Pluskylang Great Film overall

Matialth Good concept, poorly executed.

BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

Deanna There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

weezeralfalfa This is a Republic Pictures production, filmed in Trucolor, mainly in various parts of AZ and UT, with mostly dry rocky backgrounds, supposedly on the Santa Fe trail, which crossed the plains of Kansas, to NM. It concerns a wagon train scout(John Payne as Kirby) and his partner Sam(Slim Pickens), who are responsible for protecting two wagon trains, which are in grave danger of being attacked by Kiowa, lead by Chief Satank(Sitting Bear)(George Keymas). Incidentally, Satank was a famous historical Kiowa chief, famed as a fierce warrior in battles with various surrounding tribes early in his career, later switching mostly to fighting white settlers, wagon trains, and even army posts. before being arrested for murder.Aside from interactions between the wagon trains and Kiowa , the plot emphasizes a developing love triangle between Kirby, a woman called Aurelie(Faith Domergue) and the organizer of the wagon train(Rod Cameron, as Jess Griswold). Initially, Aurelie was opposed to choosing the duo as their scouts, because the last wagon they scouted for was ambushed and annihilated by Kiowa, while Kirby was negotiating with Santank elsewhere. However, when Kirby saved her from sever burns when her skirt caught fire, by smothering it, she changed her attitude toward him, and they began a romantic relationship. However, Griswold, who also had a romantic interest in her, threw cold water on their relationship by telling Kirby that she was a Kiowa half breed. Kirby had previously said that he hated all Indians, and especially half breeds. Thus, Kirby was cool toward Aurelie for a while. But, especially after her mother saved his life in a knife fight with Satank, he warmed up again. He came to understand that not all Kiowa were murdering madmen. Meanwhile, Griswold had asked Aurelie to be his wife. She gave him a non-committal answer each time. Not apparent why. Kirby and Griswold have a physical fight over Aurelie, rolling down a steep slope, until Griswold drops off a short ledge, breaking his leg. This would prove fatal, as the Kiowa warriors swarmed over him after Kirby and Aurelia rode off, as he requested. Aside from the climactic battle between the Kiowa and wagoneers, perhaps the most exciting episode is the stampeding horses the Kiowa drove toward the wagon train, in a draw. Kirby directs the wagons and pack animals to get out of the way of the probable path of the horses, so that only minor damaged resulted.Available in color at YouTube.

JohnHowardReid Although this is director William Witney's best film, it seems to have been overlooked by most critics, including Paul Simpson who doesn't even mention Witney at all in his "Rough Guide to Westerns" (2006). Witney was the guy who turned Roy Rogers from a singing clothes horse into a tough hell-fighting hero. This film, however, stars John Payne, then at the height of his box office appeal, thanks to vigorous promoting by Howard Hughes at RKO. Yet somehow the Payne name didn't work its usual magic. In fact, the movie suffered a bad break right from the beginning. Although it was made on an "A" budget, it wasn't even released in New York. Consequently, no reviews from the country's most prestigious critics. Even a thumbs down collection of reviews from New York is better than no reviews at all. Anyway, although there are a few obvious studio scenes, this little gem was photographed for the most part on actual locations in Utah. Director Witney and his photographer make such atmospheric use of desert browns and reds sharply outlined against powerful blue skylines, the film is always a wonder to look at. It's chock full of action and great stunts (never mind that some of the stunt players are a little too obvious at times), but nevertheless directed with a bit of style as well as pace and vigor. The interesting support cast lines up Rod Cameron – playing the heavy for once – and Leo Gordon giving his usual vigorous study in villainy. No expense was spared on full throttle running inserts for the action spots. At 90 minutes, the movie is maybe a bit talky, and the plot is pretty predictable. But all the same, it's entertaining, exciting, and great to look at. Based on an Esquire magazine story.

bkoganbing Some rather questionable character motivations make this particular Republic western something of a mixed bag for me. John Payne's dislike of Indians and his distrust of mixed blood people make it a rough road in courting Faith Domergue who is half Indian. Santa Fe Passage casts John Payne as a frontier scout who lost his last wagon train going to Santa Fe because of some bad judgment he made about the Kiowas and their chief. Now he and sidekick Slim Pickens can't get a job in their profession and have a lot of people ready to shoot them on sight. That is until Domergue and her partner Rod Cameron hire them over the objections of Leo Gordon their trail boss. They're taking a shipment of rifles to Mexico for sale and of course that perks up interest among the Kiowas.There was a little too much doublecrossing and all the males of the cast Payne, Cameron, and Gordon are thinking with their male members and truly beyond reason. Even Slim Pickens gives Domergue more than a second glance. The plot made little sense to me, but the action was pretty good.

dougbrode Perhaps most interesting about this memorable B+ western is that it's the only Republic color western that doesn't look like a Republic color western - meaning that their usual color film stock, which makes everything appear to be a bizarre blend of soft blues and hot pinks, is not what we see. Rather, this looks (and feels) like one of oaters that Columbia Studios churned out at that time, particularly in terms of the color stock that was employed, and the only dead give away that this is indeed from Republic is the presence of Rod Cameron, one of their stock company members, as the second male lead who veers back and forth between being an okay fellow and a total villain, adding a patina of interest to the characterization. The plot itself is quite fascinating: John Payne plays a frontier scout who, along with his gruff sidekick (Slim Pickens), was disgraced when he tried to trick some Indians into letting his wagon train through hostile territory and inadvertently got the pioneers massacred. No one will hire him until he gets a job with a 'questionable' train run by Cameron and a gorgeous woman (Faith Domergue). Cameron wants to marry her, and doesn't care one whit that she's a halfbreed. But Payne, who has developed a fierce and vicious prejudice against all Indians owing to the despoiling of his reputation, fumes at her racial background - even as he too falls in love with her, creating an intriguing romantic triangle. Ultra PC types might mistake this for a racist western, though in truth its anti-western, as the hero arcs away from his own absurd prejudices and comes to accept her as a person. Slim Pickens is, as always, a joy to watch, particularly when high atop his bucking mule that would also be used in Walt Disney's THE SAGA OF ANDY BURNETT two years later. Terrific skirmishes with the Indian warriors, all of them well staged by William Witney, an old hand at above average B westerns.