Vashirdfel Simply A Masterpiece

Lumsdal Good , But It Is Overrated By Some

StyleSk8r At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Dandy_Desmond As a recent fan of the series the movie came with the box set I purchased. Of course it is different to the series, Haskins being the main omission and the focus is definitely on John Thaw's excellent Jack Regan character. This feels different to the series, the violence level is upped, the stakes are raised and the action is more intense. Particularly one part when Thaw just manages to save a high class hooker and himself from being assassinated and they go on the run through the streets while shooting and mayhem ensues, including a graphic scene of a copper being shot in the head! I did find the violence level shocking but I liked it - I get the feeling they really went for it and the result was exiting. Its a great slice of 70s hard boiled cop action check it out.

captainhowdy1967 People have often speculated about George's behaviour in the last scene of this film, and wondered why he reacted as he did. I watched this again recently and noticed that after McQueen breaks free of his arresting officers, as he runs onto the bridge he shouts 'Johnson' as if he is almost inviting the smiling assassin to take him out. Johnson and his mob duly oblige. It's almost as if he knew it was going to happen. It's possible also that they would have killed McQueen even had he not escaped, since the chap who stripped Lynda Bellingham at the start was also present, pretending to be a road sweeper. Why? Were the going to murder McQueen, or try and free him? Who knows.I've often found the end of this film confusing, and George's reaction is a surprise. Why would anyone be so upset about the death of someone as wicked and nasty as McQueen? Also, with reference to the aforementioned LB, surely even someone as ditsy as Janice Wyatt would have smelt a bit of a rat being coaxed into a hotel room and made to record specific references to Charles Baker and 'going to sleep' before being murdered by lethal injection. What was she told they needed that for? I think it's a bit far fetched to expect anyone to actually do this with no explanation, and none is never offered on screen. I agree with another posting however that the murder scene is surprisingly effective, and Janice certainly looks dead pretty quickly after being given a forced overdose. On the DVD Lynda Bellingham states that she was actually injected with distilled water, and had they caught a vein she might well have gone the same way as her character.

Duckmaster Ahh, to revisit the halcyon days of 1970's London policing! Anyone watching this film will probably be aware of the infamous TV series, so introductions are not needed. Free from the restrictions of television guidelines and budgets, the makers of Sweeney! show us what a sleazy and violent world 1976 London can be. D.I. Reagan promises an old friend he will investigate further the death of a high class escort (yes, the oxo mum herself going topless) and slowly uncovers a high level conspiracy involving a naive politician and his crooked press relations man, who wants to lower oil prices for a year and make the oil companies billions in the process. With me so far? It matters not, forget the plot and enjoy the fistfights, shootings and the wonderful teamwork of John thaw and Dennis waterman. Altogether now..."You're nicked, son!"

Oct "Sweeney!" was one of the innumerable TV spin-offs which kept the British film business perilously afloat in the 1970s. For once this low-budget work did not spring from a sitcom but from Britain's best ever cop show, which made "Starsky and Hutch" look like "Sesame Street" with its relentless violence and raucous backchat. ("Sweeney Todd", it should be explained , is London rhyming slang for the Flying Squad, an elite detective unit of the Metropolitan Police.) Jack Regan and his sidekick George Carter here find themselves out of their depth with a bigger budget and canvas than on the boob tube: they get "webbed up"in an international conspiracy to lower, or raise, or something, oil prices. A suave Energy Minister is too fond of the high-class "brasses" furnished by his American PR agent. He is blackmailed, with multiple-murderous consequences and mucho ketchup.In some ways this is very much a 1970s period piece: flared trousers, two-tone grey telephones and no computers, police who drink and smoke heroically, ugly lowlifes, hideous pubs, tyre abuse, shootouts in junkyards and an overall grey, downbeat atmosphere which is a far cry from the Swinging London of Hollywood England in the previous decade. "Sweeney" was conceived at the moment of maximum crisis when OPEC was holding the industrialised nations to ransom, inflation was the highest for 60 years and trade unionists and militant socialists seemed poised to seize power in Blighty. True, a red double-decker bus figures during one chase, but the film makes concessions to mid-Atlanticism neither in casting, nor by moderating the constant Cockney badinage ("leave it aht!", "you wot?", "shut it!", "dull it isn't" (mocking a Met recruitment slogan)) nor by glamourising its high-life scenes. Also carried over from the series is the endless friction between different law enforcers: Regan clashes not only with his superior but with the security services and Special Branch, the Met's anti-subversion arm. Typically, he cocks up the operation to snatch the PRO and bring him to justice. Regan is no superhero.Contrary to what others have posted, I find Foster's accent and manner all too convincing, and his performance incisive. The theme of politicians being corrupted by their spin doctors remains fresh. Ian Bannen as the blackmailed MP looks and has a role not unlike Robert Vaughn's. Thaw and Waterman are the same crumpled reprobates as on the small screen, but the plot makes too little of their partnership; Regan is suspended and lone-wolfing it for much of the running time.No doubt the best of "The Sweeney" was on TV, but this is a fair-value distillation and introduction. It makes the mockney gangster movies of Mr Madonna and his posse look pathetic. "Up yours, sunshine!"