Winged Victory

1944 "Presented by 20th Century-Fox in Association with the U. S.Army Air Forces"
6.4| 2h10m| NR| en
Details

Pinky Scariano, Allan Ross, and Frankie Davis all join the Army Air Forces with hopes of becoming pilots. In training, they meet and become pals with Bobby Grills and Irving Miller, and the five struggle through the rigid training and grueling tests involved in becoming pilots. Not all of them succeed, and tragedy awaits for some.

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Reviews

Ehirerapp Waste of time
Claysaba Excellent, Without a doubt!!
Gutsycurene Fanciful, disturbing, and wildly original, it announces the arrival of a fresh, bold voice in American cinema.
Roman Sampson One of the most extraordinary films you will see this year. Take that as you want.
nfny40 Has anyone been able to buy this movie? My Uncle "Hutch" was a Real (not Reel) pilot who is seen tossing his wings in the air and then snatching them with his fist as he was awarded his pilot's wings. He's only on screen a few seconds but my family would love to have the movie. He was killed in a dogfight over Italy, he was only 24 at the time. Do we know the film studio that made it?Or has anyone seen it at a video store, like Blockbuster? I wish they would make entire catalogs of these old movies available as it is so cheap to make DVD's these days.Please email me at nfny40@yahoo.com if you know where I can buy a copy. Thank you.
marcslope William Wyler was to have directed this adaptation of Moss Hart's hit Broadway play with music/ recruiting poster-vivant, but his own military commitments intervened and it went to a most unlikely helmsman: George Cukor. The "women's director" has a sure touch on the many documentary-like sequences of Air Corps training, and he invests it with more unhackneyed humanity than the genre generally allowed, particularly in wartime. Sure, the gee-whiz (and entirely white, save for one unbilled Chinese-American recruit) bunch of newbies are nicer and more wholesome than in real life, and the speechifying about home and Mom and the wife and kid gets pretty thick, but it's efficient propaganda and undeniably stirring. Notable, too, for the all-military male cast, several of whom didn't reemerge for years: Lon McAllister, Edmond O'Brien, Martin Ritt, Red Buttons (in drag, as an Andrews Sister), Peter Lind Hayes, Karl Malden, Kevin McCarthy, Gary Merrill, Lee J. Cobb, and Don Taylor. Also for a very early glimpse of Judy Holliday, who doesn't show up till an hour and a half into the picture but has some good little sequences as O'Brien's worried-sick Brooklyn spouse. Too bad its rights are in a tangle and the only print anyone knows of is 16mm; evidently, after Twentieth Century Fox released it (to considerable success), the rights reverted to the Army, and if there's a good 35mm print out there, it probably lies somewhere in the bowels of the Pentagon. It's disingenuous and corny in spots, but it also captures the rigors of military training and the terrors of war vividly, and it deserves to be more widely seen.
btillman63 As has been noted, this is one wartime film that got it right. Apart from the accurate depiction of army flight training, WV probably remains the only movie featuring the Consolidated B-24. A flight instructor who helped with the film reports that most of the cast got along well with the supporting officers and men, the exception being Edmund O'Brien. While filming an engine-start sequence he noted the usual "fire guard" with the extinguisher and became exceedingly nervous. Finally he "abandoned ship" and refused to proceed with the shot. Considering that his performance was witnessed by genuine airmen, let alone some combat veterans, EO's stock plummeted on base.
Koochie1 This movie has always been a favorite of mine since first seeing it as a 12 year old kid in 1962 when it was shown on a Los Angeles television station's "late show". The characters are very engaging from the start of the picture, and it is too bad that the movie has never been released for video tape, nor is it ever shown on television (apparently due to a prohibition by the Estate of Moss Hart, the playwright/producer/director who wrote the story and first presented it on the New York stage during WWII -- the reason for denying its showing is hard to fathom more than 50 years after it was made). I did not see the movie again for over 30 years, when someone who had actually been a major cast member of the movie was able to get me a "bootlegged" copy on VHS (poor video quality, but good audio). My memory of it was correct: it was still an engaging and fascinating movie to watch. An amazing aspect of this film is just how many of its stars, just starting out in their careers at the time 1944), went on to became either major motion picture stars or at least well-known and fully-employed actors (e.g. Judy Holliday, Edmond O'Brien, Jeanne Crain, Barry Nelson, Don Taylor, Karl Malden, Peter Lind Hayes, George "Superman") Reeves, Red Buttons, Lee J. Cobb, Kevin McCarthy, and Gary Merrill). The scenes with the B-24 Liberators are terrific, especially the close-up shots where the details of the giant (for those times) 4-engine bomber (then 18,000+ manufactured, now nearly extinct) can be seen. Good insight into the different levels of training that a pilot-cadet went through on his way to being assigned to a bomber crew (of course, VERY gender-biased as was the trend of the day: only the MEN became pilots, the women just supported them in their roles -- hardly acceptable in today's world). I hope someday it will be released onto video for a new generation to enjoy.