With Six You Get Eggroll

1968 "The return of the happy ending."
6.4| 1h35m| G| en
Details

Abby McClure, a widow with three sons, and Jake Iverson, a widower with a teenage daughter, begin dating and eventually decide to get married. But they're not prepared for the hostile reactions from their children, who are not very excited about the new union between the two families.

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Reviews

SpuffyWeb Sadly Over-hyped
SoTrumpBelieve Must See Movie...
BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Bea Swanson This film is so real. It treats its characters with so much care and sensitivity.
SanteeFats This is a movie that I always avoided watching in the past. I watched it last night and I really liked it. Doris Day is Abby, a divorcée with three sons. Two of them are little rambunctious hellions but funny. The oldest son has just graduated. Brian Keith plays Jake a divorced parent with a daughter (Barbara Hershy in her first movie role) who has also just graduated. There is immediate resentment by the two oldest kids and it gets pretty funny. George Carlin appears as the waiter at the drive in. When they mentioned drive in back then it meant a place to eat not see movies. You can see from Carlin's portrayal that he has already developed his edgy voice and mannerisms. There is chaos when the two families are joined in wedlock. Neither house is big enough for the new family. They decide to sell both homes and buy a bigger place. Every thing comes out well (it usually did in a Doris Day film) When they all end up at a police station and end up defending each other as family. I liked it and while some of the stuff especially the ending, may seem contrived, relax, it is a typical Hollywood rom-com for the time period. Overall an entertaining and funny movie.
press57 Stumbled across this one evening on TV and as a romantic comedy it doesn't delivery any real laughs with a production value not much better than your average Brady Bunch episode. The theme has been done many times, the blending of two families and of course they children are at odds with that until some extremely contrived event pulls them together, with the standard misunderstandings due to poor/no communication thrown in.I've read other reviews and am surprised how may folks enjoyed this move, but if you're a Doris Day fan, choose something from the 50s.Initially I was going to give this 3 stars but bumped it to 4 as it was fun seeing William Christopher and Jamie Farr together prior to the M*A*S*H days, with Herb Voland as well who had a recurring role in some early M*A*S*H episodes. There is also George Carlin and a few other familiar character actors you will certainly recognize not to mention a very young (and pretty) Barbara Hershey.
Ripshin Doris Day ended her film career with this rather lame little movie, one of many contributions to the "Let's-join-our-families-together" genre of the late 60s. "Your, Mine and Ours" covered the same material, only better, and "The Brady Bunch" brought it all to fruition a year later.The film wants to combine the standard Doris Day "sex farce" of the period, with a typical 60s family sitcom, and the results are disappointing, at best.The children are a bratty bunch, and the early screeching scenes almost made me turn the whole thing off. I did love seeing the styles, architecture and culture of the period, however, as I was a kid at the time of its release, myself. No, my parents didn't take me to see this - not surprising, being that this "G" rated movie likes to use the word "sex" quite a bit, and nobody is exactly a role-model. My first viewing was last night on TCM.I really hope that the Academy presents DD with an Honorary Oscar before she dies, but I consider this film to be an unfortunate footnote to her career.
SanDiego Along with "Yours, Mine and Ours" (Lucille Ball, Henry Fonda) this film marked the start of the "let's-create-a-family-by combining-each-of-ours" genre and soon several variations of the theme plowed their ways into theaters (including the much forgotten "Mulligan's Stew" where childless parents adopt a variety of ethnic representatives). It was a way to have "modern" family dramas survive in the ever changing marketplace. Looking like situation comedies found on television it was no surprise that they influenced what TV families of the 70's would look like. There was a chance to examine the ever increasing reality of divorce (disguised as widowship), yet still have a complete family unit. Of those that survived on television, "The Brady Bunch" and "Eight is Enough" are perhaps the most well known. No wonder abortion became popular! Soon these shows would be replaced by the examination of same sex parents (disguised as "good heterosexual friends") in such shows as "My Two Dads," and "Kate and Allie." Shows such as "The Cosby Show," "Home Improvement," and "Family Matters" brought television full circle so perhaps the 21st Century will see more single parent television and in another ten years a remake of "With Six You Get Eggroll." Of course the title would have to change for political correctness. How about "With Sex You Get Kids?" No wait, the pro-life groups won't like that. Ahhh, the sixties.