Urumi

2011 "The Warriors who wanted to kill Vasco Da Gama"
7.1| 2h40m| en
Details

Kelu is a warrior in 16th century Kerala whose father was killed by Vasco da Gama and his troops. Kelu vows to avenge his father's death with the assistance of Vavvali and Ayesha, a warrior princess.

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Reviews

Cubussoli Very very predictable, including the post credit scene !!!
Baseshment I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.
BelSports This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
Nayan Gough A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.
elanor-3 I like the film very much, though it has many weaknesses. I do not like the contemporary framework story, because it feels very contrived. The Europeans felt not very convincing, especially the actor playing Vasco da Gama should have been better. Both Vasco and his son Estavio looked not very Portuguese, but at least the Estavio actor's performance was convincing for me. The Portuguese costumes of Vasco were sometimes jarringly colourful, looked like dyed in modern colours. All in all the film's message is far stronger than in Sivans "Before the Rains" but the film's quality is not as good. It feels like a rough diamond.The Indian actors' performances were satisfying for me. I liked Prithviraj as Kelu and Prabhu Deva as his sidekick. Genela D'Souza was acting-wise not as convincing a warrior princess as Kareena Kapoor in "Asoka (2001)", but she had more martial arts performances, which made her more important for the story.I call it an Indian martial arts film, because the fights use the Kalaripayattu martial arts of South India, which often has a dancelike appearance. The film is named after the whip-like sword urumi, an extremely dangerous weapon taught to only the most skillful Kalaripayattu students in the last stages of their education. The use of the urumi in this film thus denotes the expert warrior.Though the film itself is not as good as "Asoka", there are probably more fight scenes in this film. The fights were a bit less convincing than in "Asoka", but I think the productions costs were lower, at least the film looked quite a bit cheaper than "Asoka".Anyhow, the story (mix of historical events and fiction in Chirakkal Kelu Nayanar's story), especially the finale (Kelu's fight in Calicut), the soundtrack music, the well built-in dance-songs, all worked well for me.The most important assets of the film, however, were again (as usual in Santosh Sivan films) the cinematography, how space is used by the actors, and the poetry of the pictures. These features remind me much of Terrence Malick films. In contrast to Malick films I deem the stories of Sivan films better developed and more appealing.
akhil6004 I saw the movie Urumi (Malayalam) couple of weeks ago in my PC, courtesy Moserbaer Home Video. After watching the movie, I was very much impressed with the movie for various reasons. First, the director (Mr. Santosh Sivan) has mixed history and fiction in right proportion and has delivered the goods with clear narration. The story of man called Vasco da Gama, the Portuguese explorer, and his intention in traveling to Malabar Coast were very well depicted. Second, casting of the movie by Mr. Sivan was perfect to T. There is no body as hero or heroine except the story. The plot of the story unveils the character as it progresses. Prithiviraj, as always, has done justice to his character except for the mundane voice he carries throughout the movie. The action sequences involving Prithviraj looks good except for climax fight which prolongs for a while. Prabhu Deva the actor as "Vaavali", Prithviraj's Muslim friend, is quite an revelation. Why does Tamil directors (he being multilingual director) didn't use his acting potential I don't understand. Prabhu done a neat job of his character. The special mention is the scenes involving him and Nithya Menen, which is of romantic-comedy genre. Genelia is another good cast of the movie. She depicting the character of Arakal Ayesha the Warrior Princess is nice. Congratulation for Genelia for boldly doing action sequences with great élan. The closeup shorts of Genelia looks ravishing and I really admired her. She looks innocent, brave, and sensuous (rather a unheard combination). Nithya Menen is the scene-stealer of the movie as she oozes seducing intonation for which everyone will definitely fall for (Nithya keep a watch on your weight as it may sideline you). Nithya is really a good-find for Mollywood as well as Indian cinema (she does act in all south Indian languages). Other supporting cast be it Vidya Balan (debuting in Malayalam), Jagathi Sreekumar, and Arya (latest heartthrob of Tamil cinema) all have done their role with full justice. (I don't no why Tabu came in for blink-and-miss scene, which you can even not call as cameo. Actor of her caliber can be given a more stronger role even if it is shorter.) Finally, the parallel narration by which he connects the past and the present is quite good and new for Indian cinema. Coming to Santosh Sivan, we know that he is a great cinematographer with great International acclaim. I have also seen is movie "Behind the Rains," which was good. I guarantee that Santosh Sivan is one director who can make a good, neat, sensible film with minimum budget (no pun intended) without compromising on technical aspects as well as on story. Urumi being a combined production of Prithviraj and August Cinemas (Sivan's production house) is an quality cinema which is engaging and entertaining and you know to learn about the history of modern India. Great and bold attempt. Keep the good work going!!!
itssm Santhosh Sivan has created magic again - superb making, excellent indigenous Indian script, awesome locations, and world-class camera actions (hats off to Santhosh Sivan again!!) To me this movie is really of international standards. While watching this, I felt all the same as I felt for Gladiator or Braveheart. I hope Santhosh Sivan will bag his sixth National Awards for Urumi.Prithviraj gave a very brave performance; lack of his voice modulation (as stated by another reviewer here) rather correctly depicts the sternness of his character rather than being a turn down. I am a little bit disappointed with Prabhu Deva overall, though he has excelled in some sequences. And I fell in love with Genelia this time - this is thus far her best performance and she has outshone in this movie - watch it to believe it.Overall, I enjoyed almost each and every frame of this movie and I recommend it highly.Indians grow up and watch something way better than the regular Bollywood superhero masala movies.
Arjun Ajith Urumi is quite not sharp! I'd say the cinematography is what bought Urumi the 5 votes i give it,that too with shots shamelessly stolen from Mel Gibsons'Apocalypto & DI(digital intermediate)from 300 and a few others(even that going overboard),Urumi proves to be nothing more than a hyped flick.With a promising thread as it may sound,the movie slogs due to major flaws in the script.The climax quite missed a WOW and the stunts weren't all that great.The styling factor was quite impressive though. Prithviraj i found to be a pumped up stale-face doll keyed to walk around with Prabhu Deva who heavily overdoes the comedy.However,Amol Gupte,Jagathy Sreekumar,Nithya Menon have performed very well,and off-course not to forget "Princess Ayesha" stunningly performed by Genelia,proving herself to be an underused artist in the industry. The tracks by Deepak Dev are thoroughly enjoyable.Especially the one with Nithya Menon and Prabhu Deva.The Art was quite neat.The movie as a whole was a good initiative and is totally tolerable as to a lot of recent movies in Malayalam.but if you are one o those pessimistic perfectionists' who uphold the 'NOTHING IS ENGINEERED PERFECT'theory would you have issues with Urumi.