Wordiezett So much average

Dorathen Better Late Then Never

Salubfoto It's an amazing and heartbreaking story.

Sameer Callahan It really made me laugh, but for some moments I was tearing up because I could relate so much.

Techvet I think the other reviews cover the lion's share of what there is to say, but just a few comments: As of this writing, "Campion" is available on streaming Netflix, unabridged and with no commercials.I love the opening and closing theme music, especially from the first season. I am not sure why they changed it up for the second season."Sweet Danger" is my favorite episode of the bunch, without a doubt.Peter Davison did a fabulous job in all the episodes and he is dressed to the nine's. No one else but Brian Glover could have been Lugg. The production values are quite high.I have not read the books but plan to start sometime this summer.

vslauterbach This BBC production is light, engaging fun beautifully filmed. Its main strengths are the performances of Peter Davison and Brian Glover along with the impeccable art direction of Steve Keogh. The repartee between Campion and Lugg from the novels is translated well. In the series, both characters are composites of their literary counterparts who evolved considerably over the course of the nine novels published in the 1930s (the first one, "Crime at Black Dudley" was not filmed). If you don't have the time or inclination to read Ms. Allingham's early novels, watching this series is the second best thing. The screenplays are generally faithful to the novels given the expected amount of condensation required to fit each into a hundred minute film, and the episode casts feature numerous fine performances by supporting characters. Overall, a good example of how to bring novels to the screen. In summary, if you like the classic, British country-house murder mystery, this is a fine example of that genre you shouldn't miss.

lfisher0264 Peter Davison is an excellent Campion and Brian Glover perfect as the lugubrious Lugg. I've just watched Look to the Lady. The adaptors had the sense to stick to the book with all its weirdness and ghosts that aren't - or are they? Additional dialogue by Alan Plater might have been improvised by Campion himself (I love the bit about not being about to find eye of newt at Fortnum's or Harrods). All the actors are good, and the stately home plus ruined monastery is perfect. My only gripes: poor Beth is forced to wear some of the dowdiest outfits I've ever seen on an actress. All in shades of mud, lacking any shape and with awful additional frills, capes etc. And Professor Carey's last line is changed to the cliché'd quotation "There are more things in heaven and earth..." I think in the book he says "My very dear young man, it doesn't do to think too much about these things." Barbara Jefford is good as Mrs Dick, but some of her dialogue revealing her true horribleness is cut. Read the book - it'll send shivers down your spine. It's one of Margery Allingham's best.

junk-monkey I have fond remembrances of this show from when it was first broadcast on the BBC. It is well above the usual costume detective dramas of the period and later. Campion is a real human with faults and failings and has the best sidekick ever in Lugg. I recently watched "Death of a Ghost" on VHS from the first series of this show. The VHS I watched was released in the UK by WH Smiths in 1991 and has been butchered.The story as originally screened ran for two 50 minute episodes, but the run time on this tape is 81 minutes. Allowing for a duplication of credits I still reckon 20 or so minutes was very obviously and clumsily chopped out. There were gaps in the narrative and If you are looking to buy this series check the running times on the back of the case before you buy. Each story should run at 100+ minutes.