Stellead
Don't listen to the Hype. It's awful
StyleSk8r
At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.
Portia Hilton
Blistering performances.
Steve Pulaski
Tummy Trouble follows the misadventures of Roger Rabbit (voiced by Charles Fleischer), who is placed in charge of watching Baby Herman when his mother needs to run errands. Herman instantly throws a temper tantrum that results in Roger panicking, even more-so when Herman winds up accidentally swallowing his favorite rattle. In an effort to restore sanity to Herman's home, he must comfort Herman's stomach pain, control his incessant wailing, and restore order to their home, which rapidly descends into array. Also in the picture is a doctor, who tries to help the situation, but only winds up creating a dangerous playground upon which Roger and Herman wreak havoc. The result is chaotic and reckless as can be.The Roger Rabbit short films possess similar qualities as Tom & Jerry shorts and the Looney Tunes bits that focus on Sylvester the Cat painstakingly trying to outwit Tweety Bird. The result is a brash and hectic parade of visual gags for seven minutes before a fourth-wall breaking sequence at the tail-end of the short. Tummy Trouble showcases this brand of fast-paced, blink-and-you-miss-it humor done right, with enough emphasis on the limitless boundaries of animation to make this a favorable entry in the genre. The beauty of animation is such ridiculousness like what is shown in this short can be conceived so shamelessly, and through a loving blend of chaos and a smoothly introduced (and flawlessly executed) live-action sequence, there's little not to love here.Voiced by: Charles Fleischer, Lou Hirsch, and Kathleen Turner. Directed by: Rob Minkoff and Frank Marshall.
John T. Ryan
PERHAPS IT WAS done to see if we could bear witness to a sort of Renaissance of the Theatrical Cartoon Short, or maybe it was just made in order to ca$h in on the popularity of WHO FRAMED ROGER RABBIT?. In either case, we're happy that the short and subsequent cartoons were produced.SOME HAVE EXPRESSED disappointment at the ROGER RABBIT/BABY HERMAN Cartoons by stating that they were not like the ROGER RABBIT feature film. To them we must remind them that the cartoons are not on the same level budgetarily or otherwise. The cartoons are just that, cartoons. They exist in order to give a little variety to the program.BEYOND THE REALM of being a warm-up and laugh getter for the movie audience, we must realize that there is yet another dimension to these latter-day animations. In addition to the usual aspects of a cartoon's having funny characters, snappy hip dialogue, over the top sight gags and a lively soundtrack featuring both appropriately chosen music and befitting sound effects; we have yet another complex element here.WE MUST KEEP in mind that for whatever reason they were made, their genesis was steeped in satire and parody. Whereas the ROGER RABBIT Feature was (among other things) a satire of the Hollywood and indeed the whole American scene, the resulting shorts were driven by their need and purpose of parodying the work of icons of the animation art such as: Walt Disney, Chuck Jones, Ub Iwerks, Tex Avery, Fritz Freleng, Bob Clampett, etc., etc., etc........AS FOR OUR opinion, both Schultz and myself highly approve and wish that the series would continue.
RbDeraj
After seeing "Who Framed Roger Rabbit?" and being extremely impressed and entertained by its opening scene, this short sparked my interest. But what I got was nothing like the clever, witty, hilarious slapstick humor from the film that paid homage to the Golden Age of American Animation. I thought this would use the same 3D like animation style with its zany angles and incredible speed, but instead it was a cheap looking animation that was widely used later in early 90's cartoons. Even the voice acting was so poorly done that I thought they hired different actors to play the characters. The cut scene at the end was the best part having the same style and quality as the film. Very disappointing.
strid333
Ok, I own the Honey I Shrunk the Kids video. At the time of purchase, I would say that I keep video for Honey. But now that I've grown up and I am no longer a kid, I keep it for the Roger Rabbit short film. I also still pop in my Who Framed tape because of the maturity in some of the jokes.
