later that year, her marriage to Bobby, her 8 straight years of hosting her own smash hit BBC TV show, her two sitcom series for ATV in the mid 1970s for which she was voted Britain's top female comedy star, her LWT series Blind Date and Surprise Surprise, Bobby's sad passing in 1999, etc etc.Come on ITV - find some way to continue this story!