Wide Sargasso Sea

1993 "The sensual film based on the acclaimed novel by Jean Rhys."
5.6| 1h38m| NC-17| en
Details

In the wake of Jamaican emancipation, French colonist Annette Cosway falls into poverty and marries racist Englishman Paul Mason. But when Annette's young son dies in a fire started by former slaves, Mason flees to England, leaving his grief-stricken wife and her Creole daughter Antoinette behind. Soon Antoinette learns she must marry to claim her inheritance and sets her sights on Rochester, an Englishman eerily similar to Mason.

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Reviews

Executscan Expected more
Aiden Melton The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.
Ezmae Chang This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.
Fatma Suarez The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful
rsternesq I think that there seem to be some confusion expressed in a number of the reviews of this and a subsequent version of Jean Rhys' most famous novel. Just for information:1. Creole does not necessarily imply mixed race. Bertha (to use Rochester's name for her) was clearly white enough to appear white and indeed, like Jean Rhys herself, may have been entirely of European ancestry. The mixed race brother, Daniel, was black on his mother's side which has nothing to do with Bertha's mother being mostly/entirely French. He was angry and destructive because his father preferred the white daughter to him.2. The Wide Sargosso Sea is a sort of prequel but it is also a re-imagining of the back story for Jane Eyre that is intended to take Bertha's character and expand on it with Rhys inability to ever fully reconcile herself to the differences between her origins and life in Europe.3. While we think of the Caribbean as a dominantly black environment, the origins were Carib Indian and whites colonized the area before the introduction of African slaves. The racial undertone is a more modern view than Bronte likely had. She was trying to deal with the whole idea of foreignness/strangeness and the ultimate solution to the plight of Jane's situation, poor but of "gentle" birth.4. Of the two filmed versions, the first makes the characters too physically attractive and really misses the novel's stress on the protagonists never meshing rather than loving and losing love.5. One problem with the casting of Rochester in the first version is that the actor portraying Rochester is distractingly gorgeous and not sufficiently British (apart from his accent). In fact he looks like he rather fits in, in contrast to Bertha's uncle and the other European planters. Of course, the actress who portrays Bertha, even at the end, is so enticing that Rochester's loss of interest is inexplicable.6. The first film seems to run out of time and rushes the end. Not enough is made of Rochester's anger at being manipulated, whether by voodoo, drugs or circumstances. Once he becomes his father's heir, the return to England should have led to something other than the conclusion. There is definitely insufficient deterioration in Bertha. Their stories are mirror images. He deteriorates and is miserable where she is able to live and she deteriorates where he is able to live.7. The novels (both Jane Eyre and The Wide Sargosso Sea) have a great deal of narration which is lost in the earlier film and perhaps insufficient in the second. None of the films are substitutes for the books but all are interesting reimaginings.8. In order to appreciate the Rhys novel, one should read about the author. The same is true of Jane Eyre and its author. The more things change, the more they stay the same.Finally, while not great, the films both aspire to be literary, which means a lot in an age when filmmakers think there is a need for horror/splatter movies and lots of people apparently agree so I for one say thank you for both versions of the Wide Sargosso Sea and all of the versions of Jane Eyre that offer relief from the current tripe.
lastliberal I couldn't quite bring myself to give this film a "watch" recommendation. It fell just short, in my opinion, of a good film. Oh, it had promise. There could have been a lot more done to make this film interesting. As it was, it seemed to always be missing something.Now, I understand Jane Eyre fans know all about Edward Rochester (Nathaniel Parker) and the "mad women who lives in the attic" (Karina Lombard as Antoinette Cosway). But, not having read the books, I have to rely on the movie to tell the story. In that it fails.There are just too many unanswered questions and the ending was most unsatisfying. Maybe I could go read Jane Eye and come back, but I doubt I will.
bring_your_own_poison The Wide Sargasso Sea is one of the most beautiful books ever written. Following a string of only mildly successful novels and short stories, Rhys disappeared off the radar, and many believed her dead. She was discovered years later living in seclusion on the south of England. Throughout her house were numerous manuscripts forming what became The Wide Sargasso Sea. The novel was a labour of love for Rhys in a sense, but despite the critical acclaim it received she described the success as (I paraphrase) too little too late.Rhys' novel details the relationship between the Rochester of Jane Eyre and Antoinette, his first wife. The novel, however, is not truly about this. The true importance of the story is the oppression of Antoinette by her husband and society as a whole. She is a Creole: inherently hot blooded and passionate. Rochester cannot handle this aspect of her nature, and attempts to remove it from her but cannot; it is inherent.The film suggests that Anotinette descends into madness. This is not what Rhys wished to demonstrate. Antoinette never went insane, but rather the anger if her treatment at the hands of Rochester drove her to an act of rashness, but not madness. In her actions at the end of the film, Antoinette is not losing control, but rather regaining it.This is lost in the film. The beautiful story is diminished considerably. The first two sections of the novel are reduced to 10 minutes, making the whole plot seem rushed. This was, it would appear, to make was for as much gratuitous nudity as possible.All that redeems the film (and the only reason I rated it a 3 and not a 1) is the beautiful depiction of the scenery. I suggest people who have read the book avoid the film, and those interested in both stick to the novel and stay well away from this.
scrooge Back when this movie came out, I read reviews which said how powerful and erotic it was. I finally found the video in a bargain bin and bought it. I found the movie to be a real mismash, with many elements that weren't fully explained. The scenery was wonderful, and one or two of the characters put in good performances, but the two leads were wooden throughout. I was unable to feel empathy for either character. The much touted erotic scenes were not developed, and lacked much enthusiasm. I haven't read Jane Eyre, and maybe this movie tries to explain a few things which happen in that book, but on the whole it seemed contrived, and lacked any real passion. I was disappointed, and certainly won't be keeping my copy of the video. It's going into the trash.