White Night Wedding

2008
6.6| 1h36m| en
Details

Jon, a middle-aged professor is going to get married tomorrow, for the second time, to one of his ex-students half his age. But it's not all roses. First, there's his cranky mother-in-law-to-be who violently opposes the marriage and who demands repayment of Jon's loan before the wedding night. Second, his plans to build a golf course on the little island of Flatey where they live aren't going at all to plan. Third, his extremely drunk best man is on the loose without any shoes and lastly, the continual presence of his emotional first wife is haunting his every move. When the guests start flocking to the island, Jon starts getting cold feet. After a very long night of drinking and thinking, will Jon be able to make it to the church on time?

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Reviews

ReaderKenka Let's be realistic.
Onlinewsma Absolutely Brilliant!
CrawlerChunky In truth, there is barely enough story here to make a film.
Chirphymium It's entirely possible that sending the audience out feeling lousy was intentional
Corinne Ruth Dickey White Night Wedding follows the life of Jón during the day leading up to his second marriage. Jón is an ex-professor living on the small island of Flatey, Iceland. The opening scene sets up the film's light attitude, but also tells us of Jón's controversial past. In the beginning of the film, we learn that his ex-wife, stricken with manic-depression, convinced him to leave his job as a professor in Reykjavik and move to Flatey, where she is from. We later learn that once they moved to Flatey, Jón became close to a girl that was his student at university. As Anna, Jón's first wife, realizes that she is losing her husband, her mental state becomes worse and worse. The director, Baltasar Kormákur, uses Jón's flashbacks to his previous marriage to explain to the viewers what happened in Jón's first marriage and what led him to marry Þóra. These flashbacks, tinted with different lighting to differentiate them from the present, only tell the viewer a small part of the story at a time, so they are unaware of many important details until the end. This leaves some excitement and keeps the viewer watching. While I liked the excitement, sometimes the flashbacks were not clearly a flashback and confused me. Kormákur sometimes used a specific cut style to signify that the upcoming scene was a flashback, but other times the film would jump cut to the scene without telling the viewer if it was in the present or in the past. This was especially confusing at the beginning of the movie, but once I was used to the style of the film, I became more prepared for scenes to be set in the past.One of the main themes we can see in the film is money. Iceland's economic state is not very strong, so money is a common theme in Icelandic films. When Jón and Anna move to Flatey, Jón meets Börkur, who dreams of building a golf course on the island. Börkur convinces Jón to invest in this golf course, including cutting a deal with the family of his future bride, Þóra. Jón rents land from Þóra's family, but does not pay for it. This deal is central to the plot, as Þóra's mother continuously nags Jón and Þóra throughout the film, threatening to call off the wedding if he does not pay her. Þóra's father is frustrated by his wife's obsession with the money and secretly gives money to Jón to be used to pay for the land. However, Jón passes out outside and the money blows away to be found by the island's priest. The economy of Iceland clearly impacts the lives of those on the island and leads Þóra's mother to worry more about money than her own daughter's wedding.While dealing with his fiancé's mother and her obsession with his debt, Jón is also feeling more and more guilty about the events leading up to his second marriage. We learn from a few flashbacks that Jón cheated on Anna with Þóra and when Anna caught them, she rowed a leaky boat into the sea and drowned herself. As we get closer to the wedding, Jón becomes increasingly quiet and distant from Þóra. At the wedding, Jón asks Þóra to step outside with him and calls off the wedding, telling her that he does not want to drive her to madness and death as he believes he did to Anna. She begs him to stop thinking that way, saying that she will make him happy and help him until the day she dies. During this argument, the entire wedding party comes out to watch the unfolding drama. Jón runs to the sea and gets in the same leaky boat that Anna used to drown herself. He prepares to kill himself the same way until Þóra and the rest of the wedding party make it to the sea. Þóra swims to him and they decide to get married in the sea. The priest is carried out and they take their vows, seemingly ending the movie on a positive note. Although Jón has had a hard time with his marriages and is unsure about marrying again, Þóra seems to have saved him and made him happy. However, the final scene tells us that that is not how the marriage works out. Ironically, Jón becomes the satisfied married man, while Þóra seems to become the one sneaking off and looking for something better, as Jón did with Anna. As cheating was a central theme in the plot of the film, this seems to be a sort of poetic justice for what Jón did to Anna and tells the viewers that cheating is usually not the best way to start out a relationship.
proitz Dare to dream!In White Night Wedding we meet a literature professor, Jon, who is preparing for his second marriage. The wedding is taking place on a small island called Flatey in Iceland that can only be visited by boat. Jon's soon to be wife, Thora, is one of Jon's former students and about half his age. They seem happy together, and everything should be set for a perfect wedding. However, it is not that simple, Jon has a couple of things he needs to take care of before the wedding can take place. He is in debt to Thora's mother, and she is threatening to call off the wedding unless Jon pays her. He is also haunted by memories of his first wife, Anna. In addition to this, he has to deal with his drunken best man.I believe the most important theme in this movie is dreams. Jon is in a stage of his life where he struggles to find purpose. He is suffering from his first marriage, he is not able to pay his dept to his future mother in law, and he has no job. Jon wanted to become a professor so that he could make a difference in the world; however, when he realized that his job was not what he pictured it to be, he decided to take a break from teaching. If Jon does not get his life together, he will end up as his future father in law, Lasus. Although Lasus is happy on the outside, his decision to sacrifice his dream of becoming an opera singer for marrying Sisi is clearly affecting him. I believe this represents the kind of suffering that Jon will inevitably have to suffer unless he gets his life back on track. At the end, Jon says, "If you're happy for more than ten minutes then you're an idiot." This statement emphasizes his awareness of having a dream and a goal to strive for. The director, Kormakur, did a phenomenal job representing Jon's memories of Anna in flashbacks throughout the movie. His way of jumping from the present to the past without warning the audience is an original way of portraying a story that is indeed built on the past. He dares to explore new effects that can make the story challenging to follow, but does it with such a perfection that the viewer wants more flashbacks to get a deeper understanding of Jon's actions.Other main themes in this movie are relationships and greed. We see a relationship that is falling apart in Jon's memories, a relationship with Thora that is insecure in Jon's present life, a forced relationship between Thora's parents, and a starting relationship between Borkur and Mathildur to mention a few. Greed is represented in Sisi. All she cares about is money, and she is determined to get back the money Jon borrowed to build a golf course. Sisi's greed is contrasted in Lasus and Jon whom are not motivated by money at all. The location chosen for this movie is a great representation of Icelandic culture. The idyllic climate and unpopulated atmosphere on Flatey confirms my stereotypic Icelandic environment. Also the acting in White night Wedding is phenomenal. The emotions brought to life are so natural and honest that you fall in love with the characters one by one. Borkur's passion, Mathildur's honesty, the priest's anger, and Jon's fare are some of the emotions that will bring the viewer on an emotional roller-coaster. I recommend this movie to everyone that has some interest in Nordic film. The themes of dreams, relationships, and greed are themes we can all relate to, and you will at some level be able to relate to the situations that occur in the White Night Wedding. Kormakur is a world-class director who is not afraid to explore new methods to create movies. Let the actors charm you and let the director challenge your mind. This movie is worthy of all its awards. Dare to see it!
jotix100 As the film opens we watch a bride and a groom exchanging wedding vows. At a crucial moment, a cellular phone rings. It belongs to Jon, the groom, who excuses himself to answer. The call is from his parents, who seem to be lost and want directions. We suddenly realize it is not the real thing, but a rehearsal for the event.The action takes place in a small island off the coast of Iceland. Jon, a former college professor, has escaped to this isolated spot after being fed up with his life. He came with Anna, an artist, with whom he has been living. Anna shows signs of depression, or perhaps another affliction that keeps her emotionally apart from Jon.One of Jon's students, Thora, arrive with a group of friends in Flatey. She has ties to the island. Her parents own the main store. It appears she was always attracted to her teacher, who is about twenty years her senior. Their affair plays heavily into Anna, who becomes even more despondent, leading ultimately to her own demise.Director Baltasar Kormakur, whose "The Sea" made an impression, is at it again. The film is not exactly easy to sit through. The narrative may confuse his audience, but we realize there are two situations taking place at different times. The film was co-written by the director and Ogaful Egilsson. The creators tried to give the film a lighter pace, what with the idea of the golf course running through one small island into Flatey and different holes running among the residential area. The result is a film that needs to be viewed with an open mind because Mr. Kormakur has proved worthy of our attention. The Icelandic cast does justice to the director's intentions.
johno-21 I saw this last month at the 2009 Palm Springs International Film Festival. This is the fifth film from writer/director and noted Icelandic stage director Baltasar Kormakur. Baltasar and Olafur Egil Egilsson wrote the screenplay as a loose adaptation of Anton Chekhov's stage play Ivanov and the film was developed simultaneously with a stage play that featured the same cast. This was Iceland's official entry as Best Foreign Language Film to the Academy Awards. It has won several awards in Iceland and worldwide and was one of Iceland's biggest domestic box office hits. The setting is on the remote Flatey Island off the north shore of Iceland. University professor Jon (Hilmirsnaer Gudnasson) has an impending marriage to Thora (Laufey Eliasdottir), a former student of his and a girl half his age and only one year after his wife committed suicide. Thor's parents Laurus (Johann Sigurdarsson) and Sisi (Olafia Hronn Jonsdottir) run the islands only store, hotel and tavern and have had a bad business arrangement with Jon. A great cast and a great performance by Thorstur Leo Gunnardsson who plays Jon's rowdy and overbearing friend Borkur who has arrived on the island for the wedding. Great character development central cast and peripheral characters in this romantic drama/comedy. Excellent cinematography by Bergstein Bjorgulfsson and editing by Elisabet Ronaldsdott with art design by Atili Gretarsson and Gretar Reynisson. I would give this an 8.5 out of 10 and recommend it.